Mazzucchelli manages to combine breathless formal experimentation and read feeling into a story where every line, color choice, and panel arrangement builds toward a cohesive whole, lending an air of epic proportions to what would otherwise be a simple tale.” –Library Journal
“This is an epic, emotionally rich, symbol-laden work that promises to redefine the graphic novel...David Mazzucchelli has made a beautiful, elaborate construction that coyly juggles style and content in a way few cartoonists are capable of.” –Globe and Mail
“This brazenly original and complex work is easily one of the year's best novels, graphic or otherwise…Brilliant. Absolutely brilliant.” –San Jose Mercury News
“David Mazzucchelli's boldly ambitious, boundary-pushing graphic novel is remarkable for the way it synthesizes word and image to craft a new kind of storytelling, and for how it makes that synthesis seem so intuitive as to render it invisible…Asterios Polyp is a fast, fun read, but it's also a work that has been carefully wrought to take optimum advantage of comics' hybrid nature — it's a tale that could only be told on the knife-edge where text and art come seamlessly together.” –NPR’s The Five Best Books to Share with Your Friends
“As ever, Mazzucchelli keeps both the visual and storytelling fireworks coming…This is a work that demands to be read, re-read, analyzed, and discussed.”—Comics Bulletin
“Formally daring yet stylistically self-assured, Asterios Polyp is a bona fide masterpiece and the early frontrunner for best graphic novel of the year…It’s the presentation— the use of narrative symbolism, color and visual metaphor—that truly sets the book apart. Much like he did with Year One over 20 years ago, Mazzucchelli has once again raised the bar for his entire artform.” –Chicago Sun Times
“This is a comic for artists, and it plays with space and color in ways that maybe only artists will understand, but it is a story for everyone, and Asterios Polyp is easily among the best graphic novels ever made. Go read it, and read it twice.” –Providence City Paper
“Mazzucchelli experiments with numerous art styles and pushes the envelope with challenging digressions into philosophy, religion and mortality throughout Polyp's tale. The engrossing effort culminates with a bombshell that will leave readers reeling.” –Toronto Star
“In Asterios Polyp -- the best of the summer's new releases -- Mazzucchelli employs spotlights, coloring schemes, knitting, Aristophanes, an identical twin who died at birth and the wide array of secretions from a woman's body to lead us into the self-centered world of the title character even as the center implodes…. Asterios Polyp is a primer for both the fervent possibilities and the rich rewards of the graphic novel.”—Portland Oregonian
“Now, after a decade-and-a-half, he has re-re-emerged with Asterios Polyp, an epic, emotionally rich, symbol-laden work that promises to redefine the graphic novel. Published by Pantheon Books (home to master-class cartoonists such as Art Spiegelman, Chris Ware and Dan Clowes), Asterios Polyp is Mazzucchelli's first graphic novel. It is also happens to be his masterpiece, the culmination of 25 years of promise….Mazzucchelli has made a beautiful, elaborate construction that coyly juggles style and content in a way few cartoonists are capable of.”—Globe and Mail (Canada)
“The beauty of Asterios Polyp is that its core tenet, the need to pay attention to life as it happens, is so well reflected in the book itself—in its lush paper tone and rough-hewn, elegant design—and in the way all the formal devices serve the story. As such, it rewards attention and even devotion.” –Bookforum
“The more you study Polyp, the more there is to discover. This is a book that stands with works by Updike, Roth, and other giants of American literature. It is undoubtedly one of the best novels of the year.” –The Stranger
“Asterios Polyp is a perfect marriage of words and pictures. Every drawing, color choice and panel layout is pregnant with meaning.” –Columbus Dispatch
“Mazzuchelli is using color to convey ideas in a way not attempted by most graphic novelists. The book is all about style, design and visual language, and Mazzuchelli is moving the discussion of all of these forward with Asterios Polyp.” –Matt Price's best graphic novels of 2009
Asterios Polyp will cause comic-book buffs to swoon, sure, but the narrative — after a fire, an arrogant architect slowly begins to rebuild his own life — makes it much more than a pretty picture book.” –Modern Tonic
“What Mazzucchelli accomplishes, though, with remarkable clarity and a jazzy pop-culture eye, and which the written word has a tougher time with, is portraying silence, moments between something said and something to come -- even thought itself. That sticks; those last pages are as tender and heartbreaking a portrait of lost time as I can recall, and no less powerful for being nearly wordless” –Chicago Tribune
“Critics have decried the modern graphic novel's focus on form at the expense of content. With "Asterios Polyp," Mazzucchelli has put paid to that charge: It's funny, it's warm and it's beautiful. Go read it.” –Newsday.com
“It contains a relatively simple story (and probably a deceptively simple one), but told in a dazzlingly stunning array of comic book techniques not possible in other mediums. Mazzucchelli is a genius of the form.” –Forbidden Planet
“Each panel is a moment in the story that when connected to other panels becomes part of a scene or sequence that is rich in storytelling and fertile with ideas, inquiry, and themes.” –ComicBookBin, A+ review
“Visually, Asterios Polyp is the lushest comic of the year--maybe of the last the 10 years, a decade not exactly thin on astounding cartooning. Mazzucchelli's work has all but abandoned the realistic musculature and architecture that made him stand out from his superhero peers. Asterios Polyp feels like three or four cartoonists working in concert, often on the same page, all of them firmly working on the "stylized" end of comics' spectrum.” –Baltimore City Paper
“This fan of the novel is an ever bigger fan of the magic that happens in comics, and only in comics, when text and art work together to create something wholly, wonderfully new. In books like Jimmy Corrigan -- and the just released ASTERIOS POLYP by David Mazzucchelli, it happens on every. Single. Page.”—NPR.ORG
“This absorbing, idiosyncratic tale of love, ambition and opportunity marks the return of one of the modern masters of graphic storytelling.”—Miami Herald
“You’ll be in awe of how perfect it is and certainly envious of it if you are a writer. What a beautiful, staggeringly brilliant piece of literature.”—Contra Costa Times
‘The book is a satirical comedy of remarriage, a treatise on aesthetics and design and ontology, a late-life Künstlerroman, a Novel of Ideas with two capital letters, and just about the most schematic work of fiction this side of that other big book that constantly alludes to the “Odyssey.”…. “Asterios Polyp” is a dazzling, expertly constructed entertainment, even as it’s maddening and even suffocating at times. It demands that its audience wrestle with it, argue with it, reread and re-examine it. Isn’t that the ultimate purpose of style?’—Douglas Wolk, NYTBR
“Heady with philosophical and mythological references, Asterios Polyp vaults Mazzucchelli into the top rank of graphic artists. It’s a sweeping, provocative book that blends the richness of the traditional novel with the best modern art. Mazzucchelli’s style - effortless and so versatile that you can’t imagine Asterios in any other medium - is sweeping in every sense.”—Boston Globe
“It's a remarkable, bravura achievement - funny, harrowing and thought-provoking.”—San Francisco Chronicle
"A dazzling expertly constructed entertainment...that is a satirical comedy of remarriage, a treatise on aesthetics and design and ontology, late life Künstlerroman, a Novel of Ideas with two capital letters..." –The New York Times Book Review
“Asterios Polyp reads like an intricately designed and heartfelt work of metafiction, juggling design theory, philosophy and sly nods to other cartoonists to create a dryly funny masterpiece.”—Time Out New York
“It's as if John Updike had discovered a bag of art supplies and LSD. Elegant, deceptively simple line work and nearly subliminal color symbolism make everything go down like candy. The narrative comes back to earth for a profoundly satisfying climax, but you'll want to keep turning pages - all the way back to the beginning, for another read."
“Haunting and beautiful.”—Los Angeles Times
"The simplicity of that facile summary, along with the deceptively cartoony drawing style Mazzucchelli has adopted for the work, makes it easy to miss its genuine accomplishment. The sparseness of his illustration gives necessary clarity to his complex storytelling, which employs intricate and imaginative panel arrangements and a constantly shifting chronology.meticulously constructed.It's a testimony to Mazzucchelli's skills that by the end of Polyp's odyssey, the arrogant academic has been rendered a tragic and sympathetic figure deserving of the tale's (possibly) happy ending." –Gordon Flagg, Booklist
“I was completely blown away by Asterios Polyp, David Mazzucchelli’s latest comic book, a pull-out-all-the-stops package that’s funny, poignant and deep, with panels of thoughtfully shaded images that form a visual novel, a paper movie, and finally, an existential meditation on things that matter to us: religion, art, science, love and memory.”—Pop Culture Nerd
“Mazzucchelli's masterwork is by no means an easy read…but it is a transcendent one.”—Austin Chronicle
“The comics world is abuzz over Mazzucchelli’s first solo book, Asterios Polyp. Rightly so: It’s terrific.”—New York Magazine
“A sprawling work about the life and loves of a middle-aged, philandering architect who loses everything in a fire. The coming release has been compared to the idiosyncratic work of Thomas Pynchon.”—Wall Street Journal
“An absolutely incredible piece of visual communication.”—Portland Mercury
“Easily one of the best books of 2009 already."—Publishers Weekly
“A visual and even philosophical stunner."—Kirkus
“One of the greatest comics of all time.” —Comic Book Resources
“We can all stop reading comics now, because David Mazzucchelli’s crafted the ultimate comic book statement. Just take everything on your reading pile right now and chuck it out. Asterios Polyp is the new standard bearer. Mazzucchelli has somehow managed to jam just about everything great about comics into 340 pages of humanity, soul-searching, graphic design, philosophy and humor.”—Newsarama
“Asterios Polyp is the work of a veteran artist firing on all cylinders, who, despite having worked his way through the sequential art ringer for a few decades now, has managed to craft something remarkably fresh.”—Daily Cross Hatch
“One of the smartest and most rewarding graphic novels of the year to date.”—Pop Matters
“Mazzucchelli manages to combine breathless formal experimentation and read feeling into a story where every line, color choice, and panel arrangement builds toward a cohesive whole, lending an air of epic proportions to what would otherwise be a simple tale.” –Library Journal
“Mazzucchelli is a gifted artist/writer, and as a reader moves through the lush and varied pages of Asterios Polyp, stylistic surprises abound amid what feels like a master lesson in the form and function of design. He delivers a truly transformative tale of love and trust.” –World Literature Today
Fans of Building Stories might also enjoy this astoundingly rich comic that traces the life of self-centered architecture professor Asterios Polyp. While Ware works in minute detail, Mazzucchelli draws very large images with sweeping, open panels and color washes in tones of blue, purple, pink, and yellow. As much as they differ visually, they each pay great attention to architecture, the complications of relationships, issues of fulfillment, and the textual and visual play of time and space. The artist is meticulous when it comes to the details of story. His pages seem to overflow with speech bubbles and text outside of panels, with every character’s voice expressed in a different typeface. Every character has a particular color and style as well, which changes based on interactions: Asterios is blue and his wife, Hana, is pink. When they are in sympathy with each other their colors and styles blend, but when they are discordant Asterios becomes various blue shapes and Hana becomes pink hash lines. Time is keyed to color as well. When Asterios begins a new chapter in his life, the pages recounting it are dominated by yellow. When he and Hana reunite after their divorce, she has become green, no longer changing based on his nearness. This brilliant and lovely work should hold deep attraction for fans of Ware.
(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
…magnificent…Asterios Polyp, which took a decade for Mr. Mazzucchelli to complete, has been well worth the wait. Its ambition jump-starts the future of the graphic novel.
The New York Times
…a big, proud, ambitious chunk of a graphic novel, with modernism on its mind and a perfectly geometrical chip on its shoulder. The tension between formalist rigor and emotional subtlety is not just the theme (and method) of the cartoonist David Mazzucchelli's decade-in-the-making opus; it's basically the plot…Asterios Polyp is a dazzling, expertly constructed entertainment, even as it's maddening and even suffocating at times. It demands that its audience wrestle with it, argue with it, reread and re-examine it.
The New York Times Book Review
For decades, Mazzucchelli has been a master without a masterpiece. Now he has one. His long-awaited graphic novel is a huge, knotty marvel, the comics equivalent of a Pynchon or Gaddis novel, and radically different from anything he's done before. Asterios Polyp, its arrogant, prickly protagonist, is an award-winning architect who's never built an actual building, and a pedant in the midst of a spiritual crisis. After the structure of his own life falls apart, he runs away to try to rebuild it into something new. There are fascinating digressions on aesthetic philosophy, as well as some very broad satire, but the core of the book is Mazzucchelli's odyssey of style-every major character in the book is associated with a specific drawing style and visual motifs, and the design, color scheme and formal techniques of every page change to reinforce whatever's happening in the story. Although Mazzucchelli stacks the deck-few characters besides Polyp and his inamorata, the impossibly good-hearted sculptor Hana, are more than caricatures-the book's bravado and mastery make it riveting even when it's frustrating, and provide a powerful example of how comics use visual information to illustrate complex, interconnected topics. Easily one of the best books of 2009 already. (June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Even by the standards of the graphic novel, this cosmic epic pushes the creative envelope. With previous credits including superheroes for Marvel Comics and the transformation of Paul Auster's City of Glass into a graphic novel (2004), Mazzucchelli returns with a title that suggests a mid-period Pink Floyd song and an illustrated narrative that is every bit as mind-blowing. It begins with a bolt of lightning that destroys the New York City apartment of the title character, a pompous academic who is celebrated (or who celebrates himself) as a "paper architect." He draws plans for buildings that will never be built, and his theories inform many of the panels, rendering them as the graphic equivalent of metafiction, design about design. For many pages at a stretch there are few or no words, as a single panel might stretch across a page or two. Yet the narrative functions something like memory, flitting from the present-in which Polyp finds work in a small-town auto shop, after losing everything in his apartment fire, and inserts himself within a community that proves surprisingly accommodating-through critical junctures of his past. It seems that Polyp was actually a twin, and that his stillborn brother might be providing narration. He has also somehow married a beautiful, talented, Japanese-American artist named Hana, though something went wrong with the marriage well before the lightning bolt. In this graphic novel of fate, chance and shooting stars, Polyp insists that "I am the hero of my own story," yet the art provides plenty of evidence to the contrary. A visual and even philosophical stunner.