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D IS FOR DEADBEAT
He called himself Alvin Limardo, and the job he had for Kinsey was cut-and-dried: locate a kid who'd done him a favor and pass on a check for $25,000. It was only later, after he'd stiffed her for her retainer, that Kinsey found out his name was Daggett. John Daggett. Ex-con. Inveterate liar. Chronic drunk. And dead. The cops called it an accident--death by drowning. Kinsey wasn't so sure.
Pulled into the detritus of a dead man's life, Kinsey soon realizes that Daggett had an awful lot of enemies. There's the daughter who grew up with a cheating drunk for a father, and the wife who's become a religious nut in response to an intolerable marriage. There's the lady who thought she was Mrs. Daggett--and has the bruises to prove it--only to discover the legal Mrs. D. And there are the drug dealers out $25,000. But most of all, there are the families of the five people John Daggett killed, victims of his wild, drunken driving. The D.A. called it vehicular manslaughter and put him away for two years. The families called it murder and had very good reason to want John Daggett dead.
Deft, cunning, and clever, this latest Millhone mystery also confronts some messy truths, for, as Kinsey herself says, "Some debts of the human soul are so enormous only life itself is sufficient forfeit"--but as she'd be the first to admit, murder is not a socially acceptable solution.
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
About the Author
Hometown:Montecito, California and Louisville, Kentucky
Date of Birth:April 24, 1940
Place of Birth:Louisville, Kentucky
Education:B.A. in English, University of Louisville, 1961
Read an Excerpt
D Is for Deadbeat
A Kinsey Millhone Mystery
By Sue Grafton
St. Martin's PressCopyright © 1987 Sue Grafton
All rights reserved.
Later, I found out his name was John Daggett, but that's not how he introduced himself the day he walked into my office. Even at the time, I sensed that something was off, but I couldn't figure out what it was. The job he hired me to do seemed simple enough, but then the bum tried to stiff me for my fee. When you're self-employed, you can't afford to let these things slide. Word gets out and first thing you know, everybody thinks you can be had. I went after him for the money and the next thing I knew, I was caught up in events I still haven't quite recovered from.
My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California, operating a small office in Santa Teresa, which is where I've lived all my thirty-two years. I'm female, self-supporting, single now, having been married and divorced twice. I confess I'm sometimes testy, but for the most part I credit myself with an easygoing disposition, tempered (perhaps) by an exaggerated desire for independence. I'm also plagued with the sort of doggedness that makes private investigation a viable proposition for someone with a high school education, certification from the police academy, and a constitutional inability to work for anyone else. I pay my bills on time, obey most laws, and I feel that other people should do likewise ... out of courtesy, if nothing else. I'm a purist when it comes to justice, but I'll lie at the drop of a hat. Inconsistency has never troubled me.
It was late October, the day before Halloween, and the weather was mimicking autumn in the Midwest — clear and sunny and cool. Driving into town, I could have sworn I smelled woodsmoke in the air and I half expected the leaves to be turning yellow and rust. All I actually saw were the same old palm trees, the same relentless green everywhere. The fires of summer had been contained and the rains hadn't started yet. It was a typical California unseason, but it felt like fall and I was responding with inordinate good cheer, thinking maybe I'd drive up the pass in the afternoon to the pistol range, which is what I do for laughs.
I'd come into the office that Saturday morning to take care of some bookkeeping chores — paying personal bills, getting out my statements for the month. I had my calculator out, a Redi-Receipt form in the typewriter, and four completed statements lined up, addressed and stamped, on the desk to my left. I was so intent on the task at hand that I didn't realize anyone was standing in the doorway until the man cleared his throat. I reacted with one of those little jumps you do when you open the evening paper and a spider runs out. He apparently found this amusing, but I was having to pat myself on the chest to get my heart rate down again.
"I'm Alvin Limardo," he said. "Sorry if I startled you."
"That's all right," I said, "I just had no idea you were standing there. Are you looking for me?"
"If you're Kinsey Millhone, I am."
I got up and shook hands with him across the desk and then suggested that he take a seat. My first fleeting impression had been that he was a derelict, but on second glance, I couldn't find anything in particular to support the idea.
He was in his fifties, too gaunt for good health. His face was long and narrow, his chin pronounced. His hair was an ash gray, clipped short, and he smelled of citrus cologne. His eyes were hazel, his gaze remote. The suit he wore was an odd shade of green. His hands seemed huge, fingers long and bony, the knuckles enlarged. The two inches of narrow wrist extending, cuffless, from his coat sleeves suggested shabbiness though his clothing didn't really look worn. He held a slip of paper which he'd folded twice, and he fiddled with that self-consciously.
"What can I do for you?" I asked.
"I'd like for you to deliver this." He smoothed out the piece of paper then and placed it on my desk. It was a cashier's check drawn on a Los Angeles bank, dated October 29, and made out to someone named Tony Gahan for twenty-five thousand dollars.
I tried not to appear as surprised as I felt. He didn't look like a man with money to spare. Maybe he'd borrowed the sum from Gahan and was paying it back. "You want to tell me what this is about?"
"He did me a favor. I want to say thanks. That's all it is."
"It must have been quite a favor," I said. "Do you mind if I ask what he did?"
"He showed me a kindness when I was down on my luck."
"What do you need me for?"
He smiled briefly. "An attorney would charge me a hundred and twenty dollars an hour to handle it. I'm assuming you'd charge considerably less."
"So would a messenger service," I said. "It's cheaper still if you do it yourself." I wasn't being a smart-mouth about it. I really didn't understand why he needed a private detective.
He cleared his throat. "I tried that, but I'm not entirely certain of Mr. Gahan's current address. At one time, he lived on Stanley Place, but he's not there now. I went by this morning and the house is empty. It looks like it hasn't been lived in for a while. I want someone to track him down and make sure he gets the money. If you can estimate what that might run me, I'll pay you in advance."
"That depends on how elusive Mr. Gahan turns out to be. The credit bureau might have a current address, or the DMV. A lot of inquiries can be done by phone, but they still take time. At thirty bucks an hour, the fee does mount up."
He took out a checkbook and began to write out a check. "Two hundred dollars?"
"Let's make it four. I can always refund the balance if the charges turn out to be less," I said. "In the meantime, I've got a license to protect so this better be on the up and up. I'd be happier if you'd tell me what's going on."
This was where he hooked me, because what he said was just offbeat enough to be convincing. Liar that I am, it still didn't occur to me that there could be so much falsehood mixed in with the truth.
"I got into trouble with the law awhile back and served some time. Tony Gahan was helpful to me just before I was arrested. He had no idea of my circumstances so he wasn't an accessory to anything, nor would you be. I feel indebted."
"Why not take care of it yourself?"
He hesitated, almost shyly I thought. "It's sort of like that Charles Dickens book, Great Expectations. He might not like having a convicted felon for a benefactor. People have strange ideas about ex-cons."
"What if he won't accept an anonymous donation?"
"You can return the check in that case and keep the fee."
I shifted restlessly in my chair. What's wrong with this picture, I asked myself. "Where'd you get the money if you've been in jail?"
"Santa Anita. I'm still on parole and I shouldn't be playing the ponies at all, but I find it hard to resist. That's why I'd like to pass the money on to you. I'm a gambling man. I can't have that kind of cash around or I'll piss it away, if you'll pardon my French." He closed his mouth then and looked at me, waiting to see what else I might ask. Clearly, he didn't want to volunteer more than was necessary to satisfy my qualms, but he seemed amazingly patient. I realized later, of course, that his tolerance was probably the function of his feeding me so much bullshit. He must have been entertained by the game he was playing. Lying is fun. I can do it all day myself.
"What was the felony?" I asked.
He dropped his gaze, addressing his reply to his oversized hands, which were folded in his lap. "I don't think that pertains. This money is clean and I came by it honestly. There's nothing illegal about the transaction if that's what's worrying you."
Of course it worried me, but I wondered if I was being too fastidious. There was nothing wrong with his request on the face of it. I chased the proposition around in my head with caution, wondering what Tony Gahan had done for Limardo that would net him this kind of payoff. None of my business, I supposed, as long as no laws had been broken in the process. Intuition was telling me to turn this guy down, but it happens that the rent on my apartment was due the next day. I had the money in my checking account, but it seemed providential to have a retainer drop in my lap unexpectedly. In any event, I didn't see a reason to refuse. "All right," I said.
He nodded once, pleased. "Good."
I sat and watched while he finished signing his name to the check. He tore it out and pushed it toward me, tucking the checkbook into the inner pocket of his suit coat. "My address and telephone number are on that in case you need to get in touch."
I pulled a standard contract form out of my desk drawer and took a few minutes to fill it in. I got his signature and then I made a note of Tony Gahan's last known address, a house in Colgate, the township just north of Santa Teresa. I was already feeling some low-level dread, wishing I hadn't agreed to do anything. Still, I'd committed myself, the contract was signed, and I figured I'd make the best of it. How much trouble could it be, thought I.
He stood up and I did too, moving with him as he walked toward the door. With both of us on our feet, I could see how much taller he was than I ... maybe six-four to my five-foot-six. He paused with his hand on the knob, gazing down at me with the same remote stare.
"One other thing you might need to know about Tony Gahan," he said.
"He's fifteen years old."
I stood there and watched Alvin Limardo move off down the hall. I should have called him back, folks. I should have known right then that it wasn't going to turn out well. Instead I closed the office door and returned to my desk. On impulse, I opened the French doors and went out on the balcony. I scanned the street below, but there was no sign of him. I shook my head, dissatisfied.
I locked the cashier's check in my file cabinet. When the bank opened on Monday, I'd put it in my safe deposit box until I located Tony Gahan and then turn it over to him. Fifteen?
At noon, I closed up the office and went down the back stairs to the parking lot, where I retrieved my VW, a decaying sedan with more rust than paint. This is not the sort of vehicle you'd choose for a car chase, but then most of what a P.I. does for a living isn't that exciting anyway. I'm sometimes reduced to serving process papers, which gets hairy now and then, but much of the time I do preemployment background checks, skip-tracing, or case-and-trial preparation for a couple of attorneys here in town. My office is provided by California Fidelity Insurance, a former employer of mine. The company headquarters is right next door and I still do sporadic investigations for them in exchange for a modest two rooms (one inner, one outer) with a separate entrance and a balcony overlooking State Street.
I went by the post office and dropped the mail in the box and then I stopped by the bank and deposited Alvin Limardo's four hundred dollars in my checking account.
Four business days later, on a Thursday, I got a letter from the bank, informing me that the check had bounced. According to their records, Alvin Limardo had closed out his account. In proof of this, I was presented with the check itself stamped across the face with the sort of officious looking purple ink that makes it clear the bank is displeased.
So was I.
My account had been debited the four hundred dollars and I was charged an additional three bucks, apparently to remind me, in the future, not to deal with deadbeats. I picked up the phone and called Alvin Limardo's number in Los Angeles. A disconnect. I'd been canny enough to ignore the search for Tony Gahan until the check cleared, so it wasn't as if I'd done any work to date. But how was I going to get the check replaced? And what was I going to do with the twenty-five grand in the meantime? By then, the cashier's check was tucked away in my safe deposit box, but it was useless to me and I didn't want to proceed with delivery until I knew I'd be paid. In theory, I could have dropped Alvin Limardo a note, but it might have come bouncing back at me with all the jauntiness of his rubber check, and then where would I be? Crap. I was going to have to drive down to L.A. One thing I've learned about collections — the faster you move, the better your chances are.
I looked up his street address in my Thomas Guide to Los Angeles Streets. Even on the map, it didn't look like a nice neighborhood. I checked my watch. It was then 10:15. It was going to take me ninety minutes to reach L.A., probably another hour to locate Limardo, chew him out, get the check replaced, and grab a bite of lunch. Then I'd have to drive ninety minutes back, which would put me in the office again at 3:30 or 4:00. Well, that wasn't too bad. It was tedious, but necessary, so I decided I might as well quit bellyaching and get on with it.
By 10:30, I'd gassed up my car and I was on the road.CHAPTER 2
I left the Ventura Freeway at Sherman Oaks, taking the San Diego Freeway south as far as Venice Boulevard. I exited, turning right at the bottom of the off-ramp. According to my calculations, the address I wanted was somewhere close. I doubled back toward Sawtelle, the street that hugs the freeway on a parallel route.
Once I saw the building, I realized that I'd spotted the rear of it from the freeway as I passed. It was painted the color of Pepto-Bismol and sported a sagging banner of Day-Glo orange that said NOW RENTING. The building was separated from the roadway by a concrete rain wash and protected from speeding vehicles by a ten-foot cinderblock wall sprayed with messages for passing motorists. Spiky weeds had sprung up along the base of the wall and trash had accumulated like hanging ornaments in the few hearty bushes that managed to survive the gas fumes. I had noted the building because it seemed so typical of L.A.: bald, cheaply constructed, badly defaced. There was something meanspirited about its backside, and the entrance turned out to be worse.
The street was largely made up of California "bungalows," small two-bedroom houses of wood and stucco with ragged yards and no trees. Most of them had been painted in pastel hues, odd shades of turquoise and mauve, suggestive of discount paints that hadn't quite covered the color underneath. I found a parking space across the street and locked my car, then crossed to the apartment complex.
The building was beginning to disintegrate. The stucco looked mealy and dry, the aluminum window frames pitted and buckling. The wrought-iron gate near the front had been pulled straight out of the supporting wall, leaving holes large enough to stick a fist into. Two apartments at street level were boarded up. The management had thoughtfully provided a number of garbage bins near the stairs, without (apparently) paying for adequate trash removal services. A big yellow dog was scratching through this pile of refuse with enthusiasm, though all he seemed to net for his efforts was a quarter moon of pizza. He trotted off, the rim of crust clenched in his jaws like a bone.
I moved into the shelter of the stairs. Most of the mailboxes had been ripped out and mail was scattered in the foyer like so much trash. According to the address on the face of the check, Limardo lived in apartment 26, which I surmised was somewhere above. There were apparently forty units, only a few marked with the occupants' names. That seemed curious to me. In Santa Teresa, the post office won't even deliver junk mail unless a box is provided, clearly marked, and in good repair. I pictured the postman, emptying out his mail pouch like a wastepaper basket, escaping on foot then before the inhabitants of the building swarmed over him like bugs.
The apartments were arranged in tiers around a courtyard "garden" of loose gravel, pink paving stones, and nut grass. I picked my way up the cracked concrete steps.
At the second-floor landing, a black man was seated in a rickety metal folding chair, whittling with a knife on a bar of Ivory soap. There was a magazine open on his lap to catch the shavings. He was heavyset and shapeless, maybe fifty years old, his short-cropped frizzy hair showing gray around his ears. His eyes were a muddy brown, the lid of one pulled askew by a vibrant track of stitches that cut down along his cheek.
He took me in at a glance, turning his attention then to the sculpture taking form in his hands. "You must be looking for Alvin Limardo," he said.
"That's right," I said, startled. "How'd you guess?"
Excerpted from D Is for Deadbeat by Sue Grafton. Copyright © 1987 Sue Grafton. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
I have never been an avid book reader until I made a promise to myself to read a book a month, just to better myself and my knowledge intake. When I started the alphabet series, I found my niche. I couldn't put them down. I read the first 4 in one month. Kinsey Milhone is a great character and she reminds me of myself a little. She can take you to a place where you can say "I know exactly what you mean", or "I know exactly how you feel". D is for Deadbeat was probably one of the more emotional ones I have read of the series, and it shows great strengths in Kinsey's character, as well as others. It is an excellent read.
Great as usual.
WOW, what an ending. Bigger surprise than Alibi. In Corpse, the client had more money than he knew what to do with. In this one, well, it's trailer time. Kinsey says to the witness/suspect, "It's just $8,000" to which the reply is made, "Do you have $8,000?" The best part of the book is when Kinsey narrates why she will miss her gun. She goes into being raised by her aunt, who wholeheartedly believed that women should always be self-sufficient and never dependent on anyone. She was an eccentric woman who was glad when Kinsey failed Home Economics and felt girls should take Wood Shop. Her aunt also brought Kinsey to her first firing range. I did have a few problems with the book, but nothing substantial. Too many suspects and the author really needs to remind me who these people are. A lot of times the suspect has a different name than, for instance, the car crash victim, or Grafton will refer to the person by a last name and later by a first name. It can get confusing on how everything is related. And there is romance for Kinsey in this one too.
"Later, I found out his name was John Daggett, but that's not how he introduced himself the day he walked into my office. Even at the time, I sensed that something was off, but I couldn't figure out what it was. The job he hired me to do seemed simple enough, but then the bum tried to stiff me for my fee. Folks. I should have known right then that it wasn't going to turn out well. I went after him for the money and the next thing I knew, I was caught up in events I still haven't quite recovered from" Kinsey Millhone. D is for Deceitful!!! D is for deadbeat, is for Deceitful. As Sue Grafton publishes the fourth installment of the Millohne's series, Her books become more darker, and better than her previous ones. D is for Deadbeat features a plot of Kinsey looking for who she thought was Alvin Limardo, an ex- con who hired her to find a kid who'd done him a favor. However, he stiffed her for her retainer, days later his body was found washed up in the surf, and it is Kinsey's duty to find out who killed him. The problem was that he was never a good fellow and once released from prison many people wanted him dead. Having been convicted of vehicular manslaughter when he killed five people, and one of those victims being Billy Polo's brother, his best buddy from prison, as well as having ripped off some thugs while in prison with stolen money and having being married to Lovella and Essie Dagget, two unhappy wives simultaneously, makes Kinsey's job more difficult. With so many suspects, and having all good reasons to want John Dagget dead, Grafton does a wonderful job twisting the plot, and giving Kinsey a lot of work to solve his murder. The characters are always special in their own way, she gives them that special touch where you remember them for a while, long after the book is finished. If A, B, and C were classics, D is for Deadbeat follows that tradition. Grafton's writing style may look simple, but she manages to write books that are different to one another, raising questions as to, who did it, and how. D is for Deadbeat is about unsolved debts, redemption, vengeance, and the price all human souls pay one way or the other. Sue Grafton Millohne's series is always a pleasure to read.
I've been reading Sue Grafton's series for years and they are great mysteries. Complex, suspenseful and Kinsey is a great character.
Sue Grafton is wonderous for her A,B,C mysteries. I just love how she uses the alphabet in a creative way in writing a good mystery. I suggest if you read her books from A to Z, they go in chronological order, you will love how each novel flows into each other.
Good story. Good surprise.
Sue Grafton's series is always a fun read. You look forward to reading the next letter.
Trouble from a Bounced Check I know many authors struggle with explaining where they get the ideas for their novels. But as a reader, I often find it fascinating. Take ”D” is for Deadbeat, the fourth Kinsey Milhone Mystery from Sue Grafton. It starts out simply enough, but the book quickly takes off in a surprising new direction. It’s a Saturday in the fall and Kinsey is in her office trying to catch up on some paperwork. She isn’t expecting any new clients to walk in so she is surprised when she finds a man standing in her doorway. He introduces himself as Alvin and asks Kinsey to track down someone named Tony for him and give that person a check. Kinsey’s not sure she completely believes the story he tells about how he got the money and why he wants to give it to Tony, but she accepts the job along with an advanced check for her services. As Alvin is leaving, he lobs the first surprise Kinsey’s way – Tony is a teenager. A couple of days later, her bank lets her know that the check from Alvin bounced. Frustrated, she treks down from her native Santa Teresa to Los Angeles to track down Alvin. Only then does she learn that Alvin isn’t his real name. His young wife says that he is back up in Santa Teresa, but before Kinsey can track him down, “Alvin” is dead. Will Kinsey find Tony? Who would want her client dead? Maybe it’s just because I don’t read many PI novels, but making the connection from bounced check to murder and the complications it leads is not something I would ever come up with. And yet it works wonderfully here in this novel. The plot makes complete sense as it unfolds before us, and there are some fun twists along the way. I did feel the novel stalled out a little as it neared the climax, but the climax will leave you turning pages quickly. The characters in this series are usually very sharp and distinct. I thought they weren’t quite as memorable this time around, but again that was a minor issue overall. And maybe that was just me since we meet a group that is overly obnoxiously Christian and I didn’t care for them at all. Kinsey is still a wonderful lead character. A couple of supporting characters really only make cameos here, and I found I missed them, although I’m definitely curious where the subplot involving Kinsey’s love life is going to lead. Once again, I listened to the audio version narrated by Mary Peiffer. She is an outstanding narrator, and brings the characters and story to life without getting in the way of the story. The creative direction of this story will keep you entertained from beginning to end. ”D” is for Deadbeat is another fun case for Kinsey to solve.
Great stuff. Grafton does it again.
"May i be leader?"
Each book is better than the last. Recommend that the books be read in alphabetical sequence for the full impact of this series. Love Sue Grafton's work. Easy read with great plots and character development.
D is for Deadbeat is another win for Sue Grafton. Kinsey Millhone is a perfect character. The book is suspenseful and well written. I enjoyed the intrigue and the story line. The mysteries are tightly wrapped until the very end. Always a lot of suspects and very little evidence, yet it all ties up nicely, although tragically,in the end. I enjoy following the same pathways as Kinsey.