After more than four hundred years of Roman rule, the island its conquerors called Britannia was abandoned-left to its own devices as the Roman empire contracted in a futile effort to defend itself from the barbarian hordes encroaching upon its heart. As Britannia falls into anarchy and the city of Viroconium is left undefended, two cousins who remained behind when the imperial forces withdrew pursue very different courses in the ensuing struggle to unite the disparate tribes and factions throughout the land.
In Morgan Llywelyn's stunning medieval novel After Rome, passionate, adventurous Dinas recruits followers and dreams of kingship. Thoughtful Cadogan saves a group of citizens when Saxons invade and burn Viroconium, then becomes the reluctant founder and leader of a new community that rises in the wilderness. The two cousins could not be more different, but their parallel stories encapsulate the era of a new civilization struggling to be born in the Middle Ages.
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|Publisher:||Tom Doherty Associates|
|File size:||1 MB|
About the Author
New York Times bestselling author Morgan Llywelyn is the winner 1983 RT Times Award for Historical Novel of the Year (The Horse Goddess). She lives near Dublin, Ireland.
Since 1980, Morgan Llywelyn has created an entire body of work chronicling the Celts and Ireland, from the earliest times to the present day. Her critically acclaimed novels, both of history and of mythology, have been translated into many languages. Her books include 1916 and Bard: The Odyssey of the Irish. She is an Irish citizen and lives in Dublin.
Read an Excerpt
The moon is dark; the stars are smothered by clouds. Autumn is upon us now. This morning the rain rushed down the hills like silver snakes, yet nothing is moving tonight. Even the mice and moles cower in their burrows. The earth holds her breath as if waiting for disaster, but the disaster has already happened.
Civilization has collapsed.
Lucius Plautius, who studied with the Athenians, would say I am suffering from depression. He could be right.
Dinas, who laughs at everything, would say there is no such thing as depression. He could be right.
* * *
Cadogan leaned his shoulder against the door, braced his feet and shoved again. Nothing happened. The oak planks did not even creak.
The door was like the woman on the other side. Obdurate. The woman who had slid the bolt across the door. There was no other way in. The walls were constructed of solid logs. The few windows provided ventilation and a modicum of light, but they were too narrow to admit an intruder. In cold weather they were shuttered with two planks.
Cadogan stepped away from the door and rubbed his shoulder. He was weary to the bone. He had been riding for most of the night. Alternately trotting and cantering through the haunted darkness, up and down hills, splashing through streams, dodging trees at the last moment only to be slashed by low hanging branches. Trusting his horse to take him home.
In years gone by a traveler might have found a comfortable inn along the way. In such an establishment Cadogan would have enjoyed an ample meal and a flagon of the local brew while the hosteler rubbed down the bay mare and gave her a heaping measure of oats. A few coins more would have purchased a dry bed for himself — with a minimum of fleas — so he could resume his journey in the morning feeling refreshed.
There were no comfortable inns anymore. No lantern's gleam to welcome weary travelers. Windows were shuttered if any shutters remained. Doors sagged from rusting hinges; arrogant weeds thrust through floorboards. Business was very bad indeed.
The bay mare would have no oats tonight. Cadogan had removed her saddle and bridle and turned her loose to graze, knowing she would not wander far. She was too old and too wise to stray. This was the only home she had known for two years and she was content.
He could hear her tearing up mouthfuls of dry grass.
Cadogan stopped rubbing his shoulder and stood deep in thought. Then he walked around to the rear of the building, where he had stacked a quantity of firewood along the north wall. Heavy branches had been chopped into neat lengths, ready for burning. Kindling was wedged between the logs and the wall to create an added layer of insulation. Cadogan reached in and pulled out a handful of sturdy twigs. Ignoring the protestations of his aching body, he crouched and set them on the ground. Quietly.
His night-adapted eyes could make out general shapes but no specifics. Still crouching, he ran his hands over the nearby earth until he found several thick clumps of grass. Dying grass left from summer. He ripped them up, roots and all, and carried them with the kindling to the west side of the building. The side nearest the forest. A single narrow window was set in the wall.
Cadogan turned his back on the window and took two measured paces forward. He rolled the clumps of grass together until they formed a loose ball, which he placed on the ground before him. Loosening his linen underpants, he dribbled a few drops of urine onto the grass, just enough to dampen the center while leaving some dry tips. He used the twigs to fashion inward-leaning walls around the grass to hold it in place. Next he took a set of flints from the leather pouch on his belt and began striking sparks over his construction. After several tries, the dry grass tips ignited in a sizzle of red and gold.
Cadogan crouched and blew gently on the blades to keep them burning, then sat back on his heels and waited.
Although light was visible through the window, he did not call out to the woman inside. Not again. After taking care of his horse he had hammered his fist on the door. Called out his name. Expected her to welcome him. Instead she had bolted the door before he could push it open and enter.
Obviously another method of communication was required.
The smoke began to seep out of its enclosure like a timid creature poking its nose out of a burrow. Cadogan waited until it formed a pale cloud, dimly lit from beneath. The small ball of grass was too damp to fuel a substantial fire, but perfect for making smoke. He leaned forward and blew again. Sat back with eyes narrowed, calculating the exact moment when a final, well-placed breath would send the cloud upward.
When the column of smoke had thickened sufficiently he stood up and unfastened his hooded cloak. Waving it in front of him, he began wafting the smoke toward the window.
Some distance away, the mare raised her head and snorted.
A nightingale called among the trees, immediately answered by another. Even in the dark territories must be defined and boundaries respected. Nature's laws were strict.
Cadogan moved back and forth, almost dancing on the balls of his feet as he directed and redirected the smoke. Even something as diaphanous as smoke could be controlled with persistence.
The woman inside called out, "Are you still there?" Her voice was unpleasantly sharp, with an edge like a knife. It was almost the only thing he remembered about her.
He continued shepherding smoke.
"Is that you, Cadogan? What are you doing?" Weave and twist, draw patterns in the air. Try to ignore the sudden stitch in his side.
"Cadogan! You said I could stay here. You said!" Her voice shrilled upward. She could smell the smoke now. In summer the lightning, the random finger of God, set trees ablaze to renew them. And the trees were very near.
"I'm in here, Cadogan!" she cried. "Answer me!" He flung his cloak over his shoulder like a toga and walked around to the front of the building. Flattening himself against the wall beside the door, he waited.
He heard her groan as she lifted the heavy bolt and set it aside. The iron hinges, which he never greased, protested loudly when she pulled the door open. She thrust her head into the night. It was too dark to see anything. Holding her breath, she listened for the crackling of fire. Was it coming nearer? What should she do?
She ducked back inside. Looked wildly about the room.
The smell of smoke was growing stronger.
When she ran through the open doorway Cadogan lunged forward and caught her. He could feel how thin she was beneath her gown. All angles, with no comfort in her body to offer a man. Strong, though; she fought like one of the savage wildcats from Caledonia. Screeching, squalling, writhing in his grip and trying to scratch his eyes out.
A plague on the wretched woman! thought Cadogan. He immediately repented, reminding himself that he was a Christian. But even Christ had lost his temper with the money changers.
By the time Cadogan managed to pinion her wrists they were both panting.
"You said I could stay, you said I could stay!" "Only until my cousin came back for you," Cadogan replied. He had been told his deep voice was "reassuring," but his next words were anything but reassuring. "If Dinas hasn't come for you by now he's not going to."
"You don't know that!" she shrilled.
"I know him. You're not the first woman he's abandoned."
"He hasn't abandoned me, he never would! Dinas adores me. Many men have said they loved me, but none are as passionate as Dinas. He swore he'd throw himself on his sword if he ever lost me!" Cadogan began to feel sorry for her. And sorry for himself, for his aching body and leaden weariness. Sorry that his life — which only a month ago had been filled with a hermit's simple pleasures — was being torn asunder through no fault of his own.
"You should go inside now," he said, releasing her wrists.
"But there's a fire coming!"
"Don't worry, you'll be safe. There's no real fire, only damp grass smoking."
She caught her breath. "Do you mean ... did you trick me?"
"I had to make you open the door."
She furiously pummeled his chest with her fists. "You're a terrible man and I hate you! Hate you, hate you, hate you!"
"That's too bad." He captured her wrists again and started to force her into the house. Thought better of it. Pulling her after him, he went around to the back of the building.
She made no effort to free herself. Instead she kept up a running commentary on his failures as a human being while he stamped on the fire. "You're worthless compared to your cousin, do you know that? Dinas is a twelve-pronged stag and you're a pile of goat dung. Goat dung with flies on it!"
Cadogan noticed that she had begun drawling her vowels. "Dinas is twice the man you are, he has balls like melons and a prick like a stallion. What do you have under your tunic, a dead eel? The first time I saw you I knew you were nothing. If Dinas was here you couldn't treat me like this, because he would knock your teeth out."
"Dinas likes to fight," Cadogan said. "I don't."
"So you're a coward as well."
He ignored the insult and continued extinguishing the fire. It took a while to hunt down and crush the last tiny spark. When he was satisfied there no danger of the blaze flaring up again, he took her back inside. Still yammering at him. Her voice was seriously beginning to grate on his nerves.
A bronze oil lamp on a three-legged table supplied the only light. The draft from the closing door caused the flame to gutter, flickering as if it might go out. Cadogan released the woman so he could slide the heavy bolt across the door, then he took a large tin ewer from beneath the table. When he lifted it his heart sank. He thumbed back the lid and peered inside anyway. The ewer was empty. She had burned all the herring oil.
"There isn't any more," she confirmed. "I already looked."
He turned to find her sitting on the bed. The only bed.
"Why did you have to burn all of it?"
"What did you expect me to do, sit in the dark? You're not much of a host, Cadogan. In fact I don't like anything about you. Not your splotchy face, not your flabby body, not even your feet. You're the ugliest creature I've ever seen."
The man to whom she spoke was above average height, with a sturdy body sculpted by hard work. He had a clean shaven, affable face that still retained a smattering of boyish freckles, and wore his thick brown hair cropped in the Roman style.
Puzzled, Cadogan asked, "What's wrong with my feet?"
She did not answer.
He rubbed his shoulder again. "I'm tired; I'm very tired. I've had several bad days and I need some sleep, so I'm afraid you'll have to sit somewhere else."
She raised a pair of overplucked eyebrows. "Why should I perch on a stool when there's a comfortable bed? Dinas never told me you were brutal, Cadogan. He said you were kind. He said I could rely on your kindness."
"Dinas says too thundering much and none of it true," Cadogan growled. Taking her by the elbows, he moved her off the bed. She hung like dead weight in his hands. When he released her she flounced over to a stool and sat down. "I hate you," she said flatly. "I always have and I always will."
"You don't even know me."
"That makes it easier."
Cadogan stretched out on the bed and folded his arms behind his head. It was easier to ignore her than have a conversation with her. His eyes wandered around the room. As always, his handiwork gave him a sense of satisfaction in spite of his somber mood.
Seen from outside, his home was unimpressive. A rectangular timber building with a steeply pitched roof, it melted into its forest setting. To the casual observer it might have been a woodcutter's cabin, though it was too large for one. It more nearly resembled a small fort.
That had not been his original intention. During construction the house had seemed to choose its own shape. By the time it was finished he realized what he had wanted all along was a fort. A building sufficient to protect its occupant from the intrusions and abrasions of the outside world.
His first choice for the exterior walls was stone and mortar, his second choice was brick. Stone was impossible for one man to quarry and transport, and the nearest brickyard was many miles away. That left only the raw materials at hand. Cadogan had felled the trees and sawn the wood himself, learning the necessary skills as he went along. Trial and error. Axe and adze and plane. Use the mare to drag the heavy logs into place. Laboriously raise them one by one, chink the gaps with mud. For two years he had pushed his body to its limits, promising himself he would correct his mistakes later. When there was time.
The interior of the building showed a certain refinement. It consisted of one large room whose unpeeled log walls were covered by smooth planks. The roof was supported by tree trunks shaped into columns. The clay floor had been pounded until it gleamed, then incised with patterns imitating mosaic tiles. In the center of the room was a raised stone hearth surmounted by andirons decorated with boars' heads. Above this was a smoke hole, cleverly concealed within the angle of the roof.
One end of the room was given over to storage. Crates and bags and boxes of various sizes were neatly stacked beside an assortment of tools, some of them handmade, all of them well maintained. Cadogan's clothing was hung on pegs. Hunting spears leaned against the wall with their feet ensnared in fishing nets. A large iron cauldron complete with flesh hooks was stored beneath a row of shelves. The bottom shelf was crammed with tin cooking utensils and everyday plates and cups cast in pewter. The shelf above this boasted a complete set of glazed red tableware, plus a single, exquisite glass bottle the color of emeralds. The top shelf was fitted with cubbyholes designed to hold Cadogan's cherished collection of manuscripts. Scrolls of Athenian poetry, Alexandrian maps, books of Latin history and theology. The books had been written on thin sheets formed by pounding together crisscross slices of the pith of a sedge called papyrus.
At the opposite end of the room was a wooden bedstead, held high off the floor by oak stumps. The bed was equipped with a horsehair mattress, a rather grimy sleeping pad stuffed with goose down, an equally grimy linen sheet and three woolen blankets. Near the bed a naturally formed stone basin was set atop another broad stump. Cadogan had found the object in the river the preceding autumn, when the water was low enough to allow for easy fording. Over many centuries the river had shaped and polished the stones in its bed as it slowly changed its course. Following the way of least resistance.
The remainder of Cadogan's furniture consisted of a brass-bound chest inlaid with silver and copper, two brightly painted wooden stools, a battered campaign table with folding legs, and a larger oak table. The lamp on that table had been one of his mother's treasures. When he was a child she had guided his chubby fingers around the swirling acanthus leaves engraved on the bronze surface. "See how beautiful, Cadogan?" He had loved beauty ever since.
The woman followed the direction of his eyes. Where he saw achievement she saw failure. Crude construction and a dirt floor covered with chicken scratches. Most of the furniture looked as if it had been hacked out with an axe. Sacks of grain and dried meat were hanging from ropes slung over the rafters to protect the food from rats. Although she could not see them in the dim light, she knew there were spiderwebs in the corners. Worst of all, the place had a damp, musty smell, as if moisture were seeping up from the earth below. She had wasted the last of her tiny vial of perfume trying to sweeten the air.
"It's cold in here," she complained.
"There's no fire on the hearth," he pointed out.
"You're out of firewood."
"There's plenty stacked behind the house, didn't you look back there?"
She said indignantly, "I'm not accustomed to bringing in firewood. Why are you hiding in this miserable hovel anyway?"
"This isn't a miserable hovel, it's my home. And I'm not hiding." Cadogan wanted to close his eyes but he couldn't, not with her staring at him. "I live alone out here because a solitary life appeals to me."
Excerpted from "After Rome"
Copyright © 2013 Morgan Llywelyn.
Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Finally, after years of meaning to try Morgan Llywelyn's writing and luckily for me she published After Rome in February and I figured it would be a great place to start with and it was. While the book turned out to be different from what I thought it would be I still enjoyed it for what it was. Books set in Britain during the tumultuous time when the Romans vacated the island aren't all that plentiful so I'm glad to have found this one. The novel follows two cousins over a period of five years when the Romans abandoned their outposts in Britania and is told in alternating points of view. One cousin Cadogan is the thoughtful, quiet and responsible one burdened with to many responsibilities but he thrives on that in a way. The other cousin Dinas, is rather close minded, rash, impulsive and very self absorbed. The cousins are as different as different can be and they aren't close so their stories intersect only twice during the telling of After Rome and on very different terms. While the book was a slower read and didn't have that sense of action, adventure and drama that I had been hoping for I thought it was a unique read because I was able to see two very different ways of life in Celtic Britain being laid out before me in the pages of After Rome and I learned quite a bit about Rome, Britain, the Celts the politics of the time and how ordinary men and women lived during the time of such great political upheaval. The fact that I was drawn into the story as though the book was playing out in film before my eyes is probably the best thing about the book. I felt like I had been transported to the time and place the novel took place in and it was as though I could see the city of Viroconium being pillaged and the horror on the citizens faces when they realized that their homes were gone and they had to look to a reluctant Cadogan. It was nice to see a book written about ordinary citizens who had to deal with the hands they were dealt and parts of it especially the story of Dinas towards the end of the book. There were some things that I didn't like about the book such as how unexciting it was and the arrogance of several of the characters like Dinas for example drove me crazy but at least the majority of the book seemed to be told through Cadogan's eyes. I also would of liked to have seen more written about the Celts in the book. Other than that I thought the book was enjoyable if you want a slower historical fiction read and I've found that the switch up from a fast paced historical fiction novel was nice and I thought this was a nice introduction to Llywelyn's writing style and I look forward to reading more of her books soon. I would recommend this to people who like slower paced historical fiction where they can learn more about the background behind the story because Llywelyn presented the novel in a way that she teaches the read a lot about the life and times of the people who once lived in Britain.
Although this author has always been one of my favorites- I bought this book without even reading any reviews- after a few chapters I am not sure. The Avalon series is on my favories shelf but it almost seems like this is not by the same writer. That well-known magic just isn't there. I have actually put the book down for lack of interest and moved on to another, I am sad to say. I will go back at some point and try again. This is a time period of great interest for me but somehow it just isn't doing it for me.
I am giving this book a 4-star rating. I love stories with details of life way back to Roman times and before. One of the best parts of After Rome was the amount of detail about peoples lives, what they ate,how they lived, the way they coped, the treatment of the peoples around them. I won't retell the story of After Rome, most other comments will do that for you. Just know this is an excellent book. I have sought out and bought a couple of other books by this author since reading it. I'm looking forward to reading his other books too. The last book I read with this wealth of detail was The Master of Hestviken, by Sigrid Undset. A book I periodically re-read. I am sure After Rome will call to be re-read again too. This is WELL WORTH reading, and living in for the short time it takes to read it.
I thoroughly enjoyed this book! The prose flowed in a way that made it easy to read. Mental pictures are easily formed as you read. You will also form an attachment to the characters in a way that makes you sad the book ends, wanting to keep on reading about their lives. This book describes a time in history where the Roman civilization is receding. What takes its place? This book describes what might have taken place in a society, its culture, and the people during such a time. I enjoyed this book so much, that I also purchased 'The Wind from Hastings' by Morgan Llywelyn and very much enjoyed reading that too!
As always this author gives us a living, breathing set of characters who invite us into their very real world. Wonderful historical accuracy and nice bit of light shed onto the dark time between the Roman Exodus and the rise if Alfred.
I've been a true fan of Morgan Llywelyn, have read all of her books, but this one is a real disappointment. It dosen't read like her usual style at all. Where is the real Morgan L.?
The book was interesting but by the time you got to know the characters and their backgrounds, the book just ends! Seems like the author just ran out of her idea and ended the book with one of the main characters riding into the wilderness. And that was it! Very disappointed. I've read her other books on Brian Boru and Celtic Ireland and they were very well developed. Don't know what happened to this one.
This is the first book that I have read by this author, and I enjoyed it. It wasn't super exciting but a good read all the same. I enjoy historical fiction, and will read more from this author in the future.
Good story with history mixed in.
Like all this author's work, this is a cannot put down. This book shows the chaos left by the Roman withdrawal from Britain. Reminds me of some more modern senarios.
I have not read this yet, but I absolutely will. Lleywelyn is one of my all-time favorite authors. To Anonymous who posted on 3/3/13, Lleywelyn did not write the Avalon series -- Marion Zimmer Bradley did.
Dont buy it!