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Pat Murphy's third feature film, Nora (2000), is based on Brenda Maddox's 1988 biography of Nora Barnacle, the wife of James Joyce. The film is on one level a sumptuous historical romance, on another a feminist biopic, on yet another a complex meditation on the relationship between high modernist art and ordinary human relationships. It challenges the ways in which history and sexuality have been constructed in Irish film throughout the 1980s and 1990s. Both the literary biography and film ...