“Cash Out is one of those novels that begs for more adjectives: relentless, madcap, polished, lean, vivid, warped, original, horrifying and hilarious in equal measure. It’s like the spawn of mad monkey sex between Charlie Huston and Duane Swierczynski. Which is a good thing.” — Marcus Sakey, award-winning author of The Two Deaths of Daniel Hayes and The Amateurs
“A psychotic head-scratcher in the best possible way. Bardsley’s story is wild, unpredictable, and totally original.” — Los Angeles Book Review
“A tense, satirical black comedy that will leave you with paper cuts from anticipating what’s on the next page and an aching gut from the laughter.” — Frank Bill, author of Crimes in Southern Indiana
“Greg Bardsley’s writing walks on the wild side, with street swagger and a switch-blade in the sock. His short stories are an internet sensation, there’s style and there’s substance and a great big dollop of skill. Utterly unique and head-and-shoulders above his peers.” — Tony Black, author of Truth Lies Bleeding
“Wow and wow again. CASH OUT gets the 3-E merit: Excellent, enthralling and with a wicked elegance. I loved it.” — Ken Bruen, best-selling author of The Devil
“A cold heart is beating in [Greg Bardsley’s] prose, one that suspects there’s nothing much good to say about people. Still…you can say it with a sly wink that lets everyone know we’re all in on the same grim joke. Bardsley gives us the wink and delivers the black punchline.” — Charlie Huston, bestselling author of The Mystic Arts of Erasing All Signs of Death and The Shotgun Rule
“Bardsley’s work will be around a long time. He forces you to remember. … My prediction: As soon as the novels start rolling out, Bardsley will be as big as Palahniuk. But the critics will like him a lot more.” — Anthony Neil Smith, author of Hogdoggin and Yellow Medicine
“Bardsley’s writing always makes me laugh and long for more. His characters are outrageous… yet beneath their antics and quirks are kernels of people we recognize from our everyday lives - or would, before Greg let them run wild. CASH OUT provides a delicious romp… I loved every minute of it.” — Rachel Canon, author of The Anniversary
“Greg Bardley’s writing is so good it’s criminal. The guy has style. And a wicked imagination. And nobody has more fun with his characters than Mr. Bardsley does.” — Al Riske, author of Precarious and Sabrina's Window
“Greg Bardsley. Remember his name. Mark my words, he’s gonna be huge.” — Jedidiah Ayres, Ransom Notes: The Barnes & Noble Mystery Blog
“Irreverent, surreal, utterly original. Bardsley is a genre unto himself.” — Keith Rawson, editor of Crimefactory magazine
“Greg Bardsley is one of the funniest writers, period. Someone once asked me to describe Greg’s writing and all I could come up with was it’s like being stuffed into a gag bag full of razor blades and getting tossed into the gibbons cage at the zoo.” — Kieran Shea, author of "The Lifeguard Method" and other stories
“Cash Out is a wonderful combination of the bizarre, hysterical, and gruesome. Bardsley is a rising star in the world of crime fiction.” — Mark Richardson, author of "Tattoo Woman" and other stories
“Succeeds grandly in making Silicon Valley a place of intrigue and dangerous head cases and hard cases.” — Booklist
“Takes readers on a journey that has been described as a cross between ‘The Hangover’ and ‘Office Space.’” — New York Times
“A wild romp of a book.” — Bookreporter.com
“Smart about Silicon Valley culture.” — Publishers Weekly
“Hilarious. . . A fast-moving page turner with zany plot twists that you won’t want to put down.” — Portland Book Review
“The valley is so weird that it would be tough to come up with fiction that is more outrageous than the valley’s reality. Bardsley … gets that, and he’s artfully turned the weirdness to his advantage in his debut novel, Cash Out.” — San Jose Mercury News
Greg Bardsley’s writing walks on the wild side, with street swagger and a switch-blade in the sock. His short stories are an internet sensation, there’s style and there’s substance and a great big dollop of skill. Utterly unique and head-and-shoulders above his peers.
Bardsley’s writing always makes me laugh and long for more. His characters are outrageous… yet beneath their antics and quirks are kernels of people we recognize from our everyday lives - or would, before Greg let them run wild. CASH OUT provides a delicious romp… I loved every minute of it.
Bardsley’s work will be around a long time. He forces you to remember. … My prediction: As soon as the novels start rolling out, Bardsley will be as big as Palahniuk. But the critics will like him a lot more.
Cash Out is one of those novels that begs for more adjectives: relentless, madcap, polished, lean, vivid, warped, original, horrifying and hilarious in equal measure. It’s like the spawn of mad monkey sex between Charlie Huston and Duane Swierczynski. Which is a good thing.
A tense, satirical black comedy that will leave you with paper cuts from anticipating what’s on the next page and an aching gut from the laughter.
Greg Bardsley. Remember his name. Mark my words, he’s gonna be huge.
A cold heart is beating in [Greg Bardsley’s] prose, one that suspects there’s nothing much good to say about people. Still…you can say it with a sly wink that lets everyone know we’re all in on the same grim joke. Bardsley gives us the wink and delivers the black punchline.
Greg Bardley’s writing is so good it’s criminal. The guy has style. And a wicked imagination. And nobody has more fun with his characters than Mr. Bardsley does.
A psychotic head-scratcher in the best possible way. Bardsley’s story is wild, unpredictable, and totally original.
Wow and wow again. CASH OUT gets the 3-E merit: Excellent, enthralling and with a wicked elegance. I loved it.
Hilarious. . . A fast-moving page turner with zany plot twists that you won’t want to put down.
Greg Bardsley is one of the funniest writers, period. Someone once asked me to describe Greg’s writing and all I could come up with was it’s like being stuffed into a gag bag full of razor blades and getting tossed into the gibbons cage at the zoo.
A wild romp of a book.
Cash Out is a wonderful combination of the bizarre, hysterical, and gruesome. Bardsley is a rising star in the world of crime fiction.
The valley is so weird that it would be tough to come up with fiction that is more outrageous than the valley’s reality. Bardsley … gets that, and he’s artfully turned the weirdness to his advantage in his debut novel, Cash Out.
Irreverent, surreal, utterly original. Bardsley is a genre unto himself.
Succeeds grandly in making Silicon Valley a place of intrigue and dangerous head cases and hard cases.
Takes readers on a journey that has been described as a cross between ‘The Hangover’ and ‘Office Space.’
Succeeds grandly in making Silicon Valley a place of intrigue and dangerous head cases and hard cases.
