Avant-Garde Museology: e-flux classics
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The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation.
Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this...






















