Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation
The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black 

—A Times/Sunday Times Book of the Year
—An Uncut Book of the Year
—Long-Listed for the Penderyn Music Book Prize
—A Louder Than War Book of the Year
—A Blitzed Magazine Book of the Year 

In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. 

The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” 

Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

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Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation
The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black 

—A Times/Sunday Times Book of the Year
—An Uncut Book of the Year
—Long-Listed for the Penderyn Music Book Prize
—A Louder Than War Book of the Year
—A Blitzed Magazine Book of the Year 

In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. 

The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” 

Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

32.95 In Stock
Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

by Daniel Rachel
Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

Too Much Too Young, the 2 Tone Records Story: Rude Boys, Racism, and the Soundtrack of a Generation

by Daniel Rachel

Hardcover

$32.95 
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Overview

The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black 

—A Times/Sunday Times Book of the Year
—An Uncut Book of the Year
—Long-Listed for the Penderyn Music Book Prize
—A Louder Than War Book of the Year
—A Blitzed Magazine Book of the Year 

In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. 

The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” 

Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.


Product Details

ISBN-13: 9781636141893
Publisher: Akashic Books, Ltd.
Publication date: 06/04/2024
Pages: 496
Product dimensions: 6.10(w) x 9.10(h) x 1.80(d)

About the Author

Daniel Rachel is a Birmingham-born, best-selling author whose previous works include: Too Much Too Young: The 2 Tone Records Story; Oasis: Knebworth: Two Nights That Will Live Forever; and The Lost Album of the Beatles: What If the Beatles Hadn’t Split Up?. He is also coauthor of Ranking Roger’s autobiography, I Just Can’t Stop It: My Life in the Beat. In 2021, Rachel was a guest curator of the “2 Tone Lives & Legacies” exhibition as part of Coventry Cultural City 2021, and he curated the anniversary edition of the Selecter’s debut album, Too Much Pressure. He lives in London.

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