Cleopatra's Nose: Essays on the Unexpected

by Daniel J. Boorstin

Overview

The Pulitzer Prize-winning author of The Discoverers demonstrates the truth behind the aphorism that if Cleopatra's nose had been shorter, the face of the world would have been changed. Boorstin goes on to uncover the elements of accident, improvisation and contradiction at the core of American institutions and beliefs.

Product Details

ISBN-13:	9780307756527
Publisher:	Knopf Doubleday Publishing Group
Publication date:	06/01/2011
Sold by:	Random House
Format:	eBook
Pages:	224
File size:	2 MB

About the Author

Daniel J. Boorstin was the author of The Americans, a trilogy (The Colonial Experience, The National Experience, and The Democratic Experience) that won the Francis Parkman Prize, the Bancroft Prize, and the Pulitzer Prize. In 1989, he received the National Book Award for lifetime contribution to literature. He was the director of the Smithsonian's National Museum of American History, and for twelve years served as the Librarian of Congress. He died in 2004.

Editorial Reviews

The amusingly cryptic title of Boorstin's rigorous essay collection comes from a line of Pascal's: "Cleopatra's nose, had it been shorter, the whole face of the world would have been changed." This observation appeals to Boorstin's penetrating sense of history and of "the crucial role of the accidental and the trivial." The Librarian of Congress Emeritus and one of the world's most widely read historians, Boorstin is a skilled essayist. Here he revisits his favorite subjects--American history, exploration, science, and technology--but uses them as conduits for fresh perceptions into our fractured era. He begins by putting a spin on his signature theme of discovery by discussing the value of "negative" discoveries: proving that certain things don't exist or aren't possible. This leads to an illuminating piece on the merging of the discoverer and the inventor, a union that gave life to a new personality: the scientist. In the midst of his thoughts on the role of machines in our lives, Boorstin turns his attention to human nature and presents us with two ardent and shrewd essays about conscience. One examines conscience and the art of writing; the other traces the roots of political correctness to a "startling renaissance of the New England conscience." Boorstin forces us to think clearly about the consequences of "Balkanizing" America and the habit of defining ourselves as victims. One of the many pleasures of reading is watching great minds at work; Boorstin's is one of the finest.

Donna Seaman

The scope of Boorstin's work is as broad as history itself.

Wall Street Journal