Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Essays in Honour of Margaret Bent
By Suzannah Clark (Editor), Elizabeth Eva Leach (Editor), Alice V. Clark (Contribution by), Andrew Wathey (Contribution by), Barbara Haggh (Contribution by), Bonnie Blackburn (Contribution by), Christian Leitmeir (Contribution by), Cristle Collins Judd (Contribution by), David R. Howlett (Contribution by), Elizabeth Eva Leach (Contribution by), Gilles Rico (Contribution by), John Milsom (Contribution by), Kevin Brownlee (Contribution by), Lawrence Earp (Contribution by), Leofranc Holford-Strevens (Contribution by), Reinhard Strohm (Contribution by), Susan K Rankin (Contribution by), Suzannah Clark (Contribution by), Theodor Dumitrescu (Contribution by), Virginia Newes (Contribution by)
Hardcover
$110.00
By Suzannah Clark (Editor), Elizabeth Eva Leach (Editor), Alice V. Clark (Contribution by), Andrew Wathey (Contribution by), Barbara Haggh (Contribution by), Bonnie Blackburn (Contribution by), Christian Leitmeir (Contribution by), Cristle Collins Judd (Contribution by), David R. Howlett (Contribution by), Elizabeth Eva Leach (Contribution by), Gilles Rico (Contribution by), John Milsom (Contribution by), Kevin Brownlee (Contribution by), Lawrence Earp (Contribution by), Leofranc Holford-Strevens (Contribution by), Reinhard Strohm (Contribution by), Susan K Rankin (Contribution by), Suzannah Clark (Contribution by), Theodor Dumitrescu (Contribution by), Virginia Newes (Contribution by)
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Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Essays in honour of Margaret Bent.
The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as t...
Essays in honour of Margaret Bent.
The chapters of this book probe the varied functions of citation and allusion in medieval and renaissance musical culture. At its most fundamental level musical culture relied on shared models for musical practice, used by singers and composers as t...






















