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Grief in Contemporary Horror Cinema: Screening Loss
By Aspen Taylor Ballas (Contribution by), Erica Joan Dymond (Editor), Lorna Piatti-Farnell (Editor), Michael Brown (Contribution by), Megan DeVirgilis (Contribution by), Erica Joan Dymond (Contribution by), Andrija Filipovic (Contribution by), Andrew Grossman (Contribution by), Racheal Harris (Contribution by), Todd K. Platts (Contribution by), Lindsey Scott (Contribution by), Rebecca L. Willoughby (Contribution by)
Paperback
$39.99
By Aspen Taylor Ballas (Contribution by), Erica Joan Dymond (Editor), Lorna Piatti-Farnell (Editor), Michael Brown (Contribution by), Megan DeVirgilis (Contribution by), Erica Joan Dymond (Contribution by), Andrija Filipovic (Contribution by), Andrew Grossman (Contribution by), Racheal Harris (Contribution by), Todd K. Platts (Contribution by), Lindsey Scott (Contribution by), Rebecca L. Willoughby (Contribution by)
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Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing dep...
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