In the pages of Donna Leon’s internationally bestselling Commissario Guido Brunetti mysteries, the conversations of the Brunetti family have often turned to topics of art and literature, but books are at the heart of this novel in a way they never have been before. One afternoon, Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, a visiting American professor. But the man fled the library earlier that day, and after checking his credentials, it becomes clear that he is not who he said he was. As the investigation proceeds, the suspects multiply. And when a seemingly harmless character turns up brutally murdered, Brunetti must question his expectations about what makes a man innocent, or guilty.
About the Author
Donna Leon is the author of the internationally bestselling Commissario Guido Brunetti series. The winner of the CWA Macallan Silver Dagger for Fiction, among other awards, Leon was born in New Jersey and has lived in Venice for thirty years.
Date of Birth:February 28, 1942
Place of Birth:Montclair, New Jersey
Education:B.A., 1964; M.A. 1969; postgraduate work in English literature
Read an Excerpt
It had been a tedious Monday, much of it spent with the written witness statements about a fight between two taxi drivers that had sent one of them to the hospital with concussion and a broken right arm. The statements had been made by the American couple who had asked the concierge of their hotel to call a water taxi to take them to the airport; the concierge, who said he had called one of the taxi drivers the hotel always used; the porter, who said he had done nothing more than his job, which was to put the Americans' luggage into the taxi that had pulled up to the dock; and the two taxi drivers, one of whom had been questioned in the hospital. From what Brunetti could make of the various stories, the driver from the usual company was nearby when he received the call from the concierge, but when he arrived at the hotel, another taxi was docked at the landing. He pulled up, called out the name of the Americans, which the concierge had given him, and said he was to take them to the airport. The other driver said the porter had waved to him as he was passing, so it was his fare. The porter denied this and insisted he was simply helping with the luggage. The driver into whose taxi the porter had put the luggage had somehow found himself on the deck of the other taxi. The Americans were enraged that they had missed their flight.
Brunetti knew, but could not prove, what had happened: the porter had waved to a passing taxi so that he, instead of the concierge, would get a percentage of the fare. The consequences were evident: no one would tell the truth, and the Americans would not understand what had happened.
As he entertained that thought, Brunetti was momentarily deflected from his desire for a coffee and paused to consider whether he had perhaps stumbled upon some cosmic explanation of current world history. He smiled, making a note to repeat the idea to Paola that evening, or better yet, to tell it the following night, when they were invited to dinner at her parents'. He hoped that the Conte, who appreciated paradox, would be amused. He knew his mother-in-law would be.
He abandoned his reverie and continued down the stairs of the Questura, eager for the coffee that would help him through the rest of the afternoon. As he approached the front door, the officer at the switchboard tapped on the window of his tiny cubicle and waved Brunetti towards him. When Brunetti was inside, the guard said into the telephone receiver, 'I think you should talk to the Commissario, Dottoressa. He's in charge.' He passed him the phone.
'You're a commissario?'
'This is Dottoressa Fabbiani. I'm the chief librarian at the Biblioteca Merula. We've had a theft. A number of them, I think.' Her voice was unsteady, the voice he had heard from victims of muggings or assault.
'From the collection?' Brunetti asked. He knew the library, had used it once or twice as a student but had not given it a thought for decades.
'What's been taken?' he asked, preparing in his mind the other questions that would have to follow her answer.
'We don't know the full extent yet. So far, all I'm sure of is that pages have been cut from some volumes.' He heard her deep intake of breath.
'How many?' Brunetti asked, pulling a pad and pencil towards him.
'I don't know. I just discovered it.' Her voice tightened as she spoke.
He heard a man's voice from her end of the phone. She must have turned away to answer him, for her voice grew indistinct for a moment. Then, silence from her end of the line.
He thought of the procedures he had gone through at the libraries in the city whenever he consulted a book and asked, 'You have records of the people who use the books, don't you?'
Was she surprised that a policeman should ask such a question? That he knew about libraries? It certainly took her some time to answer. 'Of course.' Well, that put him in his place, didn't it? 'We're checking on that.'
'Have you found who did it?' Brunetti asked.
There followed an even longer pause. 'A researcher, we think,' she said, then added, as if Brunetti had accused her of negligence, 'He had the proper identification.' He heard the response of any bureaucrat beginning to formulate a defence at the first whisper of an accusation of negligence.
'Dottoressa,' Brunetti began, using what he hoped was his most persuasive and professional voice, 'we'll need your help in identifying him. The sooner we find him, the less time he'll have to sell what he's taken.' He saw no reason to spare her this reality.
'But the books are destroyed,' she said, sounding anguished, as at the death of a loved person.
To a librarian, damage was as bad as theft, he imagined. Changing his voice to that of Authority, he said, 'I'll be there as soon as I can, Dottoressa. Please do not touch anything.' Before she could protest, he added, 'And I'd like to see the identification he gave you.' When there was no response, he replaced the phone.
Brunetti remembered that the library was on the Zattere, but the exact location eluded him now. He returned his attention to the guard and told him, 'If anyone wants me, I've gone to the Biblioteca Merula. Call Vianello and tell him to go over with two men to take fingerprints.'
Outside, he found Foa, arms folded, legs crossed at the ankles, leaning against the railing that ran along the canal. His head was tilted back, and his eyes were closed against the early spring sun, but when Brunetti approached, the pilot asked, 'Where can I take you, Commissario?' before opening his eyes.
'The Biblioteca Merula,' he said.
As if finishing Brunetti's sentence, Foa continued, 'Dorsoduro 3429.'
'How'd you know that?'
'My brother-in-law and his family live in the next building, so that has to be the address,' the pilot answered.
'I feared for a moment that the Lieutenant had made some new rule that obliged you to learn all the addresses in the city by heart.'
'Anyone who's grown up on boats knows where everything in the city is, sir. Better than a GPS,' Foa said, tapping his forehead with his finger. He pushed himself away from the railing and made towards the boat but stopped mid-stride and turned to Brunetti. 'You ever hear what became of them, sir?'
'Of what?' a confused Brunetti asked.
'The ones that were ordered for the boats,' Foa answered. Brunetti stood still, waiting for the explanation.
'I was talking to Martini a few days ago,' Foa continued, naming the officer in charge of procurement, the man to consult to have a radio fixed or get a new flashlight. 'He showed me the invoice and asked me if I knew whether they were any good or not. The model that had been ordered.'
'And did you?' Brunetti asked, wondering where this conversation had come from.
'Oh, we all know about them, sir. They're crap. None of the taxi drivers wants them, and the only person I know who ever bought one for himself got so mad at it one day that he pulled it off the windscreen of his boat and tossed it over the side.' Foa walked towards the boat, then stopped again and said, 'That's what I told Martini.'
'What did he do?'
'What can he do? They're ordered by some central office in Rome, and someone there gets something for having ordered them, and someone else gets something for letting the order go through.' He shrugged and stepped on to the boat.
Brunetti followed him, puzzled that Foa had chosen to tell him this, for he must have known that there was nothing Brunetti could do, either. That was how things worked.
Foa switched on the motor and said, 'Martini told me the invoice was for a dozen of them.' He stressed the amount.
'There are only six boats, aren't there?' Brunetti asked, a question Foa didn't bother to answer.
'How long ago was this, Foa?'
'Couple of months. Some time in the winter, I'd say.'
'You know if they ever got here?' Brunetti asked.
Foa tilted up his chin and made a clicking sound with his tongue: he could have been a street Arab, so much did his gesture remind Brunetti of the way they dismissed the ridiculous.
Brunetti found himself at a familiar crossroads, where he could go forward only to move backward, move sideways to move forward, or just close his eyes and take a comfortable seat and not move at all. If he spoke to Martini and learned that the GPS systems had been ordered and paid for but were nowhere in evidence, he would create trouble for himself. He could begin to look around privately and perhaps prevent further looting of the public purse. Or he could simply ignore it and get on with more important things or with things that might be remedied.
'You think this is the beginning of spring?' he asked the pilot.
Foa glanced aside and smiled: their agreement could not have been more congenial. 'I think it might be, sir. I hope so. I'm sick to death of the cold and fog.'
As they completed their turn into the bacino and looked forward again, they both gasped. There was nothing theatrical about it, no attempt to make a scene or a statement. They did no more than express their human response to the otherworldly and impossible. Ahead of them was the stern of one of the newest, largest cruise ships. Its enormous rear end stared bluntly back at them, as if daring them to comment.
Seven, eight, nine, ten storeys. Was this possible? From their perspective, it blocked out the city, blocked out the light, blocked out all thought of sense or reason or the appropriateness of things. They trailed along behind it, watching the wake it created avalanche slowly towards the rivas on both sides, tiny wave after tiny wave after tiny wave, and what in God's name was the thrust of that vast expanse of displaced water doing to those stones and to the centuries-old binding that kept them in place? Suddenly the air was unbreathable as a capricious gust blew the ship's exhaust down on them for a few seconds. And then the air was just as suddenly filled with the sweetness of springtime and buds and new leaves, fresh grass and nature's giggly joy at coming back for another show.
They could see, scores of metres above them, people lining the deck, turned like sunflowers to the beauty of the Piazza and the domes and the bell tower. A vaporetto appeared on the other side, coming towards them, and the people on the deck, no doubt Venetians, raised their fists and shook them at the passengers, but the tourists were looking the other way and failed to see the friendly natives. Brunetti thought of Captain Cook, dragged from the surf, killed, cooked, eaten by other friendly natives. 'Good,' he said under his breath.
Not far along the riva of the Zattere, Foa pulled the boat to the right, flipped it into reverse and then neutral to let it glide to a stop. He grabbed a mooring rope and jumped up on to the pavement, bent and tied a quick knot. He reached down and grabbed Brunetti's hand to steady him as he made the jump to the pavement.
'This is probably going to take some time,' Brunetti told the pilot. 'You might as well go back.'
But Foa wasn't paying attention: his eyes were on the stern of the ship as it made its slow progress towards the dock at San Basilio. 'I've read,' Brunetti began, speaking Veneziano, 'that no decision can be made about them until all the agencies agree.'
'I know,' Foa answered, his eyes still on the boat. 'Magistrato alle Acque, Regione, junta of the city, Port Authority, some ministry in Rome ...' He paused, still transfixed as the boat moved farther away, hardly diminishing in size. Then Foa's voice returned, and he named some of the men on these panels.
Brunetti knew many, though not all, of them. When Foa reached the names of three former city officials of the highest rank, he pounded on the pronunciation of each surname like a carpenter hammering the final nails into the lid of a coffin.
'I've never understood why they divided things up like that,' Brunetti said. Foa, after all, came from a family that had lived on and from the laguna: fishermen, fishmongers, sailors, pilots and mechanics for ACTV. They had everything except gills, the Foas did. If anyone were to understand the bureaucracy of the waters in and off which the city lived, it would be people like them.
Foa gave him the smile a teacher gives his dullest pupil: affectionate, poignant, superior. 'Do you think eight separate committees are ever going to reach a decision?'
Brunetti looked at the pilot as illumination came. 'And only a joint decision will stop the ships,' he said, a conclusion which caused Foa's smile to broaden.
'So they can consider and reconsider for ever,' the pilot said, in open admiration of the ingenuity of having divided the decision among so many separate governmental organizations. 'Getting their salaries, making inspection tours to other countries to see how things are done there, holding meetings to discuss projects and plans.' Then, mindful of a recent article in Il Gazzettino, 'Or hiring their wives and children as consultants.'
'And picking up small gifts that might fall from the table of the companies that own the ships?' Brunetti offered, though he knew as he spoke that this was not the sort of example he was meant to give to the uniformed branch.
Foa's smile warmed, but he said only, pointing along the narrow canal, 'Down there, just before the bridge. It's the green door.'
Brunetti waved his thanks for the ride and for the directions. A moment later he heard the motor spring to life, and when he turned he saw the police boat swinging out into the canal in a wide arc that would take it in the direction from which they had come.
Brunetti noticed that the pavement was wet, with large puddles against the walls of the buildings he passed. Curious, he walked back to the edge of the riva and looked down at the water, but it was more than half a metre below him. It was low tide, there was no acqua alta, and no rain had fallen for days, so the only way the water could have got there was by being washed up by a passing ship. And they were meant to believe, he and the other citizens the administration considered to be imbeciles, that these boats did no damage to the fabric of the city.
Weren't most of the men making these decisions Venetians? Hadn't they been born in the city? Weren't their children in the schools and university? They probably spoke Veneziano during their meetings.
He thought memory would return as he walked towards the library, but it all failed to become familiar to him. Nor could he recall whether the palazzo had been Merula's home when he lived in Venice: that was a job for the Archivio Storico, not the police, whose records did not go back a thousand years.
When Brunetti passed through the open green door, he told himself it looked familiar, though what it really looked like was any of the Renaissance courtyards in the city, complete with outside steps leading to the first floor and a metal-capped well. He was drawn to it by the beautifully preserved carving, still safe inside these walls. Fat pairs of angels supported a family crest he did not recognize. The wings of some of the angels were in need of attention, but the rest of the carving was intact. Fourteenth century, he'd guess, with a garland of carved flowers encircling the well just under the metal lid: he surprised himself by having a strong memory of that, if of little else he saw there.
He started towards the remembered staircase, its broad marble handrail interspersed with the carved heads of lions, each the size of a pineapple. He climbed the stairs, patting the heads of two of the lions. At the top of the first flight, he saw a door and beside it a new brass plaque: 'Biblioteca Merula'.
He stepped inside, into coolness. By this time in the afternoon, the day had grown clement and he had begun to regret wearing his woollen jacket, but now he felt the sweat drying across his back.
In the small reception area, a young man with a fashionable two-day beard sat behind a desk, a book open in front of him. He looked at Brunetti and smiled and, when he approached the desk, asked, 'May I help you?'
Brunetti took his warrant card from his wallet and showed it. 'Ah, of course,' the young man said. 'You want Dottoressa Fabbiani, Signore. She's upstairs.'
'Isn't this the library?' Brunetti asked, pointing to the door behind the young man.
'This is the modern collection. The rare books are upstairs. You have to go up another flight.' Seeing Brunetti's confusion, he said, 'Everything was changed around about ten years ago.' Then, with a smile, 'Long before my time.'
'And long after mine,' Brunetti said and returned to the staircase.(Continues…)
Excerpted from "By its Cover"
Copyright © 2014 Donna Leon and Diogenes Verlag AG, Zurich.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
It was a good story and a look at a different kind of criminal enterprise. While not one of her best, I enjoyed the absence of a sense of crusade against the author's pet biases. Not nearly so filled with twists and turns as The Golden Egg and it ended a bit abruptly, leaving me wanting a bit more.
Wonderfully atmospheric beautifully written as always it is a joy to read Donna Leon Brunetti is a memorable detective and Venice a fascinating locale but most importantly the story makes this book a page turner and the library and its staff truly come alive a book to be savored some sentences have to be read again they are so beautiful like this one about the books in the library: " He remembered loving the feel and heft of them, but chiefly he remembered that soft dry scent. The past's attempt to make itself real to him." Magnificent !!!
Too much about corruption and unpleasant people need a return to solving strsight crimes with family and more humor getting so depressing maybe he should take an overseas assignment or another interesting part of italy like in the simeon ones. So disappointed again may not read the next one.middle age author angst? Mom
I as always have learned more about history. Art and now ancient books. .all hidden in plain sight
Disappointing. Have been a huge fan for many years. If this had been written by anyone else I would have put it down after 20 pages.
In an attempt to be sophisticated or clever, the VERY abrupt ending left me unsatisfied. It was like an unfinished stroke on canvas- was it deliberate or could the artist not find a better resolution.
For years I have waited for Donna Leon's books, often reading them in one gulp. But in recent years, she seems more interested in making money than in telling great stories. I visit Venice almost every year, so I know the atmospherics are correct. The latest books have almost no plot. If this book had been produced in regular size type, it would be about half as long. She starts out with a glance to the serious damage that massive cruise ships are doing to the lagoon and the city, but then goes off into book theft, which doesn't have a lot of twists and turns or even interesting characters. I grieve the loss of a fine storyteller.
I look forward to reading about the food, so disappointing. And, the killer was sympathetic. So, it wasn’t satisfying.
I think about the fabulous, compassionate Comisario Brunetti so often. I want to be as balanced a person as he is, as accepting of human fraillty and as aware of strength. As good a friend, parent, spouse. Thank you Donna Leon for bringing this man and his works to life in my mind and heart.
A very good and in engaging book.
Brunetti at home is always interesting, and it's often the best material in the story. Brunetti is growing older gracefully and he brings wisdom as well as knowledge not only to his work, but to his family life. Nice "beach read".
Donna Leon's books are a satisfying pleasure to read, not just for the mystery but the writing itself, rich in Venetian atmosphere and characters, with glimpses of domestic life. The Brunetti family loves books and here, books are a major key.
I love this series. Donna Leon as usual brings back Guido Brunetti for our enjoyment. If you love Italian food and Venice, read this series but start with the first book.
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