Following the band-backed
Less Ready to Go (2019) and self-released one-man outing
So On So On (2020),
Accompany finds
Michael Nau back in a collaborative setting after the latter album and a few years without "much of a plan." What changed that was producer/engineer
Adrian Olsen (
the Head and the Heart,
Fruit Bats,
Lucy Dacus) reaching out to invite
Nau to record something together at his Richmond, Virginia studio. With sessions scheduled,
Nau wrote some songs and put together a band consisting of longtime studio and/or touring collaborators, including vocalist
Whitney McGraw, keyboardist
Will Brown, and multi-instrumentalists
Seth Kauffman (
Ray LaMontagne,
Angel Olsen),
Mat Davidson (
Twain,
Langhorne Slim,
Big Thief), and
Ken Woodward (
Twain,
Buck Meek) as well as
Olsen. His full-length debut for
Karma Chief Records, the resulting
Accompany was essentially recorded live in the studio as a band. Although
Nau's music has always been known for a reflective, "dreamy" countenance,
Accompany settles into a consistently blurry, midtempo bearing that's particularly lost in thought and memory. Helping this perception along are impressionistic lyrics that capture feelings and experiences without necessarily naming them. A song like the
Carole King-evoking "Shiftshaping" epitomizes this effect with its sometimes indistinguishable wash of strings, synthesizers, guitar noodling, and ghostly backing vocals adding dense atmosphere to more in-focus piano and vocals whose lyrics are concerned with emerging from a period of sleep and forgetfulness. Other songs, like the jaunty highlight "Painting a Wall," regretful opener (or does it just sound regretful?) "Sharp Diamonds," and the nostalgic "Relearn to Boogie," lean heavily into floaty steel guitars or, in the case of the latter, vibraphone. Even relatively lucid entries like "And So On" and the organ-centric "Comes to Pour," with their relatively crisp rhythm sections, are set against a backdrop of reverb and sustain. It's an especially dreamy -- and seductive -- album and one that seems to find comfort in collaboration. ~ Marcy Donelson