Sam is, to say the least, bookish. An English major of the highest order, her diet has always been Austen, Dickens, and Shakespeare. The problem is that both her prose and conversation tend to be more Elizabeth Bennet than Samantha Moore.
But life for the twenty-three-year-old orphan is about to get stranger than fiction. An anonymous, Dickensian benefactor calling himself Mr. Knightley offers to put Sam through Northwestern University’s prestigious Medill School of Journalism. There is only one catch: Sam must write frequent letters to the mysterious donor, detailing her progress.
Sam’s letters to Mr. Knightley become increasingly confessional as she begins to share everything from her painful childhood memories to her growing feelings for eligible novelist Alex Powell. While Alex draws Sam into a world of warmth and literature that feels like it’s straight out of a book, old secrets are drawn to light. And as Sam learns to love and trust Alex and herself, she learns once again how quickly trust can be broken.
Reminding us all that our own true character is not meant to be hidden, Katherine Reay’s debut novel follows a young woman’s journey as she sheds her protective persona and embraces the person she was meant to become.
Praise for Dear Mr. Knightley:
“Katherine Reay’s Dear Mr. Knightley kept me up until 2:00 a.m.; I simply couldn’t put it down.”—Eloisa James, New York Times bestselling author of Once Upon a Tower
“Sprinkled with classic literary references and filled with poignant characterizations, Katherine Reay’s modern retelling of Jean Webster’s Daddy-Long-Legs is both reverently crafted and delightfully surprising.”—Lauren Ann Nattress, Austenprose.com
“Katherine Reay’s touching debut novel made me cry in all the right places. For joy.”—Laurie Viera Rigler, author of Rude Awakenings of a Jane Austen Addict
- Sweet, stand-alone contemporary romance
- Includes discussion questions for book clubs, a Q&A with the author, and Sam’s reading list
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|Publisher:||Nelson, Thomas, Inc.|
|Product dimensions:||5.40(w) x 8.30(h) x 1.00(d)|
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Dear Mr. Knightley
By KATHERINE REAY
Thomas NelsonCopyright © 2013 Katherine Reay
All rights reserved.
It has been a year since I turned down your generous offer. Father John warned me at the time that I was making a terrible mistake, but I wouldn't listen. He felt that by dismissing that opportunity I was injuring not only myself, but all the foster children helped by your foundation.
I hope any perceived ingratitude on my part didn't harm anyone else's dreams. I wasn't ungrateful; I just wanted to leave Grace House. A group home is a difficult place to live, and I'd been there for eight years. And even though I knew graduate school meant more education and better job prospects, it also meant living at Grace House another two years. At the time I couldn't face that prospect.
My heart has always been in my books and writing, but I couldn't risk losing a paying job to pursue a dream. Now I'm ready to try. Not because I failed, but because this degree gives me the chance to link my passion with my livelihood.
Please let me know if the grant is still available. I will understand if you have selected another candidate.
Dear Ms. Moore,
The grant for full tuition to the master's program at Northwestern University's Medill School of Journalism remains available. At the strong recommendation of Father John, and due to the confidence he has in you, the director of the Dover Foundation has agreed to give you this second chance. There is, however, one stipulation. The director wants to receive personal progress letters from you as reassurance that this decision was the right one. You may write to him as you would to a journal, letting him know how your studies are going. He has opened a post office box for this purpose so you won't feel the added pressure of an immediate connection to him or to the foundation. Additionally, he will not write back, but asks that you write to him regularly about "things that matter."
He recognizes that this is an unusual requirement, but the foundation needs to know that its resources are being used in the best way possible. Given your sudden change of heart, he feels it is not too much to ask. To make this easier for you, he will also remain anonymous. You may write to him at this address under the name George Knightley.
Laura Temper Personal Assistant to Mr. G. Knightley
Dear Mr. Knightley,
Thank you so much for giving me this opportunity. I submitted my application to Medill this morning. I had to use a couple papers on Dickens and Austen in place of the journalism samples requested. While that may count against me, I felt the rest of my application was strong.
If you will allow, I want to honor Father John's trust and yours by explaining my "sudden change of heart," as Ms. Temper described it. When I graduated college last spring, I had two opportunities: your grant to fund graduate school or a job at Ernst & Young. In my eagerness to leave Grace House and conquer the world, I chose the job. Six weeks ago I was fired. At the exit meeting my boss claimed I was "unengaged," especially with regard to peer and client interactions. I did good work there, Mr. Knightley. Good solid work. But "relating" in the workplace is important too, I gather. That's where I failed.
I'm guessing from your literary choice of pseudonym that you are very likely acquainted with another admirable character from fiction—Elizabeth Bennet, Jane Austen's complex and enchanting heroine. At Ernst & Young I tried to project Lizzy's boldness and spirit, but clearly she had a confidence and charm that was more than I could sustain on a daily basis. So now here I am, back at Grace House, taking advantage of the state's willingness to provide a home for me till I'm twenty-five if I stay in school.
Nevertheless, Father John still doubts me and couldn't resist a lecture this morning. I tried to listen, but my eyes wandered around his office: photographs of all the children who have passed through Grace House cover every space that isn't taken up with books. He loves murder mysteries: Agatha Christie, James Patterson, Alex Powell, P. D. James, Patricia Cornwell ... I've read most of them. The first day we met, right before I turned fifteen, he challenged me to stretch beyond the classics.
"Are you listening, Sam?" Father John finally noticed my wandering eyes. "The Medill program is straight up your alley. You're a great reader and writer."
"'I deserve neither such praise nor such censure. I am not a great reader, and I have pleasure in many things.'" Elizabeth Bennet has a useful reply for every situation.
Father John gave a small smile, and I flinched. "What if I can't do this?" I asked. "Maybe it's a mistake."
He sat back in his chair and took a slow breath. Eyebrows down, mouth in a line.
"Then turn this down—again—and find another job. Pound the pavement quickly, though. I can give you a couple weeks here to get on your feet, then my hands are tied." He leaned forward. "Sam, I'll always help you. But after this, if you're not in school, Grace House is closed to you. This foundation helps a lot of kids here, and I won't jeopardize that support because you can't commit. So decide right now."
A tear rolled down my cheek. Father John never gets charged up, but I deserved it. I should only be grateful to you both, and here I was questioning your help. But help is hard, Mr. Knightley—even when I desperately need it. Every foster placement of my childhood was intended to help me; every new social worker tried to help my case; when I was sent back home at twelve, the judge meant to help my life too ... I'm so tired of help.
"I'm sorry, Father John, you're right. I want this grant and I asked for it again. I must seem so ungrateful to you, to be questioning again."
"You don't, Sam, and I can understand wanting to stand alone. Even in the best of times and circumstances, it's hard to accept help—"
In the end, Father John believed my commitment. I hope you do too. Here is our agreement: you will pay for graduate school, and I will write you letters that give an honest accounting of my life and school—and you will never write back. That simple, right?
Thank you for that, Mr. Knightley—your anonymity. Honesty is easier when you have no face and no real name. And honesty, for me, is very easy on paper.
I also want to assure you that while I may not relate well to people in the real world, I shine in school. It's paper-based. I will do your grant justice, Mr. Knightley. I'll shine at Medill.
I know I've said more than was necessary in this letter, but I need you to know who I am. We need to have an honest beginning, even if it's less impressive than Lizzy Bennet's.
Dear Mr. Knightley,
Each and every moment things change. For the most part, I loathe it. Change never works in my favor—as evidenced by so many foster placements, a holdup at a Chicago White Hen, getting fired from Ernst & Young, and so many other changes in my life I'd like to forget. But I needed one more—a change of my own making—so I pursued your grant again.
But it's not of my own making, is it?
Father John told me this morning that he was the one who proposed journalism for me—it was not an original requirement for your grant. I wouldn't have chosen it myself. My professor at Roosevelt College said I produced some of the best work on Austen, Dickens, and the Brontes he'd ever read. I'm good at fiction, Mr. Knightley. And I don't think it's right that Father John took away my choice. I'm twenty-three years old; I should be the author of the changes in my life.
I went to Father John and explained all this. I feel he has arbitrarily forced me into journalism—a field I don't know and don't write. "You need to undo that," I pleaded. "They'll listen to you."
Father John closed his eyes. One might think he'd fallen asleep, but I knew better. He was praying. He does that—a lot.
Minutes passed. He opened his eyes and zeroed in on me. Sometimes I feel his eyes are tired, but not at that moment. They were piercing and direct. I knew his answer before he opened his mouth.
"Sam, I won't ... but you can. Write the foundation's director and ask." Father John stared into my eyes, measuring his words. "Don't lie. Don't tell them I've changed my mind. I have not. I am wholly against a change in program."
"How can you say that?" My own shrill voice surprised me.
"I've known you for eight years, Sam. I've watched you grow, I've watched you succeed, and I've watched you retreat. I want the best for you, and with every fiber of my being, I am convinced that 'the best' is not more fiction, but finding your way around in the real world and its people."
I opened my mouth to protest, but he held up his hand. "Consider carefully. If the foundation is unwilling to alter your grant, you may accept or you may walk away. You always have a choice."
"That's not fair."
Father John's eyes clouded. "My dear, what in your life has ever come close to fair? That's not how this life works." He leaned forward and stretched his hands out across the desk. "I'm sorry, Sam. If I could protect you from any more pain, I would. But I can only pray and do the very best God calls me to do. If I'm wrong about this, I hope that someday you will forgive me."
"'My temper would perhaps be called resentful.—My good opinion once lost is lost forever.'" When Elizabeth Bennet doesn't come through, one can always count on Mr. Darcy to provide the right response. I shook my head and, quoting no one, said, "I won't forgive you, Father John. I don't forgive." And I walked out.
I don't care if that was ungenerous, Mr. Knightley. He overstepped, and he's wrong. So now I'm asking you: Will you let me decide?
Sincerely, Samantha Moore
Dear Ms. Moore,
Please forgive me for violating our agreement already, but I felt your question warranted a personal reply.
I understand your anger. It is hard when others hold power over you. Rest assured, your situation is not unique. There is very little any of us chooses in isolation.
Through my foundation, Father John has helped five young adults from Grace House. One attended junior college; another, trade school; one graduated from cosmetology school; and two successfully completed residential treatment programs. Each individual has grown closer to whole.
Father John not only fulfilled all the grant requirements for your application, but wrote me an additional five pages outlining your writing abilities, your gifts, and your determination. His decision to recommend journalism school was not made lightly, as you well know. Remember that, and remember what he has meant in your life. Don't throw away friends and mentors carelessly. They are rare.
I trust Father John's prayerful counsel and judgment, and stand with his original recommendation. My foundation will only award the grant for Medill's master's program.
The choice to accept it or not is yours, Ms. Moore.
Dear Mr. Knightley,
I didn't withdraw my application. I made my choice and now I sit, waiting for Medill to accept or reject me.
In the meantime I've settled into my old ways and my old jobs: I resumed tutoring at Buckhorn Cottage (Grace House's cottage for 8- to 13-year-old boys) and I picked up a few shifts at the public library. I've been working at that library for a decade now, even before I moved to Grace House for the first time.
I was about fifteen when I first arrived at Grace House. Father John took me to his office and invited me to sit. No one had ever done that—invited me to do anything. He chatted for a few minutes, then handed me an Anne Perry novel.
"Detective Huber got your file for me, Sam, and it's full of references to Pride and Prejudice, Jane Eyre, Oliver Twist, and other great classics. I think you must like to read. So until I get some of your favorites, would you like to read one of mine?"
The thick hardback had a picture of a Victorian house on the cover. I slowly turned the pages, hoping if I feigned interest in his book, he'd take me to wherever I'd be staying and leave me alone.
He didn't. "This is one of the first mysteries I ever read. Now I'm hooked. I've got about a hundred titles over there." Father John pointed to his bookcase and waited.
I looked up.
"Come to my office anytime you want a new one. I picked that for you because it takes place in England in the nineteenth century, about the same time as your favorites."
I put the book down, never breaking eye contact. A show of strength, I thought.
He sighed and leaned back in his chair. "Your choice. I'm sure I can get some classics this week. Or you can go to the public library; it's on the corner of State and Van Buren."
I wanted to say I knew exactly where the library was, but that would require speaking to him, so I simply slid the book into my lap. I wasn't going to admit, even to myself, that I liked the man—and still do. In spite of how angry I am with him at the moment, I know that Father John has always been on my side.
He welcomed me at fifteen and again at eighteen, after I tried to move out. And now at twenty-three, despite my heated words, he's opened Grace House's door once more. So while I'm here, I will listen to his lectures and I will try to do what he asks. I owe him that much.
I'll even try to play nice with Morgan, my new roommate in Independence Cottage ...
"She's had a rough time, Sam. She turned eighteen a couple days ago and her foster family ended the placement."
"She can go on her own. Isn't that a good thing?"
"Not without her GED . You know how important that is. She's testing next month, then joining the army." Father John stared right through me.
"Why are you telling me this?"
"I'm asking you to be kind. Morgan's defense mechanisms are different from yours, and it may be rough going. Please don't make waves."
"I make waves?"
"Like the ocean, kiddo. Then you retreat before they hit the sand."
So I'm being kind, but Morgan isn't making it easy. We were cleaning the kitchen the other day and I told her about your grant. I was trying to be friendly. She was not.
"You're selling yourself for school? I can't believe you'd give it up for tuition. At least get some money or clothes from the deal."
"Morgan, shut up. You're disgusting. It isn't like that. I write letters to an address in New York and I get my tuition paid to graduate school."
"I bet a lot of girls start out that way." Morgan stopped washing her dishes and stared at me. She smiled slowly, almost cruelly. "Letters will be worse for you anyway. Good luck with that."
"What do you mean 'worse for me'? I can write a few letters, Morgan. That's what I do. I write."
"Honesty will kill you. You're a coward, and you'll lie. That makes the whole deal a lie." She put her plate down and walked away.
She's not right. I'm not a coward, and I will be honest in these letters. Simply because I don't blab my business to the world like Mrs. Bennet doesn't mean I'm a coward. I'm prudent when dealing with people. That's smart. Wouldn't you agree?
But Morgan brings up a good point—her only one so far. Have you read Jane Eyre? There's a part when Mr. Rochester meets Jane and asks if she expects a present. Adele, his ward, believes everyone should receive presents, daily. Jane isn't so sure. She replies, "They are generally thought pleasant things ... a present has many faces to it, has it not? And one should consider all before pronouncing an opinion as to its nature."
You've led me to believe your gift has one face, Mr. Knightley. I'll leave it at that.
P.S. Okay, I can't leave it ...
If you are truly a "Mr. Knightley," I can do this. I can write these letters. I trust you chose that name as a reflection of your own character. George Knightley is a good and honorable man—even better than Fitzwilliam Darcy, and few women put anyone above Mr. Darcy.
Yes, Darcy's got the tempestuous masculinity and brooding looks, but Knightley is a kinder, softer man with no pretense or dissimilation. Yes, he's a gentleman. And I can write with candor to a silent gentleman, and I can believe that he will not violate this trust.
Excerpted from Dear Mr. Knightley by KATHERINE REAY. Copyright © 2013 Katherine Reay. Excerpted by permission of Thomas Nelson.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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