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A literary tour de force of a detective's ceaseless hunt for an elusive criminal
By Gaslight is a deeply atmospheric, haunting novel about the unending quest that has shaped a man’s life.
William Pinkerton is already famous, the son of the most notorious detective of all time, when he descends into the underworld of Victorian London in pursuit of a new lead on the fabled con Edward Shade. William’s father died without ever finding Shade, but William is determined to drag the thief out of the shadows.
Adam Foole is a gentleman without a past, haunted by a love affair ten years gone. When he receives a letter from his lost beloved, he returns to London to find her. What he learns of her fate, and its connection to the man known as Shade, will force him to confront a grief he thought long-buried.
A fog-enshrouded hunt through sewers, opium dens, drawing rooms, and séance halls ensues, creating the most unlikely of bonds: between Pinkerton, the great detective, and Foole, the one man who may hold the key to finding Edward Shade.
Steven Price’s dazzling, riveting By Gaslight moves from the diamond mines of South Africa to the battlefields of the Civil War, on a journey into a cityscape of grief, trust, and its breaking, where what we share can bind us even against our darker selves.
|Product dimensions:||5.90(w) x 8.90(h) x 1.50(d)|
About the Author
Read an Excerpt
By Steven Price
Farrar, Straus and GirouxCopyright © 2016 Steven Price
All rights reserved.
He was the oldest son.
He wore his black moustaches long in the manner of an outlaw and his right thumb hooked at his hip where a Colt Navy should have hung. He was not yet forty but already his left knee went stiff in a damp cold from an exploding Confederate shell at Antietam. He had been sixteen then and the shrapnel had stood out from his knee like a knuckle of extra bone while the dirt heaved and sprayed around him. Since that day he had twice been thought killed and twice come upon his would-be killers like an avenging spectre. He had shot twenty-three men and one boy outlaws all and only the boy's death did not trouble him. He entered banks with his head low, his eyebrows drawn close, his huge menacing hands empty as if fixed for strangling. When he lurched aboard crowded streetcars men instinctively pulled away and women followed him with their eyelashes, bonnets tipped low. He had not been at home more than a month at a stretch for five years now though he loved his wife and daughters, loved them with the fear a powerful man feels who is given to breaking things. He had long yellow teeth, a wide face, sunken eyes, pupils as dark as the twist of a man's intestines.
He loathed London. Its cobbled streets were filthy even to a man whose business was filth, who would take a saddle over a bed and huddle all night in a brothel's privy with his Colt drawn until the right arse stumbled in. Here he had seen nothing green in a month that was not holly or a cut bough carted in from a countryside he could not imagine. On Christmas he had watched the poor swarm a man in daylight, all clutched rags and greed; on New Year's he had seen a lady kick a watercress girl from the step of a carriage, then curse the child's blood spotting her laces. A rot ate its way through London, a wretchedness older and more brutal than any he had known in Chicago.
He was not the law. No matter. In America there was not a thief who did not fear him. By his own measure he feared no man living and only one man dead and that man his father.
* * *
It was a bitter January and that father six months buried when he descended at last into Bermondsey in search of an old operative of his father's, an old friend. Wading through the night's fog, another man's blood barnacling his knuckles, his own business in London nearly done.
He was dressed like a gentleman though he had lost his gloves and he clutched his walking stick in one fist like a cudgel. A stain spotted his cuffs that might have been soot or mud but was not either. He had been waiting for what passed for morning in this miserable winter and paused now in a narrow alley at the back of Snow Fields, opera hat collapsed in one hand, frost creaking in the timbers of the shopfronts, not sure it had come. Fog spilled over the cobblestones, foul and yellow and thick with coal fumes and a bitter stink that crusted the nostrils, scalded the back of the throat. That fog was everywhere, always, drifting through the streets and pulling apart low to the ground, a living thing. Some nights it gave off a low hiss, like steam escaping a valve.
Six weeks ago he had come to this city to interrogate a woman who last night after a long pursuit across Blackfriars Bridge had leaped the railing and vanished into the river. He thought of the darkness, the black water foaming outward, the slapping of the Yard sergeants' boots on the granite setts. He could still feel the wet scrape of the bridge bollards against his wrists.
She had been living lawful in this city as if to pass for respectable and in this way absolve herself of a complicated life but as with anything it had not helped. She had been calling herself LeRoche but her real name was Reckitt and ten years earlier she had been an associate of the notorious cracksman and thief Edward Shade. That man Shade was the one he really hunted and until last night the Reckitt woman had been his one certain lead. She'd had small sharp teeth, long white fingers, a voice low and vicious and lovely.
The night faded, the streets began to fill. In the upper windows of the building across the street a pale sky glinted, reflected the watery silhouettes below, the passing shadows of the early horses hauling their waggons, the huddled cloth caps and woollens of the outsides perched on their sacks. The iron-shod wheels chittering and squeaking in the cold. He coughed and lit a cigar and smoked in silence, his small deep-set eyes predatory as any cutthroat's.
After a time he ground the cigar under one heel and punched out his hat and put it on. He withdrew a revolver from his pocket and clicked it open and dialed through its chambers for something to do and when he could wait no longer he hitched up one shoulder and started across.
* * *
If asked he would say he had never met a dead nail didn't want to go straight. He would say no man on the blob met his own shadow and did not flinch. He would run a hand along his unshaved jaw and glower down at whatever reporter swayed in front of him and mutter some unprintable blasphemy in flash dialect and then he would lean over and casually rip that page from the reporter's ring-coil notebook. He would say lack of education is the beginning of the criminal underclass and both rights and laws are failing the country. A man is worth more than a horse any day though you would never guess it to see it. The cleverest jake he'd ever met was a sharper and the kindest jill a whore and the world takes all types. Only the soft-headed think a thing looks like what it is.
In truth he was about as square as a broken jaw but then he'd never met a cop any different so what was the problem and whose business was it anyway.
* * *
He did not go directly in but slipped instead down a side alley. Creatures stirred in the papered windows as he passed. The alley was a river of muck and he walked carefully. In openings in the wooden walls he glimpsed the small crouched shapes of children, all bones and knees, half dressed, their breath pluming out before them in the cold. They met his eyes boldly. The fog was thinner here, the stink more savage and bitter. He ducked under a gate to a narrow passage, descended a crooked wooden staircase, and entered a nondescript door on the left.
In the sudden stillness he could hear the slosh of the river, thickening in the runoffs under the boards. The walls creaked, like the hold of a ship.
That rooming house smelled of old meat, of water-rotted wood. The lined wallpaper was thick with a sooty grime any cinderman might scrape with a blade for half a shilling. He was careful not to touch the railing as he made his way upstairs. On the third floor he stepped out from the unlit stairwell and counted off five doors and at the sixth he stopped. Out of the cold now his bruised knuckles had begun to ache. He did not knock but jigged the handle softly and found it was not locked. He looked back the way he had come and he waited a moment and then he opened the door.
Mr. Porter? he called.
His voice sounded husky to his ears, scoured, the voice of a much older man.
Benjamin Porter? Hello?
As his eyes adjusted he could see a small desk in the gloom, a dresser, what passed for a scullery in a nook beyond the window. A sway-backed cot in one corner, the cheap mattress stuffed with wool flock bursting at one corner, the naked ticking cover neither waxed nor cleaned in some time. All this his eye took in as a force of habit. Then the bed groaned under the weight of something, someone, huddled in a blanket against the wall.
Who's that now?
It was a woman's voice. She turned towards him, a grizzled Negro woman, her grey hair shorn very short and her face grooved and thickened. He did not know her. But then she blinked and tilted her face as if to see past his shoulder and he saw the long scar in the shape of a sickle running the length of her face.
Sally, he said softly.
A suspicion flickered in her eyes, burned there a moment. Billy?
He stepped cautiously forward.
You come on over here. Let me get a look at you. Little lantern-box Billy. Goodness.
No one's called me that in a long time.
Well, shoot. Look at how you grown. Ain't no one dare to.
He took off his hat, collapsed it uneasily before him. The air was dense with sweat and smoke and the fishy stench of unemptied chamber pots, making the walls that much closer, the ceiling that much lower. He felt big, awkward, all elbows.
I'm sorry to come round so early, he said. He was smiling a sad smile. She had grown so old.
Rats and molasses, she snorted. It ain't so early as all that.
I was just in the city, thought I'd stop by. See how you're keeping.
There were stacks of papers on the floor around the small desk, the rough chair with its fourth leg shorter than the others. He could see the date stamp from his Chicago office on several of the papers even from where he stood, he could see his father's letterhead and the old familiar signature. The curtains though drawn were thin from long use and the room slowly belled with a grey light. The fireplace was dead, the ashes old, an ancient roasting jack suspended on a cord there. On the mantel a glazed pottery elephant, the paint flecking off its shanks. High in one corner a bubble in the plaster shifted and boiled up and he realized it was a cluster of beetles. He looked away. There was no lamp, only a single candle stub melted into the floor by the bed. He could see her more clearly now. Her hands were very dirty.
Where's Ben? he asked.
Oh he would of wanted to seen you. He always did like you.
Did I miss him?
I guess you did.
He lifted his face. Then her meaning came clear.
Aw, now, she said. It all right.
August. His heart give out on him. Just give right out.
I didn't know.
My father always spoke well of him.
She waved a gruff hand, her knuckles thick and scarred.
Why didn't you write us? We would've helped with the expenses. You know it.
Well. You got your own sorrows.
I didn't know if you got my letter, he said quietly. I mean if Ben got it. I sent it to your old address —
I got it.
Ben Porter. I always thought he was indestructible.
I reckon he thought so hisself.
He was surprised at the anger he felt. It seemed to him a generation was passing all as a whole from this earth. That night in Chicago, almost thirty years gone. The rain as it battered down over the waggon, the canvas clattering under its onslaught, the thick waxing cut of the wheels in the deep mud lanes of that city. He had been a boy and sat beside his father up front clutching the lantern box in the rain, struggling to keep it dry and alight as his father cursed under his breath and slapped the reins and peered out into the blackness. They were a group of eleven fugitive slaves led by the furious John Brown and they had hidden for days in his father's house. Each would be loaded like cargo into a boxcar and sent north to Canada. They had journeyed for eight weeks on stolen horses over the winter plains and had lost one man in the going. He had known Benjamin and Sally and two others also but the rest were only bundles of suffering, big men gone thin in the arms from the long trek, women with sallow faces and bloodshot eyes. Their waggon had lurched to a halt in a thick pool of muck just two miles shy of the rail yards and he remembered Ben Porter's strong frame as he leaned into the back corner, squatted, hefted the waggon clear of its pit, the rain running in ropes over his arms, his powerful legs, and the strange low sound of the women singing in the streaming dark.
Sally was watching him with a peculiar expression on her face. You goin to want some tea, she said.
He looked at her modest surroundings. He nodded. Thank you. Tea would be just fine. He made as if to help her but she shooed him down.
I ain't so old as all that. I can still walk on these old hoofs.
She got heavily to her feet, gripping the edge of one bedpost and leaning into it with her twisted forearm, and then she shuffled over to the fireplace. She broke a splint from a near-toothless comb of parlour matches and drew it through a fold of sandpaper. He heard a rasp, smelled a grim whiff of phosphorous, and then she was lighting a twist of paper, bending over the iron grate, the low rack of packing wood stacked there. The bricks he saw were charred as if she had failed to put out whatever fire had burned there last.
How you take it? she asked.
Well I see you got you lumps already. She gestured to his swollen knuckles.
She was wrestling the cast-iron kettle over the grating. You moved, he said delicately. He did not want to embarrass her. I didn't have your new address.
She turned back to look at him. One eye scrunched shut, her spine humped and malformed under her nightgown. You a detective ain't you?
Maybe not a very good one. What can I do to help?
Aw, it boil in just a minute. Ain't nothin to be done.
I didn't mean with the tea.
I know what you meant.
It ain't much to look at but it keep me out of the soup. An I got my old arms and legs still workin. I ain't like to complain.
He had leaned his walking stick against the brickwork under the mantel and he watched Sally run her rough hands over the silver griffin's claw that crested its tip. Over and over, as if to buff it smooth. When the water had boiled she turned back and poured it out and let it steep and shuffled over to the scullery and upended one fine white china teacup.
You say you been here workin? she called out to him.
I allowed maybe you been lookin for that murderer we been readin bout. The one from Leicester.
He shrugged a heavy shoulder. He doubted she was doing any reading at all, given her eyes. I've been tailing a grifter, she had a string of bad luck in Philadelphia. Ben knew her.
I caught up with her last night but she jumped into the river. I'd guess she'll wash up in a day or two. I told Shore I was here if he needs me. At least as long as the Agency can spare me.
Who's that now. Inspector Shore?
Chief Inspector Shore.
She snorted. Chief Inspector? That Shore ain't no kind of nothin.
Well. He's a friend.
He's a scoundrel.
He frowned uneasily. I'm surprised Ben talked about him, he said slowly.
Wasn't a secret between us, not in sixty-two years. Specially not to do with no John Shore. Sally carried to him an unsteady cup of tea, leaned in close, gave him a long sad smile as if to make some darker point. You got youself a fine heart, Billy. It just don't always know the cut of a man's cloth.
She sat back on her bed. She had not poured herself a cup and he saw this with some discomfort. She looked abruptly up at him and said, How long you say you been here? Ain't you best be gettin on home?
You got you wife to think about.
Margaret. Yes. And the girls.
Ain't right, bein apart like that.
You goin to drink that or leave it for the rats?
He took a sip. The delicate bone cup in his big hand.
She nodded to herself. Yes sir. A fine heart.
Not so fine, he said. I'm too good a hater for much. He set his hat on his head, got slowly to his feet. Like my father was, he added.
She regarded him from the wet creases of her eyes. My Mister Porter always tellin me, you got to shoe a horse, best not ask its permission.
I beg your pardon?
You goin to leave without sayin what you come for?
He was standing between the chair and the door. No, he said. Well. I hate to trouble you.
She folded her hands at her stomach, leaned back thin in her grey bedclothes. Trouble, she said, turning the word over in her mouth. You know, I goin to be eighty-three years old this year. Ain't no one left from my life who isn't dead already. Ever morning I wake up surprised to be seein it at all. But one thing I am sure of is next time you over this side of the ocean I like to be dead and buried as anythin. Aw, now, dyin is just a thing what happen to folk, it ain't so bad. But you got somethin to ask of me, you best to ask it.
He regarded her a long moment.
Go on. Out with it.
He shook his head. I don't know how much Ben talked to you about his work. About what he did for my father.
I read you letter. If you come wantin them old papers they all still there at his desk. You welcome to them.
Yes. Well. I'll need to take those.
But that ain't it.
Excerpted from By Gaslight by Steven Price. Copyright © 2016 Steven Price. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
The Woman in the Thames: Part One,
All the Mornings in the World,
The Woman in the Thames: Part Two,
The Ghost Special,
Inventing the Devil,
Men Who Do Not Exist,
The Eye That Never Sleeps,
Also by Steven Price,
A Note About the Author,
Most Helpful Customer Reviews
Detective thriller set in Victorian times – wordy and interesting This long novel (731 pages) by Steven Price deals with William Pinkerton , the American detective, in London investigating the death of someone that he was pursuing and encountering a few important characters with different agendas. A heist, murder, betrayal all form part of the plot. The novel is rich in characterisation and description as well as evidently well-researched material. The following passage gives a good example: “”They had brushed by rampsmen with tankards asway, maltoolers with their fly forks fumbling the skirts of bonnet girls, they had glimpsed a child with a malformed spine grinding an organ on a low stage in a corner but they had not slowed.” I know that I reached for the dictionary a few times! The language is literary, even poetic in places (given that the author has already published poetry) and the depiction of 19th century London is full and elaborate. I do object however to the lack of speech marks and the sparse use of commas – which sometimes makes reading this novel challenging. I received a free copy of this book in exchange for an honest review.
FINALLY … A GOOD READ! I bought this book on impulse to fill time until I received another book on special-order. In truth, I was doubtful I’d be able to make it through 731 pages about coal-burning-induced thick-fog-engulfed London in the late 1880s; but, I was intrigued by a story-line that included American detective Allen Pinkerton, and his son, and the latter’s experiences in maneuvering the salons, sewers, opium dens, séance parlor, and seedy Victorian underworld in his obsessive search for a shadowy con artist. Interestingly juxtaposing an on-going Scotland Yard investigation that includes the murder and dismemberment of a woman, with flashbacks to the American Civil War, as well as to diamond-bearing South Africa, author Price has managed to provide an atmospheric page-turner, with all sorts of twists, turns, red-herrings, and intricate character interactions and relationships that provided me with the kind of literary good-time I haven’t experienced in a long-time. That said ... the book is NOT an easy technical read. At times, it's slow, and the author's style can sometimes be downright disconcerting. And whoever made the editorial decision to leave out quotation marks should be drawn and quartered.
Who doesn't love London in 1884. A truly enthralling novel. I hope Price publishes another soon.
No Good. Others are possibly paid reviews.