Black Out

Black Out

by Lisa Unger


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On the surface, Annie’s life in a wealthy Florida suburb is happy. Her husband, Gray, loves her fiercely; together, they dote on their beautiful young daughter, Victory. But the bubble surrounding Annie is pricked when the demons of her past resurface. These are demons she can’t fully recall because of a highly dissociative state that allowed her to forget the violence of her earlier life as Ophelia March and to start over, under Gray's protection, as Annie Powers. Disturbing events—the appearance of a familiar dark figure on the beach, the mysterious murder of her psychologist—trigger confusing memories for Annie, who realizes she must quickly piece them together before her past comes to claim her future and her daughter.

"[A] hurricane of a thriller...impossible to extract yourself until the last page." —Entertainment Weekly

show pick for Top 10 Summer Reads (2008)

"Full of twists and turns. A great read for anyone craving some suspense." —John Searles, Cosmopolitan

"Black Out is riveting psychological suspense of the first order. If you haven't yet experienced Lisa Unger, what are you waiting for?" —Harlan Coben

Product Details

ISBN-13: 9780307338471
Publisher: Crown/Archetype
Publication date: 04/28/2009
Edition description: Reprint
Pages: 384
Sales rank: 805,914
Product dimensions: 5.10(w) x 7.90(h) x 0.90(d)

About the Author

LISA UNGER is the New York Times bestselling author of Beautiful Lies and Sliver of Truth. Her novels have been published in more than 25 countries. She lives in Florida with her husband and daughter.

Read an Excerpt




When my mother named me Ophelia, she thought she was being literary. She didn’t realize she was being tragic. But then, I’m not sure she understood the concept of tragedy, the same way that people who are born into money don’t realize they’re rich, don’t even know there’s another way to live. She thought the name was beautiful, thought it sounded like a flower, knew it was from a famous story (play or novel, she wouldn’t have been able to tell you). I guess I should consider myself lucky, since her other choices were Lolita and Gypsy Rose. At least Ophelia had some dignity.

I’m thinking this as I push a cart through the produce aisle of my local supermarket, past rows of gleaming green apples and crisp blooms of lettuce, of fat, shiny oranges and taut, waxy red peppers. The overly familiar man in meats waves at me and gives me what I’m sure he thinks is a winning smile but which only serves to make my skin crawl. “Hi, honey,” he’ll say. Or “Hi, sweetie.” And I’ll wonder what it is about me that invites him to be so solicitous. I am certainly not an open or welcoming person; I can’t afford to be too friendly. Of course, I can’t afford to be too unfriendly, either. I look at my reflection in the metal siding of the meat case to confirm that I am aloof and unapproachable, but not strangely so. My reflection is warped and distorted by the various dings and scars in the metal.

“Hi there, darlin’,” he says with an elaborate sweep of his hand and a slight bow.

I give him a cool smile, more just an upturning of the corner of my mouth. He steps aside with a flourish to let me pass.

I have become the type of woman who would have intimidated my mother. Most days I pull my freshly washed, still-wet blond hair back severely into a ponytail at the base of my neck. The simplicity of this appeals to me. I wear plain, easy clothes—a pair of cropped chinos and an oversize white cotton blouse beneath a navy barn jacket. Nothing special, except that my bag and my shoes cost more than my mother might have made in two months. She would have noticed something like that. It would have made her act badly, turned her catty and mean. I don’t feel anything about this. It’s a fact, plain and simple, as facts tend to be. Well, some of them, any- way. But I still see her in my reflection, her peaches-and-cream skin, her high cheekbones, her deep brown eyes. I see her in my daugh- ter, too.

“Annie? Hel-lo-oh?”

I’m back in produce, though, honestly, I don’t remember what caused me to drift back here. I am holding a shiny, ripe nectarine in my hand. I must have been gazing at it as if it were a crystal ball, trying to divine the future. I look up to see my neighbor Ella Singer watching me with equal parts amusement and concern. I’m not sure how long she has been trying to get my attention or how long I’ve been staring at the nectarine. We’re more than neighbors; we’re friends, too. Everyone here calls me Annie, even Gray, who knows better.

“Where were you?” she asks.

“Sorry,” I say, with a smile and a quick shake of my head. “Just out of it.”

“You okay?”

“Yeah. Good. Great.”

She nods, grabs a few nectarines of her own. “Where’s Vicky?”

All the women in our neighborhood, her teachers, her friends’ mothers, call my daughter Vicky. I don’t correct them, but it always makes me cringe internally. It’s not her name. I named her Victory because it meant something to me, and I hope in time it will mean something to her. True, I named her in a fit of overconfidence. But Gray understood my choice and agreed. We were both feeling overconfident that day. I’m still clinging to that feeling. Though recently, for reasons I can’t explain, it has begun to fade.

“She’s with Gray’s stepmom. Swimming lessons with Grandma,” I say, dropping the fruit into a clear plastic bag. The nectarines give off a fresh, sweet aroma. They are almost to the point of being overripe, fairly bursting with themselves. An old woman inches past, leaning heavily on an aluminum walker. Some mangled, Muzak version of “Don’t Stand So Close to Me” by the Police plays tinny and staticky from unseen speakers.

“That’s nice,” Ella says with a nod. “Time for a cappuccino?”

I look at my watch, as if calculating whether or not I can fit it into my busy schedule, even though we both know I have nothing else to do and Victory will be hours yet—between the swimming lessons and her favorite lunch and time with the neighborhood kids. They’re all bigger, older boys, but she commands them like a queen. And they love her for it.

“Sure,” I say. And Ella smiles.

“Great, meet you over there when you’re done.” She means the little spot by the beach where we always go.

“See you in a few.”

She pushes off. I like Ella a lot. She is so easy, so warm and open, so trusting and unfailingly kind; she makes me feel bad about myself, as though I’m some icy bitch. I smile and give her a small wave. My heart is doing a little dance. I think it’s just that I’ve had too much caffeine already and my heart is protesting the thought of more. Maybe I’ll just have some chamomile.

On my way to check out, I see a sullen teenage girl, standing beside her mother at the deli counter. She is so thin her hip bones jut out against her jeans. Her lips are moist and sparkling with pink gloss. She holds a cell phone to her ear and chews on the nail of her right thumb.

“Taylor, cut that out,” her mother says, pulling her daughter’s hand away from her mouth. They look at each other like rival gang members. I wonder if Victory and I will ever come to that place, that bloody rumble of adolescence. Somehow I doubt it. I am always afraid I won’t have the luxury of warring with my teenage daughter.

I step out to load the groceries into my car. I see Ella pulling out of the parking lot; she holds up her fingers indicating five minutes. She’s headed home to put away her groceries before we meet for coffee, and I’ll do the same since we both live just minutes from here. Then we don’t have to worry about the chicken going bad, the ice cream melting, those suburban concerns I appreciate so much for their simplicity and relative safety. But it’s as I slam my trunk that I feel it.

It’s as if the sun has dipped behind a thick cloud cover and the sky has gone charcoal. Only they haven’t. It is a bright, unseasonably cool, spring day in Florida. The parking lot is packed, populated by moms and nannies with their kids of all ages on spring break before Easter. I hear laughter, a gull calling; I smell the salt from the Gulf of Mexico. But inside I am quaking. There’s cool black ink in my veins.

I slip into my SUV and lock the door, grip the wheel, and try to calm myself. I’ve had these panics before. Usually they are isolated incidents, intense but brief like the summer storms here. In the last few days, though, they’ve come one after another, surprising me with their ferocity. False alarms, Gray calls them. I’ve always thought of them more as an early-warning system.

This one is deeper, blacker than I’m used to. I am truly afraid, sweating and going pale. My breathing starts to come ragged, and I glance in my rear- and sideview mirrors but see nothing out of the ordinary. The contrast makes me dizzy, almost angry at the day for being so clear, at the people in the parking lot living their lives so benignly.

After a while I pull from the lot, still shaky, and drive carefully the short distance to our home. I pass through the residents’ side of the security gate with a wave to the watchman, cruise past ridiculously opulent homes nestled beneath clusters of tall palms with their barrel-tile roofs and colorful mailboxes shaped like manatees, dolphins, flamingos, or miniature versions of the larger house. Late-model luxury cars rest on stone-paved driveways.

As I pull up my drive, a neighbor is watering her flowers and lifts a friendly hand to me. I return the greeting and try to smile as I open the garage door with the remote on my rearview mirror. Afraid there’s an inane conversation in my immediate future, I close the garage door while I’m still in the car. I turn off the engine and sit for a minute; my heart slows its dance. I’m safe, I tell myself. This house is safe. The shaking starts to subside. My breathing steadies. I press a button on my dash and hear a dial tone.

“Call Grandma,” I say.

“Calling Grandma,” the car phone answers stiffly. Victory loves this, giggles uncontrollably every time she hears it.

After only one ring, a smooth male voice answers, “Hello.”

“It’s Annie,” I say, and I know my voice sounds wobbly. There’s a pause; he hears it, too. He is a man who misses nothing.

“Hi, Annie.” The ever-calm tones of my father-in-law, Drew. I imagine him sitting behind the oak desk of his home office, surrounded by all his degrees and military decorations, photos of his Navy SEAL buddies—eerie, grainy images of men too young, too happy to be holding guns. “They’re in the pool.”

“Everything’s all right?” I ask, hating the words as they tumble from my lips.

“Everything’s fine here,” he answers, solid and sure. I am soothed by the certainty and reassurance in his voice, as much as I hate to reveal any weakness in front of him.

“Is everything all right there?” he asks after a beat has passed. I try not to hear the note of contempt.

“Yes,” I say too quickly. Then I have to say it again, lighter, more slowly to balance it out. “Yes. Everything’s fine. Don’t bother them. I’ll be by around two for Victory.”

I end the call before he can ask any more questions, and I start unloading the groceries. As I’m putting things away, I turn on the television in the kitchen and am greeted by the image of a sad-looking, emaciated blonde. The caption beneath her photo reads, Woman’s body found in Central Florida; the sixth in a five-year period. In the background a slurry male voice with a thick Florida accent goes on about the lack of evidence, the similarities between cases. I turn it off quickly; this is the last thing I need to hear right now.

I try to shake off the uneasy feeling that seems to have settled in me and go about my day—meet Ella for coffee, run a few errands, then pick Victory up from Drew and Vivian’s. By the time I walk though the door at Vivian’s and greet my little girl, the black patch is mostly past. But it’s not forgotten. It follows me like a specter.

“Everything all right, dear?” Vivian asks as I lift my daughter onto my hip. (She’s too big to carry, Annie. You baby her, says Gray.) Victory leans her full weight against me in her fatigue, smelling of some magic mix of sunscreen, chlorine, and baby shampoo.

I turn around and try for a smile. “False alarm,” I say. We all know the lingo.

“You’re sure,” she says. I notice that she looks tired, puffy gray half-moons under her eyes. She wears a certain expression, a mingling of worry and love, that makes me want to weep in her arms. It wouldn’t be the first time.

Behind her I can see the Gulf lapping unenthusiastically against the shore. The whole back of her house is glass. An infinity pool outside seems to flow into the ocean beyond, but that’s a carefully constructed illusion. In this family we’re quite good at that.

“Mommy’s worried,” Victory says softly into my neck. “Don’t be worried.” She tightens her tiny arms around me, and I squeeze.

“Not worried, darling,” I say, feeling a tingle of guilt. “Just tired.”

I’m sure she doesn’t believe me. You can’t fool children, you know. You shouldn’t even bother trying; they just grow up doubting themselves.

“Did you call Gray?” says Vivian, her brow creased. She smells like lemon verbena. She puts a hand on my arm and rubs gently.

I offer her what I hope is a dismissive, self-deprecating smile. “No need.”

She looks at me skeptically but says nothing more, just places a kiss on my cheek, one on Victory’s, then squeezes us both with her expansive arms. As I pull away down the drive, I see Drew watching me from the upstairs window.

That afternoon while Victory is down for her nap, I sit on the lanai, looking out onto our own view of the ocean, and start to think about all the ways that I can die.

Gray is late coming home, and Victory is already sound asleep upstairs in her room. I am sitting on a leather sofa I didn’t choose and don’t actually like, watching the high, dancing flames in our fireplace as he walks through the front door. For a second he is just a long shadow in the foyer; he could be anyone. But then he steps into the light and he is my husband, looking strained and tired. He doesn’t know I’m watching him. When he sees me, though, he smiles and looks a little less world-weary.

“Hey,” I say, getting up and going to him.

“Hey.” His embrace is powerful and I sink into it, hold on to him tightly. There is no softness to him; the muscles on his body are hard and defined. In this place I am moored. The churning of my day comes to calm.

“Want a drink?” I ask as I shift away from him. He holds me for a second longer, tries to catch my eyes, then lets me go.

“What are you having?” he wants to know.

“Vodka on the rocks.”

“Sounds about right.”

I walk over to the bar that in the daylight looks out onto our back deck. At night all I can see is my reflection in the glass doors as I fill a square lowball with ice and pour cold vodka from the freezer. This is another feature I didn’t choose about our house, a wet bar stocked with liquor we rarely touch. There is so much about this place, a ridiculously extravagant wedding gift from my father-in-law, furnished and decorated by Vivian, that has nothing to do with me—or Gray. It is hard to ever be grateful enough for such a gift and impossible to complain about the various features that don’t appeal. Sometimes I feel like we live in a model home, everything shiny and perfect but just slightly off from what we would have chosen ourselves.

I walk back over to him, hand him his drink, and we sit together. I put my legs up on his lap, take my waiting glass from the table. The ice has melted, the vodka gone watery and tepid. I drink it anyway, too lazy to make myself another.

I have one of the glass doors open, and the unseasonably cold salt air drifts in, warmed by the fire. I see him glance over at it. I know he’s thinking that the door should be closed and locked, but he doesn’t say anything. I notice the deep crescent of a scar between his right eye and his temple. I realize that I barely see his scars anymore. In the beginning they made me wary of him, made him seem hard and distant. I wondered what kind of violence could leave so many marks on a man. But I know the answer now. And I know his heart.

“It’s happening again,” I say after a minute of us just sitting there staring at the flames. Somehow the words seem melodramatic even before I add, “Worse than it’s ever been.”

He barely reacts, but I see a muscle clench in his jaw beneath the shadow of black stubble. He stares at the fire, closes and opens his eyes slowly, and takes a breath. We’ve been here before.

He puts a hand on my arm, turns his eyes to mine. I can’t see their color in the dim light, but they’re steel gray, have been since the day he was born, hence his name.

“He’s dead,” he says. “Long dead.”

He’s always gentle with me, no matter how many times we’ve been through this. I curl my legs beneath me and move into the hollow of his arm.

“How do you know for sure?” I say. I’ve asked this question a thousand times, just to hear the answer.

“Because I killed him, Annie.” He turns my face up to his to show me how unflinchingly certain he is. “I watched him die.”

I start to cry then, because I know that he believes what he says to be true. And I want so badly to believe it, too.

“Do you need to start up the meds again?”

I don’t want that. He leans forward to put his drink on the table. I move back into him, and he wraps me up in his arms and lets me cry and cry until I feel all right again. There’s no telling how long this can take. But he’s always so patient.

Customer Reviews

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Black Out 3.9 out of 5 based on 0 ratings. 62 reviews.
littleT More than 1 year ago
Read the book in just a few days. Well written and a page turner. Would reccomend to friends.
kittykat27 More than 1 year ago
This book was awesome. It was thrilling from begining to end. A total page turner. I thought that the plot was really original and that the character development was superior. I loved this book. I also suggest, "die for you" by the same author.
RHS2010 More than 1 year ago
I really enjoyed this book by Lisa Unger. I have never read any of her books, but I would highly recommend her. Unger writes with great description and you never know where, this story in particular, is going to take you. "Black Out" is a great read for those who like books that are kind of like mysteries, but do not have a lot of gross and disgusting things that happen throughout it. This book jumps from her past, to present, to in between, and that is why "Black Out" is a book that will keep your attention until the last page, and personally I would recommend it. The story takes place throughout the life of a woman named Ophelia March, who loses herself in a mind game that is being controlled by her step - brother, Marlowe Geary. They fall in love and the rest is history, or is it? Now, years later, she finds herself living a whole new life with a different name, Annie, a large Florida home, plenty of money to go around, a husband named Gray Powers, and a young daughter named Victory. The thing is, is that she has problems remembering certain events that have happened from when she was in her teen years, up until the time her daughter was born It is like she just blacked out some of the memories of her life. Now these black outs are about to happen once again. So throughout the story she is still avoiding her old self, but then looking for parts of her past also. She looks for the man who ruined her life years earlier, Marlowe Geary, and she tries to make since of things that her husband has tried to keep secret after all these years. Read the story and find out what events/ things she is looking for, and what happens in the end.
Guest More than 1 year ago
I have read all of Lisa Unger's books and really looked forward to this one. However I found it hard to follow. Even at the end I wasn't sure who really existed and who didn't.What was real and what was just in her mind. I would give this 3 1/2 stars if that was available, because it was better than okay. There were times I was riveted and others when I wondered what was going on. This was just not my type of mystery or thriller, but some people might love it.
Anonymous More than 1 year ago
This was a great read! I have never read any of Lisa Unger's books before this one and I can't wait to read another one. I would recommend this book any one who enjoys getting lost in a great thriller!
Guest More than 1 year ago
This is Unger's third novel. Her first two, Beautiful Lies and Sliver of Truth were both bestsellers. Black Out will be a bestseller as well. Annie Powers has the perfect life. An attentive husband, a beautiful daughter, a lovely home and enough money to do what she wants. But it's all a sham, a cover. Annie used to be Ophelia March. When Ophelia was a teenager she was caught up in the spell of a psychotic serial killer. Barely escaping with mind and body intact, she 'killed' off Ophelia and thought it was all behind her. But someone is leaving hints that Annie recognizes as belonging to Ophelia's life. The body of the killer - Marlowe Geary - was never found. He can't still be alive can he? Has he come back to claim Ophelia? Annie's husband Gray will do anything to protect her and Annie will do anything to protect her daughter Victory. Annie cannot remember much of her past. Her mind has blacked out a lot of it. What is real and what is imagined? She has to try and remember the past and what really happened. The story alternates tantalizingly between the present and the past. Just when you're caught up in one story, it switches to the other. Very addicting but tiring when you just want to read one more chapter at 1:00 am! This was an engrossing read. Unger keeps us off balance with plot twists and turns that you don't always see coming. The ending brings yet another twist.
ronnies4 12 months ago
The book was great. However, I did not like the ending. It just seemed like a cop out. Like, nowhere to go, so I'll end it here. 313 pages.
nyiper on LibraryThing More than 1 year ago
I struggled through the first half of this book, not sure if I wanted to finish it or not---just too much confusion for the main character--Annie, or Ophelia! But then the whole story picked up and I found myself just too curious about what on earth was going to happen to this poor woman as she tried to figure out the mess she was in. And then, of course, it speeded right up and all of a sudden, the book was done! Very intriguing plot--frighteningly realistic over the idea of not being believed for what you believe to be reality.
dnkemontoh on LibraryThing More than 1 year ago
In Black Out by Lisa Unger Suburban housewife Annie Powers' life begins to unravel with the appearance of a dark figure from the past on the beach near her home. Annie has tried to put her former life behind her -- a dysfunctional family is to put it mildly. As a teen, Annie (then Ophelia) ran away from home and was controlled and manipulated by a psychopathical killer.Annie/Ophelia has blacked out many of the details of what happened. In a complicated dance, we learn about her past and present, her search for the truth, and that things are not what they seem. This is truly a psychological thriller. The reader (and even Annie herself) is never sure what is true and what is not.I was sucked into Annie's effort to find herself and take control of her life. I wish that her husband Gray's character was built up a bit more in the story so that the end of the story would be more believeable. But, all in all, a good read.
meags222 on LibraryThing More than 1 year ago
This book was a quick read. It draws the reader in because the main character doesn't even know her past. The reader gets to find out the characters past as she does. The thing that bothered me about this book is the ending. At the very end of the novel you don't really know if the character has hallucinated a lot the plot or if it's real. I give this book 3.5 out of 5 stars
wirtley on LibraryThing More than 1 year ago
Excellent. Annie is an adult, is married and has a young child. She has flashbacks to childhood when her mother brought a serial killer into their lives. The son was also a killer. Everyone thinks she is just mentally ill. The flashbacks turn out to be real events. Also, everyone around her is deceiving her. She fights to solve the mystery. This is extremely suspenseful and delves into psychology as well.
EmScape on LibraryThing More than 1 year ago
This psychological thriller is so twisty and turn-y I'm still not sure what actually happened. But, that doesn't matter because it was an awesome ride! (Note: I usually try to put a plot summary in my reviews, but like I said, I don't actually know what happened.)
wordwanderer on LibraryThing More than 1 year ago
Bravo!!!! I am a fan of Lisa Unger but I have to say that she amazed me with this book. I often grade a book by how fast they catch and keep my attention. This was a ride (roller coaster!) from the first page. I will be recommending this book for many years to come. I don't usually write reviews but I had to write this one. If you want a book you can not put down....This is it!
bellalibrarian on LibraryThing More than 1 year ago
I picked up this book thinking it picked up after Unger's previous novels, "Beautiful Lies" and "Sliver of Truth." I was disappointed when I learned that I would not be reading about the characters that I had gotten used to, but I am glad that I gave this one a chance. Annie lives an ideal life in a lovely home on the beach in Florida with her husband Gray and their young daughter Victory. Plagued by migraines and black outs, Annie is confronted with a series of events that forces her to remember a series of horrible events from years ago, when she was Ophelia, a troubled young girl with no way out.
klmorr on LibraryThing More than 1 year ago
This is a story of how a girl with a broken family and very dark past is able to forgive/forget issues in her past life and live for the present. It may sound like a thousand other story lines but this one is very well written. It was a very enjoyable read. Thanks Lisa. This is a step above her other books.
skrishna on LibraryThing More than 1 year ago
I feel like in order to enjoy Unger's novels, you have to disconnect a bit with any sense of reality in order for them to be believable. That being said, they are well written, suspenseful and thoroughly enjoyable.
bravenewgirl on LibraryThing More than 1 year ago
I'm still sorting through the ending in my mind. I didn't like that the book leaves you with unanswered questions (in my opinion). Not as compelling as her first two books, but a good thriller all the same. I do hope her next book brings us back to Ridley.
mlschmidt on LibraryThing More than 1 year ago
Amazing....a gripping read that twists and turns right until the very end and beyond. After finishing the book, I am still sorting through the story linking bits of information together. I love Lisa Unger's delicate way of weaving and linking interesting facts and information throughout the story. For people who like to read a nice and tidy package, this isn't the book for you.
bhowell on LibraryThing More than 1 year ago
As summer begins, we need those scary mysteries about the serial killer so we can shiver looking out in the dark of an isolated cabin or campsite and Blackout is a good book to pack along on such an outing. I read most of it over the course of one evening but I purchased Sliver of Truth at the same time so I can now read it.. I tend to prefer British and European thrillers but no one does the creepy serial killers better than American writers. That is probably because they actually have a lot of them and the books are more believable. There is a well developed history of how such individuals move through the US Justice system and no doubt lots of research material available. Think of the quandry of the Scandinavian thriller writers like Norwegian Jo Nesbo. Norway has never had a serial killer and in fact this is discussed in some of Nesbo's novels with the police consulting with the FBI who have superior skills in profiling. Black Out succeeds well in it's genre, not as gory as Chelsea Cain (thank god) but dark and horrifying.
jamaicanmecrazy on LibraryThing More than 1 year ago
Hmmmm? Never read Lisa Unger until now, but this novel definitely has a "Dean Koontz" flavor to it---the pervading nightmare quality that leaves the reader unsure what is real, what is imagined. Really, at the end of it, I was almost ready for some ptsd therapy. This poor girl Ophelia (oka Annie) had been through so much trauma I don't know how she could possibly function afterwards, much less go on to lead a normal life. However, I thought that Lisa Unger must certainly have been subject to some suffering herself to speak with such authority ("Most of us don't live in the present tense. We dwell in a mental place where our regrets and grudges from our past compete with our fears about the future. Sometimes we barely notice what's going on around us, we're so busy time traveling.") All in all, not a bad little bang-bang whodunit.
Anonymous More than 1 year ago
When I read a book I become the story teller. I imagine what they are feeling, seeing. I have to say this book left me with so so many questions.
sasigrl More than 1 year ago
This book was just ok for me. I read ALOT & I read various types of books by all different types of authors. My favorites are thrillers, mysteries, psychological etc... I also love books that make me laugh, scare me, make me cry etc... This book made me feel a variety of emotions, mostly frustration & confusion. I don't really like weak female characters & the main character in this book is very weak. I understand mental illness & overcoming trauma but my goodness.... She was a basket case. A lot of this book is not easy to follow, the author kind of goes off into outer space at times & things feel unrealistic. I know its fiction but for me it needs to be a little conceivable, I come on. This Is not the first Lisa Unger book I've read but it may be the last, at least for a while. I'm so disappointed. I would not recommend this book to anyone. Sorry :-(
Anonymous More than 1 year ago
One of the most enthralling books I've ever read. The story if filled with time jumps between present, past, distant past - all done in such a way that you aren't sure what's what until the very end. Ordinarily, a book written in such a way can easily become convoluted or hard to follow, but Unger handles it masterfully. Fascinating story with an incredibly unique plot that I thoroughly enjoyed, on a timeline that's both fast-paced and thoughtful all at once. Couldn't recommend it enough.
Anonymous More than 1 year ago
Anonymous More than 1 year ago