In the depths of his Cornish hideaway, retired Detective Inspector Frank Elder’s solitary life is disturbed by a call from his ex-wife, telling him his seventeen-year-old daughter, Katherine, is running wild, unbalanced by the abduction and rape he feels he should have prevented. Meanwhile, in the heart of London, the takedown of a violent criminal goes badly, and Detective Sergeant Maddy Birch is uneasy about the reasons why, an uneasiness that is compounded when she starts to believe she is being stalked.
Maddy and Frank had a brief and clumsy encounter years before. In Ash & Bone their lives connect again when a second phone call persuades Elder out of retirement, only to find that a cold case has a devastating present-day impact.
About the Author
JOHN HARVEY is the author of ten previous Charlie Resnick novels and the Frank Elder series, and a recipient of the Silver Dagger Award, the Barry Award, and the Cartier Diamond Dagger Award for lifetime achievement, among other honors. He lives in London.
Read an Excerpt
MADDY BIRCH WOULD NEVER SEE THIRTY AGAIN. NOR forty either. Stepping back from the mirror, she scowled at the wrinkles that were beginning to show at the edges of her mouth and the corners of her eyes; the gray infiltrating her otherwise dark brown, almost chestnut, hair. Next birthday she would be forty-four. Forty-four and a detective sergeant attached to SO7, Serious and Organized Crime. A few hundred in the bank and a mortgaged flat in the part of Upper Holloway that North London estate agents got away with calling Highgate Borders. Not a lot to show for half a lifetime on the force. Wrinkles aside.
Slipping a scarlet band from her pocket, she pulled her hair sharply back and twisted the band into place. Taking a step away, she glanced quickly down at her boots and the front of her jeans, secured the Velcro straps of her bulletproof vest, gave the ponytail a final tug, and walked back into the main room.
To accommodate all the personnel involved, the briefing had been held in the hall of an abandoned school, Detective Superintendent George Mallory, in charge of the operation, addressing the troops from the small stage on which head teachers since Victorian times had, each autumn, admonished generations of small children to plough the fields and scatter. The fields, that would be, of Green Lanes and Finsbury Park.
Wall bars, worn and filmed with gray dust, were still attached to the walls. New flip charts, freshly marked in bright colors, stood at either side of a now blank screen. Officers from the tactical firearms unit, SO19, stood in clusters of three or four, heads down, or sat at trestle tables, mostly silent, with Birch's new colleagues from Serious Crime. She had been with her particular unit three weeks and two days.
Moving alongside Birch, Paul Draper gestured toward the watch on his wrist. Ten minutes shy of five-thirty. "Waiting. Worst bloody time."
Draper was a young detective constable who'd moved down from Manchester a month before, a wife and kid and still not twenty-five; he and Birch had reported for duty at Hendon on the same day.
"Why the hell can't we get on with it?"
Birch nodded again.
The hall was thick with the smell of sweat and aftershave and the oil that clung to recently cleaned nine-millimeter Brownings, Glock semiautomatic pistols, Heckler and Koch MP5 carbines. Though she'd taken the firearms training course at Lippetts Hill, Birch herself, like roughly half the officers present, was unarmed.
"All this for one bloke," Draper said.
This time Birch didn't even bother to nod. She could sense the fear coming off Draper's body, read it in his eyes.
From his position near the door, the superintendent cast an eye across the hall, then spoke to Maurice Repton, his detective chief inspector.
Repton smiled and checked his watch. "All right, gentlemen," he said. "And ladies. Let's nail the bastard."
Outside, the light was just beginning to clear.
BIRCH FOUND HERSELF SITTING ACROSS FROM DRAPER inside the van, their knees almost touching. To her right sat an officer from SO19, ginger mustache curling around his reddish mouth; whenever she looked away, Birch could feel his eyes following her. When the van went too fast over a speed bump and he jolted against her, his hand, for an instant, rested on her thigh. "Sorry," he said and grinned.
Birch stared straight ahead and for several minutes closed her eyes, willing the image of their target to reappear as it had on the screen. James William Grant. Born Hainault, Essex, October 20, 1952. Not so far then, Birch thought, from his fifty-second birthday. Birthdays were on her mind.
Armed robbery, money laundering, drug dealing, extortion, conspiracy to murder, more than a dozen arrests and only one conviction: Grant had been a target for years. Phone taps, surveillance, the meticulous unraveling of his financial dealings, here and abroad. The closer they got, the more likely it was that Grant would catch wind and flee to where the extradition laws rendered him untouchable.
"It's time we took this one down," Mallory had said at the end of his briefing. "Way past time."
Five years before, an associate of Grant's, ambitious enough to try and freelance some Colombian cocaine conveniently mislaid between Amsterdam and the Sussex coast, had been shot dead at the traffic lights midway along Pentonville Road, smack in the middle of the London rush hour. After a trial lasting seven weeks and costing three-quarters of a million pounds, one of Grant's lieutenants had eventually been convicted of the killing, while Grant had slipped away scot-free.
"What d'you think?" Draper asked, leaning forward. "You think he'll be there? Grant?"
Birch shrugged her head.
"He fuckin' better be," the Firearms officer said, touching the barrel of his carbine much as earlier he had touched Birch's leg. "Feather in our fuckin' cap, landing a bastard like him." He grinned. "All I hope is he don't bottle out and give it up, come walking out with his hands behind his fuckin' head."
As the van veered left off Liverpool Road, someone toward the rear of the vehicle started humming tunelessly; heads turned sharply in his direction and he ceased as abruptly as he'd begun. Sweat gathered in the palms of Birch's hands.
"There pretty soon," Draper said to nobody in particular. "Got to be."
Conscious that the man next to her was staring more openly, Birch turned to face him. "What?" she said. "What?"
The man looked away.
Once, after a successful operation in Lincoln, her old beat, a good result, she and an officer who'd been eyeing her all evening had ended up with a quick grope in a doorway. His hand on her breast. What in God's name had made her think about that now?
"We're getting close," the driver said over his shoulder.
One side of York Way was derelict, half-hidden behind blackened walls and wire fencing; on the other, old warehouses and small factories were in the process of being converted into loft apartments. Underground parking, twenty-four-hour doormen, fifteen-year-old prostitutes with festering sores down their legs and arms a convenient ten-minute stroll away.
From the front the building seemed little changed, a high-arched wooden door held fast with double padlock and chain, its paintwork blistered and chipped. Small windows whose cobwebbed glass was barred across. Birch knew from the briefing that the guts of the place had already been torn out and restoration was well in hand. A light showed dimly behind one of the windows on the upper floor.
Either side of her, armed officers in black coveralls, the single word POLICE stenciled in white at the front of their vests, were moving silently into position.
No sweat in her palms now and her throat was dry.
"YOU BASTARD!" LAUGHING.
Wary, Vicki walked over to where Grant was stretched out on the bed, cotton sheet folded down below his waist. For a man of his years, she thought, not for the first time, he was in good shape. Trim. Lithe. He worked out. And when he'd grabbed her just now, fingers tightening about her wrist, it had been like being locked into a vise.
"C'mere a minute," he said. "Come on." A smile snaking across his face. "Not gonna do anythin', am I? So soon after the last time. My age."
She knew he was lying, of course, but complied. Vicki standing there in a silver thong and a tight white T-shirt ending well above the stainless steel ring in her navel. What else was it about but this?
When she'd first met him, a month or so before, it had been at the Motor Show, Birmingham. Vicki not wearing a whole lot more than she was now, truth be told, a couple of hundred quid a day to draw attention to the virtues of a 3.2-liter direct injection diesel engine, climate control, and all-leather interior.
He'd practically bought the vehicle out from under her and later screwed her on the backseat at a rest stop off the A6. "Christen the upholstery," he'd said with a wink, tucking a couple of fifty-pound notes inside her dress. She'd balled them up and thrown them back in his face. He'd paid more attention to her after that.
"I've got this place in London," he'd said. "Why don't you come and stay for a bit."
"A bit of what?"
The first time he'd seen her naked it had stopped him in his tracks: he'd had more beautiful women before, but none with buttocks so round and tight and high.
"Jesus!" he'd said.
"You've got a gorgeous arse."
She'd laughed. "Just don't think you're getting any of it, that's all."
"We'll see about that," he'd said.
Fingers resting lightly just below her hips, he'd planted a careful kiss in the small of her back. "Who was it?" he'd said, hands sliding down. "Pushed in his thumb and pulled out a plum? Little Jack Horner? Little Tommy Tucker?"
After that he'd taken her facedown on the polished wood floor, bruises on her knees and breasts that smelled of linseed oil.
"Will, don't," she said now, shaking herself free. "Not now. I have to go and pee."
"What's wrong with here?" Pointing at his chest.
"Over you, you mean?"
"Why not? Wouldn't be the first time."
"You don't know the half of it." He reached for her but she skipped away.
"Don't be long," he said, leaning back against the pillows and watching her as she walked toward the door.
THERE WAS ACCESS FROM A COURTYARD AT THE REAR, stairs leading past three balconies to the upper floor. The loft apartment where Grant lived was entered through double doors, a single emergency exit leading to a fire escape at the farthest end.
Copyright © John Harvey 2005
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Table of Contents
Most Helpful Customer Reviews
'Maddy Birch would never see thirty again. Nor forty either.' This is what she thought as she frowned into a mirror that revealed wrinkles beginning to show around her mouth and gray sneaking into her hair. The first lines of 'Ash & Bone' describe someone growing older. Sounds benign, doesn't it? Here's a woman none too pleased with the signs of aging as she approaches her 44th birthday. She's a British detective sergeant assigned to Serious and Organized Crime. Her bank account's thin and she's making payments on her flat. Maddy doesn't think that's much to show for 'half a lifetime on the force.' Readers are immediately drawn to this no-nonsense likable woman. She's devoted to her job, doesn't much care for the condescension shown females on the force, and most definitely isn't interested in suggestive leers or clumsy gropes from her fellow officers. When we first meet her she's in a minor state of shock. She had recently accompanied Detective Superintendent Mallory and young Paul Draper on a raid to capture a top criminal, James William Grant. During that foray Grant is shot and killed by Mallory who notes, 'Textbook. Head and heart.' The killing, Mallory finds, is cause for 'A wee celebration.' At this point readers are totally hooked, wondering where ace thriller writer John Harvey is going with Maddy and her response to this experience. Thus, it's quite a shocker when she is found dead early on, page 64 to be exact. Leading up to this Harvey has skillfully reintroduced retired Detective Inspector Frank Elder, who has received a disturbing telephone call from his former wife. It seems their teenage daughter, Katherine, is running amok, staying out for all hours, sometimes overnight, keeping company with a drug dealer.. Elder blames himself for Katherine's anti-social behavior, believing it to be trauma caused by her earlier kidnaping and rape - a crime he feels he could have prevented. This is remorse he can't erase even by 'the slow but steady application of alcohol to the wound, the plastering over of helplessness and guilt.' Thus, we have two parallel stories, Katherine's salvation and the murder of Maddy Birch. Elder, humane, honest, lonely, comes out of retirement to help with the investigation of Maddy's death and at the same time try to reconnect with a daughter he loves. Word master Harvey creates revelatory dialogue that tells you more about the characters than any physical or emotional description could. This author is so adroit that even silences between people speak. His story is, of course, a police procedural, but penned with realism seldom found and respect for the characters he has created. He's devised a fast moving many layered plot that totally absorbs. Suffice it to say that Elder almost meets his match in Detective Karen Shields, smart, black, great looking, and an intimidating six feet tall. Together they begin to unearth evidence that Grant's killing goes far beyond a routine police shooting and may, in fact, jeopardize the credibility of the entire unit. Harvey's first novel featuring Frank Elder, 'Flesh & Blood,' won the British Crime Writers' Association Silver Daggar Award - polish a gold trophy for 'Ash & Bone.' - Gail Cooke