Circle of Sawdust: A Circus Memoir of Mud, Myth, Mirth, Mayhem and Magic

by Rob Mermin

Overview

Gold Winner, Nonfiction, 2024 Literary Titan Book Award

Kirkus Reviews' Best Indie Books of 2024

First Prize, Creative Nonfiction, 2024 North Street Book Prize

Circle of Sawdust is a uniquely personal story of the wild characters, fascinating personalities, remarkable histories, and behind-the-scenes world of traditional traveling circuses.

Here is a true-life tale about a boy's impulse to run off and join the circus and then-through doubt, failure, loss, and tragedy-pursue the implausible vision of starting his own circus! With humor and passion, founder of Circus Smirkus Rob Mermin writes about the precarious life of a creative artist, the ups and downs of taking risks, and the idealistic struggle to hold onto a dream.

Product Details

ISBN-13:	9781578691562
Publisher:	Rootstock Publishing
Publication date:	05/28/2024
Pages:	340
Product dimensions:	6.00(w) x 9.00(h) x 0.76(d)

About the Author

Rob Mermin ran off to join the circus in 1969 and studied the art of mime with Marcel Marceau. An accomplished performer, entrepreneur, author, lecturer, playwright, and director, Rob founded the award-winning international touring company Circus Smirkus in Greensboro, Vermont.

Editorial Reviews

★ 2024-04-26
A personal history of the modern circus by a circus performer and owner.

Mermin, who “ran off to join the circus” in 1969 and founded his own circus, chronicles life under the big top. The author recounts having to convince his skeptical mother of the worthiness of his ambitions; her dismissal inspired the name of Mermin’s own show, Circus Smirkus. This memoir begins with stories of Mermin’s participation in late-20th-century European circuses, such as Circus Benneweis and Circus Hoffman, and includes photos at the beginning of each section and Gersch’s sketches of clowns, tents, and other circus elements. Throughout, Mermin highlights his relationships with well-known performers, especially his mentor, the renowned mime Marcel Marceau (who never performed with a circus until Mermin persuaded him to perform in Circus Smirkus). The author catalogs the early years of building Circus Smirkus, a small Vermont-based affair that followed the model of traditional European circuses and employed young performers. One of the most interesting elements of the book charts how Mermin fostered a glorious multicultural stage, inviting “coaches and circus kids from Russia, Latvia, Ukraine, Mongolia, Kazakhstan, Hungary, Georgia, Moldova, Canada, China, Cuba, Brazil, Indonesia, Israel, Palestine, Ethiopia, Great Britain, New Zealand, states from all around the US, as well as ten First Nation tribes, the Sioux, Yakama, Hunkpapa, Cree, Santee, Dakota, Oglala, Navaho, Azteca, and Cherokee.” Mermin also includes his own “coming out” as Jewish to an antisemitic fellow performer. One glaring oversight—the memoir pays scant attention to controversies over circuses, particularly the abuse of animals. Circuses continue to evolve, however, and Mermin reassures readers that the circus as an art form is very much alive, noting that his own circus will continue on after his retirement.

A fascinating tour de force that displays the enduring, unique appeal of the circus.

Kirkus Reviews