Abjection Incorporated: Mediating the Politics of Pleasure and Violence
344Abjection Incorporated: Mediating the Politics of Pleasure and Violence
344Paperback
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Overview
Product Details
ISBN-13: | 9781478003021 |
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Publisher: | Duke University Press |
Publication date: | 01/17/2020 |
Pages: | 344 |
Product dimensions: | 6.00(w) x 9.00(h) x 0.72(d) |
About the Author
Table of Contents
Acknowledgments vii Introduction. Not It, or, The Abject Objection / Maggie Hennefeld and Nicholas Sammond 1 1. The Politics of Abjection / Sylvère Lotringer 33 Part I. Abject Performances: Subjectivity, Identity, Individuality 2. Popular Abjection and Gendered Embodiment in South Korean Film Comedy / Michelle Cho 43 3. Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abjection Aesthetics / Rebecca Wanzo 64 4. Abject Feminism, Grotesque Comedy, and Apocalyptic Laughter on Inside Amy Schumer / Maggie Hennefeld 86 Part II. Abject Bodies: Humans, Animals, Objects 5. The Animal and the Animalistic: China's Late 1950s Socialist Satirical Comedy / Yiman Wang 115 6. Anticolonial Folly and the Reversals of Repatriation / Rijuta Mehta 140 7. Between Technology and Toy: The Talking Doll as Abject Artifact / Meredith A. Bak 164 8. Absolute Dismemberment: The Burlesque Natural History of Georges Bataille / James Leo Cahill 185 9. Why, an Abject Art / Mark Mulroney 208 Part III. Abject Aesthetics: Structure, Form, System 10. A Matter of Fluids: EC Comics and the Vernacular Abject / Nicholas Sammond 217 11. Spit * Light * Spunk: Larry Clark, an Aesthetic of Frankness / Eugenie Brinkema 243 12. A Series of Ugly Feelings: Fabulation and Abjection in Shōjo Manga / Thomas Lamarre 268 13. Powers of Comedy, or, The Abject Dialectics of Louie / Rob King 291 Contributors 321 IndexWhat People are Saying About This
“Abjection Incorporated makes a strong case for the abject as an important political space for confrontations between identities assigned and performed. Even as many seek to displace the subject as a meaningful category of analysis and action, these essays demonstrate that the fundamental tension between the fragility of self and the abjection of otherness remains a viable and quite possibly unavoidable foundation for cultural theory and criticism.”
“Passionate, eye-opening, exciting! From Lena Dunham to Amy Schumer to Larry Clark and Louis C. K. (not to mention Mad Magazine), who would have thought that forty years after Kristeva's Powers of Horror so much insight for our times could be discovered through the lens of abjection! Editors Maggie Hennefeld and Nicholas Sammond have contributed to and guided the production of a timely and unusually cohesive anthology.”