Clockfire

Jonathan Ball’s Clock?re is a suite of poetic blueprints for imaginary plays that would be impossible to produce – plays in which, for example, the director burns out the sun, actors murder their audience or the laws of physics are de?led. The poems in a sense replace the need for drama, and are predicated on the idea that modern theatre lacks both ‘clocks’ and ‘?re’ and thus fails to offer its audiences immediate, violent engagement. They sometimes resemble the scores for Fluxus ‘happening...