A Horse Walks into a Bar

A Horse Walks into a Bar

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Product Details

ISBN-13: 9781101973493
Publisher: Knopf Doubleday Publishing Group
Publication date: 01/16/2018
Series: Vintage International Series
Edition description: Reprint
Pages: 208
Sales rank: 116,447
Product dimensions: 5.10(w) x 7.90(h) x 0.70(d)

About the Author

DAVID GROSSMAN was born in Jerusalem. He is the author of numerous works of fiction, nonfiction, and children's literature. His work has appeared in The New Yorker and has been translated into more than forty languages. He is the recipient of many prizes, including the French Chevalier de l'Ordre des Arts et des Lettres, the Buxtehuder Bulle in Germany, Rome's Premio per la Pace e l'Azione Umanitaria, the Premio Ischia--international award for journalism, Israel's Emet Prize, and the Albatross Prize given by the Günter Grass Foundation.

JESSICA COHEN was born in England, raised in Israel, and now lives in the United States. She has translated contemporary Israeli fiction, nonfiction and other creative works, including David Grossman's To the End of the Land.

From the Hardcover edition.

Read an Excerpt

Good evening! good evening! Good evening to the majestic city of Ceasariyaaaaaah!”
(Continues…)



Excerpted from "A Horse Walks Into a Bar"
by .
Copyright © 2018 David Grossman.
Excerpted by permission of Knopf Doubleday Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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A Horse Walks into a Bar: A novel 4.3 out of 5 based on 0 ratings. 3 reviews.
thewanderingjew More than 1 year ago
A Horse Walks Into a Bar, David Grossman, author; Joe Barrett, narrator, Jessica Cohen, translator The book is well written, but I don’t think it will be universally enjoyed. I believe it is for a narrow audience that is familiar with Jewish humor and its universal ideas about guilt and shame. A stand-up comedian in his mid fifties, Dov Greenstein, is performing in a small nightclub that seems a bit second rate, in Netanya, Israel. He has invited a former school chum, a judge, to attend his performance as a special favor. He has not seen Ashivai Lazar for years, but he has followed his career. Dov has asked Ashivai to come to his performance and tell him honestly how he perceives him. In the audience, possibly by chance, there is also a woman who was a neighbor of his from his childhood. She is now a manicurist and a medium. He calls her Pitz. Each of these three characters has a defining characteristic which is important to the story. How does each of them “see” Dovela? How do they see themselves? I did not find the story funny, although it features Dov’s entire stand up routine of the night. Interspersed between jokes Dovela relates’s, the background of his life. The two characters who knew him are privy to some of his memories and are affected by them, but the audience experiences frustration when the jokes stop and the monologue grows serious. Some get up and leave, some become drawn to his story. Readers will experience the same ups and downs. All will be forced to think about how things are perceived and how that perception shapes their lives and the lives of others. This odd little book examines how we all see each other and ourselves. It examines how that perception effects how we all turn out. The humor is often dark and inappropriate. Dr. Mengele, “the angel of death” from the Holocaust Concentration Camp, Aushwitz, is referred to as his family doctor. His mother was a survivor who did not survive wholly well. It is intimated that she is emotionally unstable. Dov walked on his hands to escape from reality and to protect his mother from the stares of others. It drew attention away from her making him the subject of ridicule, instead. It offered him a way to escape from his life, as well. Upside down, he was smiling, not frowning. His father was a brute who physically abused him. Dov’s jokes and language are crude, even vulgar. His physical description is unpleasant. His performance concerns subjects we don’t usually consider funny. He jokes about cancer, the Holocaust, death, sex and a horse that walks into a bar, which is a joke begun by a driver who is taking him to the funeral of someone who has not yet been identified to him, but he knows there has been some kind of a tragedy he will have to experience against his will. All three of the people that the story focuses on have had difficulties because of how people saw them, without really seeing them. They made people uncomfortable. Was this performance meant to expose the shared frailties of everyone? He wonders what people think of when they see him! Do they really see him? Do we all wonder about that? I would describe the book as a comedy/tragedy. The reader will decide which takes precedence.
Anonymous More than 1 year ago
The book is both a downer and about redemption. But it is wonderfully written. Powerful. I don't know how the writer knows so much about the kind of dialogue stand-up comics use, but it was totally convincing. As was the tension between the narrator and the comic as the underlying story was slowly revealed to the reader. Congratulations to the author for winning the Booker Prize.
Anonymous More than 1 year ago
Kyla, she waited.