Fathers, Masculinity, and Authoritarianism in Latin American Cinema

In this book, through an analysis of twenty-first-century films created in Latin America, Irina Dzero argues that contemporary filmmakers are using the figure of the father as a metaphor for political leadership. Dzero makes the case that the abusive and controlling fathers in many recent films reflect a growing rejection of predatory and coercive authority in the region.

The chapters in Fa...