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“Astonishing for the quality of the writing . . . the complexity of the invented world, the wide- ranging view of the human condition.”— Elena Ferrante

Elsa Morante’s novels were once considered the greatest of Italy’s postwar generation. Here, Ann Goldstein’s “deft translation” (Madeline Schwartz, New York Review of Books) of Arturo’s Island heralds a “second life” for the beloved author, finally garnering Morante “the new readers she deserves” (Lily Tuck, Wall Street Journal). Imbued with ...