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Beyond the Bandstand: Paul Whiteman in American Musical Culture
By W. Anthony Sheppard (Editor), W. Anthony Sheppard (Introduction), Lisa Conathan (Contribution by), Stephanie Doktor (Contribution by), Christi J. Wells (Contribution by), John Howland (Contribution by), Ryan R. Bañagale (Contribution by), Sarah C. Provost (Contribution by), Catherine Tackley (Contribution by), Katherine M. Leo (Contribution by), W. Anthony Sheppard (Contribution by), Elijah Wald (Afterword)
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By W. Anthony Sheppard (Editor), W. Anthony Sheppard (Introduction), Lisa Conathan (Contribution by), Stephanie Doktor (Contribution by), Christi J. Wells (Contribution by), John Howland (Contribution by), Ryan R. Bañagale (Contribution by), Sarah C. Provost (Contribution by), Catherine Tackley (Contribution by), Katherine M. Leo (Contribution by), W. Anthony Sheppard (Contribution by), Elijah Wald (Afterword)
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The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin’s Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who’s who of artists toward prominence. But Whiteman’s oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history.
W. Anthony Shep...