- Blow, Jackson Blow
- More Blues at Midnight
- Later for the Gator
- Dance of the Lady Bug
- Can't Help Lovin' Dat Man
- Gonna Hoot and Holler Saturday Night
- Call of the Gators
- On My Own
- Chuck's Chuckles
- Later for the Gator
- Lemonade
- More Blues at Midnight
- Call of the Gators
- Blow, Jackson Blow
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0038153046026
Booty Wood Trombone
Eddie Mack Vocals
Ben Kynard Sax (Baritone)
Leemie Stanfield Bass
Joe Murphy Drums
Reuben Phillips Sax (Baritone)
Duke Anderson Piano
Arnold Jarvis Piano
Michael Booty Wood Trombone
Leonard Heavy Swain Bass
Andrew Ford Trumpet
Haywood Henry Sax (Baritone)
Bill Doggett Piano
Bobby Smith Piano
Bob Johnson Trumpet
Robert Range Trombone
Andrew "Fats" Ford Trumpet
Panama Francis Drums
Steve Wagner Producer
Bob Porter Liner Notes
Carl Sapp Composer
Doug Phillips Composer
Russell Thurston Photography
Al Brandtner Design,Package Design
Jack Vierra Photography
Eric Saravia Composer
Vic Sapp Composer
Charles Kynard Composer
Robert G. Koester Producer
Jimmy Cobb Composer
Roger Seibel Pre-Mastering,CD Pre-Mastering
Willis "Gator" Jackson Composer
Burt Bacharach Composer
Claude-Michel Schoenberg Composer
Billy Smiley Composer
Carole Bayer Sager Composer
Oscar Hammerstein II Composer
Randy Kinnett Composer
Jerome Kern Composer


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Overview
This 14-track entry from Delmark's Apollo series provides a useful roundup of tenor saxophonist Willis Jackson's earliest recordings as a leader. The set of jump blues and stomping R&B instrumentals showcases the young leader's hard-honking, leering style. Still a teenager at the time, Jackson recorded the performances for the New York-based Apollo label in 1949 and 1950, shortly after he came to prominence as a member of trumpeter Cootie Williams' band. While he seems made to measure for the role of "blowin' motherf*cker," Jackson's ballad playing reveals a more sophisticated player with a smoky Ben Webster style. This side of Jackson -- which became more evident later in his career -- comes across most notably on the ballad "Can't Help Lovin' Dat Man" and in the unhurried lope of "More Blues at Midnight." The players with Jackson are likeminded practitioners of good-time, bluesy backbeats, including pianist Bill Doggett and drummer Panama Francis. Two tracks feature Jackson with the Bobby Smith Orchestra and vocalist Eddie Mack, who reflects unrepentantly on the timeless themes of money, women, and drink. An unidentified guitarist (possibly Leroy Kirkland) on one of the Smith tracks contributes a brief swinging solo in the style of Tiny Grimes that proves to be one of the disc's high points. The medium-paced title track is another highlight. ~ Jim Todd
Product Details
Release Date: | 09/18/1993 |
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Label: | DELMARK |
UPC: | 0038153046026 |
Tracks
Album Credits
Performance Credits
Willis "Gator" Jackson Primary Artist,Sax (Tenor)Booty Wood Trombone
Eddie Mack Vocals
Ben Kynard Sax (Baritone)
Leemie Stanfield Bass
Joe Murphy Drums
Reuben Phillips Sax (Baritone)
Duke Anderson Piano
Arnold Jarvis Piano
Michael Booty Wood Trombone
Leonard Heavy Swain Bass
Andrew Ford Trumpet
Haywood Henry Sax (Baritone)
Bill Doggett Piano
Bobby Smith Piano
Bob Johnson Trumpet
Robert Range Trombone
Andrew "Fats" Ford Trumpet
Panama Francis Drums
Technical Credits
Chuck Stewart PhotographySteve Wagner Producer
Bob Porter Liner Notes
Carl Sapp Composer
Doug Phillips Composer
Russell Thurston Photography
Al Brandtner Design,Package Design
Jack Vierra Photography
Eric Saravia Composer
Vic Sapp Composer
Charles Kynard Composer
Robert G. Koester Producer
Jimmy Cobb Composer
Roger Seibel Pre-Mastering,CD Pre-Mastering
Willis "Gator" Jackson Composer
Burt Bacharach Composer
Claude-Michel Schoenberg Composer
Billy Smiley Composer
Carole Bayer Sager Composer
Oscar Hammerstein II Composer
Randy Kinnett Composer
Jerome Kern Composer
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