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B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present
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In this book, George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides'—overlooked, underappreciated and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular cul...