Charleston: A Novel

Charleston: A Novel

by Margaret Bradham Thornton

Paperback(Reprint)

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Product Details

ISBN-13: 9780062332530
Publisher: HarperCollins Publishers
Publication date: 05/05/2015
Edition description: Reprint
Pages: 320
Sales rank: 469,713
Product dimensions: 5.31(w) x 8.00(h) x 0.72(d)

About the Author

Margaret Bradham Thornton is the author of Charleston and the editor of Tennessee Williams’s Notebooks, for which she received the Bronze ForeWord Magazine Book of the Year Award in autobiography/memoir and the C. Hugh Holman Prize for the best volume of southern literary scholarship published in 2006, given by the Society for the Study of Southern Literature. She is a graduate of Princeton University and lives in Florida.

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Charleston: A Novel 4.2 out of 5 based on 0 ratings. 18 reviews.
Anonymous More than 1 year ago
The title and cover alone was what made me want to click for purchase and the glowing reviews helped make the decision to do so. I knew by reading some of the reviews that it wasn’t going to be a fast paced action novel, but I didn’t expect to find myself page after page waiting for something to happen. Anything.  The extremely detailed description of the city helped me get through it, for Charleston is one of the most beautiful cities in the South.  The author made you feel like you were walking down each street with her. Story wise, it left a lot to be desired. The details of art that were incorporated due to Eliza’s occupation actually took away from the plot for me, though I do realize how the author was attempting to tie them in metaphorically to the main character’s struggles. Far too much attention was paid to the art and when reading the story it was such an abrupt shift each time from the love story to her occupation that I honestly feel like the author had difficulties trying to make the connections she was aiming for.  Henry, for all his charm, also was a major distraction. I found myself thinking that if I had come across this man after ten years regardless of my past with him, I would consider him extremely overbearing and uncomfortable to be around. I think his character’s over the top drivel and actions would have caused most women to be flattered at first, then get mildly annoyed and queasy, then run away as fast as they could! The other characters in the novel were amusing in the Midnight in the Garden of Good and Evil sort of way, but not believable in the least. The dialog and interactions with the main characters was an odd fit and seemed as though something the author threw in to beef up the weak story. Finally, the ending. I almost threw my reader across the room with a shout of disbelief. What an abrupt ending! I had no doubt in my mind that we were headed there, it just felt like the author rushed it entirely too much and left me extremely unsatisfied. Overall the novel was not a good fit for me personally, but I would not be opposed to trying to read another effort. 
MiguelD1 More than 1 year ago
I am a big fan of Ron Carlson’s novels set in the west so I was intrigued by his blurb on the back of Charleston – definitely not his territory. But when I overhead my wife and her sister over a glass of wine somewhat jokingly wonder where their Henry was, I thought I should take a look.And then it all made sense. My father disappeared from my life early so I found Henry’s care for his son both touching and painful, and it reminded me of ways to be a better, less self absorbed dad. Thornton deals with the issues that matter and despite the glamour of the cover and some very funny scenes, Charleston is a deeply serious book. I would recommend it to anyone who wants to be inspired to live a better life.
Elie1 More than 1 year ago
At last, a Southern heroine who is smart and accomplished and isn’t concerned with dinner parties and being the perfect hostess. Eliza Poinsett is not one of those helpless frightened female characters who are trapped by their lives. Rather she is independent and educated and able to make her own choices. While this novel has its share of southern eccentrics and funny scenes , the novel ultimately is about love and the power of forgiveness. Thornton creates characters who are hard not to pull for and who stay with you long after the novel ends.
Anonymous More than 1 year ago
This is a wonderful, very well-written book. I don’t typically gravitate toward romance novels, but this is not your average romance novel. Margaret Bradham Thornton, like all great authors, transports you to another place – you forget that you are reading, as opposed to standing invisible in the corner, observing the characters and story as they steadily unfold. I have always loved the unique city of Charleston and it is refreshing to see the city so carefully and authentically illustrated. But what I most loved about this book is the reflective way the author explored those matters that affect us all so deeply: our sense of identity; the role of our family, past and present; the pull of our past and “home”; regret and self-doubt; security, trust and love. While Charleston and Eliza’s world may be very foreign to your own, you will undoubtedly identify with Eliza and Henry. All the while, you will be turning the pages a little faster as you go, enjoying the twists and turns of the story, expertly illustrated by strong characters and elegant prose. I highly recommend the book for all ages.
hemypicasso More than 1 year ago
CHARLEStON Is WONDERFUL Loved this charming novel set in Charlseston, S. Carolina. This novel has a wondeful story line with quite interesting characters. I love the authors descriptions of the cahrming city of Charleston which one of our countries lovelitest and hsitorical. Charleson is brought to life in a fine story by Margaret B. Thorton. She does a fine job weaving charactors with story and this lovely little city, Charleston. The way she has written the book makes me want to hop on a plane or train and run down to Charleston to soak up some of that lovely southern city. I'd bring this book with me and read it  again at a lvoely little hotel in Charleston. Bravo, the book is brilliant
ADumit More than 1 year ago
I don’t think I have read a novel where a city is such a character - and what a city it is - a city filled with stately homes, gossip, and entangled lives and set against a sultry and untamed backdrop. Thornton writes in a way that makes the  reader feel the slow seduction of the place, the ghosts who haunt the houses and the beauty of the landscape. When I finished the novel I felt I had taken a trip to Charleston and met the special characters, none more charming than Henry, who does his best to get Eliza back. It is a lovely story written beautifully and I highly recommend it. 
Senior-D More than 1 year ago
Really enjoyed the book ......finished it much too soon.
Anonymous More than 1 year ago
I wanted to love this book since I had recently spent time in that lovely city.However, although it did capture many of the sounds and sights, I felt it plodded. The ending caught me off guard and somehow felt too abrupt after all the slow moving action leading up to it.
Cupid More than 1 year ago
I guess it's a Southern thing. Think that's the best rationale I can give for why this book was rated with 4 to 5 stars by others. Halfway through this novel and still waiting for something to happen. Very detailed descriptions but very little going on. Perhaps that's the author's attempt at portraying the languid nature of this town, to show in writing style that truly not much goes on this town. If so, well done! Not sure we need to know which specific street the main characters walked down and then turned left to walk down another street before turning to walk down another street. Maybe it will get better in the second half. In the first half, this catch of guy, Henry, comes off as annoyingly persistent to the point of being disrespectful. And Eliza never gets past one-dimensional. Too slow-paced to hold interest.
Anonymous More than 1 year ago
Being from Charleston I wanted to see what the writer had to say and how many description she would get right. She nailed it with the depiction. As far as the story line it's a very nice love story. I'm not in that class of society but I also didn't know Charleston had a high society!! It also made me home sick
PierresFamily More than 1 year ago
Charleston is a sweet little novel about a middle-aged woman's return to her hometown and her true love. Will it work out? What do the rest of their lives hold for the couple? I wont give away any spoilers. Suffice it to say that it's a touching story, and i really cared about the characters. The only "complaint" I have is really an amusing annoyance. Seemingly out of nowhere, in the last chapter, it seemed that about half the quotes began with the word "God." A friend of mine in the know about the publishing industry, once told me that editors sometimes add a little "spicier" language when they think the writing is too wholesome and not cynical enough. That could be the case here. Regardless, I recommend the book - but really, the needless "God" insertions just detracted from the moving story.
Anonymous More than 1 year ago
Very flat and lacked any punch in descriptions buska
Anonymous More than 1 year ago
Anonymous More than 1 year ago
If you are looking for a detailed map of downtown Charleston, this is the book for you. I was hoping for a new novelist along the lines of Anne Rivers Siddons. Alas, not even close. The central character did not ring true to me at all as well as either of her love interests. This one goes to the used book store, rather than loaned to my reading friends.
Anonymous More than 1 year ago
PhilipD More than 1 year ago
Charleston is a novel that entertains, educates and enchants. Eliza Poinsett, a Charlestonian, returns home to attend her stepsister’s debutante party and runs into a former boyfriend, Henry who knows how to dance and to find his way through a swamp without a compass. Eliza is charmed by Henry and  she has to come to grips with what this all means to her. Like The Goldfinch this novel is filled with information about art from an 18th portrait painter to a slave potter Dave to the French post impressionist Pierre Bonnard. The enchantment comes in the spare lyrical language that mirrors the theme of beguilement. It is emotional resonance - not action - that drives this novel forward. And the ending is powerful and moving and takes the novel to another level as it shows the power of empathy as a redemptive force. 
Anonymous More than 1 year ago
Beautifully written novel that exceeded my expectations and is definitely one I will be recommending to my friends
djwilner More than 1 year ago
Writing evokes that which isn’t there, and the best writing makes the absent so vividly present as to be more real than the thing itself. Good writing raises the dead. And it is hard to think of a recent novel that is more haunted and haunting, more brilliantly interested in the dynamic interplay between past and present, gone and here, than Charleston, the exquisite debut novel by the scholar Margaret Bradham Thornton. The book aches with longing for what is lost, while still brimming with hope for our power to reorder our lives, if only by engaging with our losses as courageously and compassionately as we can.  At the heart of the story is Eliza, an art historian in her late twenties – old enough to have a past, young enough to maybe do something about it. Eliza is haunted by the ghost of Henry, her first love, from her native Charleston. Their relationship went wrong in their early twenties when Henry committed an act of drunken infidelity. Eliza could not bear the betrayal and moved first to New York and then to London, where she excelled as a student and fell in love with Jamie, a well-bred, charming, and altogether kind man. When Eliza returns to Charleston for her stepsister’s debutante party, she reconnects with Henry and is forced to tackle a set of “equations” between them that “had remained unsolved.” And now Eliza is deeply torn: between Henry and Jamie, Charleston and London, past and present selves, old home and new. Where does she truly belong?   Only by reckoning with her past can Eliza determine her present course. But when is it too late to go back? The more you run, the harder you make your life when you decide to turn around and face what’s been chasing you: “Ten years of such different worlds–wasn’t that enough to shift things between [Henry and her] so that even if they tried, they would never be able to fit together anymore?” That desperate quest to regain what is lost – to reanimate something dead – echoes Eliza’s vividly interesting work as an art historian. Eliza’s work, in turn, reflects that of her creator, whose investigative work in piecing together the notebooks of Tennessee Williams – a project that spanned a full ten years – stands as one of the most impressive projects of theatrical and literary scholarship in recent memory. It is as though by reconstructing Williams’ diaries so thoroughly, Thornton might have brought the man back to life. Yet inevitably a gap remains, and it is that gap that interests Thornton here.   Charleston is a fine addition to the recent spate of novels featuring strong female protagonists engaged in the art world, not least Rachel Kushner’s The Flamethrowers, Claire Messud’s A Woman Upstairs, and Meg Wolitzer’s The Interestings. Yet while those novels tend to focus on the vicissitudes of making, Eliza studies what has already been made as a way of reconnecting with something lost. Her investigations into the works of portrait painter Henrietta Johnston and the slave potter Dave are riveting subplots of genuine sleuthing. They rarely yield conclusive results, but they teach Eliza something she did not expect to learn, and it is less an instruction of fact as one of empathy. For instance, she examines the stunning pots of the slave potter Dave and concludes: “This was what was left of a life, she thought. Sturdy pots that had been made for service, and yet the maker had also made them beautiful.” Why? Why did he do that? Neither Eliza nor we will ever know. What is lost can never be fully recovered or understood, but as we study it, its mysteries can enchant us and even uplift us, reflect something back to us about who we are or who we want to be.  This, perhaps, is what is most affecting in Eliza’s evolution as she explores her relationship with Henry. Things have indeed changed unalterably: Henry now has a nine-year-old son, Lawton, the result of his regrettable affair. The boy cannot but serve as a painful and permanent reminder of the misjudgment that ended Eliza’s and Henry’s relationship. Yet Lawton also stands as copy to the father – a powerful reminder of his beauty and ultimate goodness. And in one of the most poignant reversals I can recall, Lawton becomes a vital ingredient in Eliza’s rapprochement with Henry. And so her provocative conclusion: “There was no point in looking for what once was or might have been because you would never be able to find it. It only made sense to look for what was lost if you were prepared to find something unexpected.” Eliza grows up. She learns that much can never be recovered, yet sometimes there is the chance for a kind of renewal or growth that can be all the more uplifting because of the bitterness that led to it. These themes echo off the old streets and estates of the city of Charleston, which is itself a beguiling character in the novel. As in Orhan Pahmuk’s Snow, in which Istanbul serves as both foil and fodder for the protagonist’s longing and questioning, here Charleston both reflects and inflames Eliza’s anxieties and hopes. The place is unchanging and predictable in its customs – a source of both appeal and disquiet, “comfort and danger” – yet it is also wonderfully variegated and surprising in its landscapes: “everything here was sinuous, unordered, untamed.” The city is deeply seductive in Thornton’s meticulous rendition, and that seductiveness is embodied in Henry, who is effortlessly capable of navigating the city’s different purlieus: he “knew every inch of his world, and she felt safe with him.” It is as though he helps Eliza rediscover a world she had lost – quite literally, he helps her come home again. And in her exploration of both the city and the man she thought had been lost to her, Eliza discovers something she did not expect: “even though this world around her now was so familiar that she could navigate it blind, being back with Henry gave her access to a whole new continent of feelings. It was a world that could never be seen, but it was there–underneath the surface of everything–joyful and pure.”  Charleston is unmistakably a Southern novel, not least in that it explores Faulkner’s oft-cited line: “The past is never dead. It’s not even past.” Yet, whereas for Faulkner the past is a kind of curse, as the sins and traumas of each generation are revisited upon their descendants, for Thornton the past can be a terrifically fecund place, so long as we are prepared to find something unexpected there. In a sensitive and uplifting twist on Faulkner’s aphorism, Charleston offers that in grappling with the undead in our past, we can discover all the life we knew, somewhere in our hearts, was there all along.