Love and Monsters

Director: Michael Matthews Michael Matthews

Overview

Seven years after the Monsterpocalypse, Joel Dawson (Dylan O'Brien), along with the rest of humanity, has been living underground ever since giant creatures took control of the land. After reconnecting over radio with his high school girlfriend Aimee (Jessica Henwick), who is now 80 miles away at a coastal colony, Joel begins to fall for her again. As Joel realizes that there's nothing left for him underground, he decides against all logic to venture out to Aimee, despite all the dangerous monsters that stand in his way. The action adventure also stars Michael Rooker and Ariana Greenblatt.

Product Details

Release Date:	01/05/2021
UPC:	0032429350244
Original Release:	2020
Source:	Paramount
Language:	English
Time:	1:48:00

Cast & Crew

Performance Credits

Jessica Henwick	Aimee
Michael Rooker	Clyde
Ellen Hollman	Dana
Melanie Zanetti	Kala
Ariana Greenblatt	Minnow
Amali Golden	Ava
Tandi Wright	Pauline Dawson
Tasneem Roc	Anna Lucia
Larry Cedar	Elderly Colonist
Damien Garvey	Bill
Dan Ewing	Cap
Miriama Smith	Maya
Te Kohe Tuhaka	Tim
Donnie Baxter	Parker
Pacharo Mzembe	Anderson
Senie Priti	Karen
Andrew Buchanan	Mr. Dawson
Arthur Costa	Escapee
Joel Pierce	Connor
Tre Hale	Rocko
Helen Howard	Rose
Sean Edward Frazer	Colonist
Dylan O'Brien	Joel Dawson
Thomas Campbell	Ray

Technical Credits

Brian Duffield

Matthew Robinson

Michael Matthews	Director
Brian Duffield	Screenwriter
Matthew Robinson	Screenwriter
John H. Starke	Executive Producer
Shawn Levy	Producer
Dan Cohen	Producer
Erick Ocampo	Sound/Sound Designer

Editorial Reviews

For Love and Monsters, director Michael Matthews (Five Fingers for Marseilles) takes a capable script by Brian Duffield (Underwater) and Matthew Robinson (Dora and the Lost City of Gold) and turns it into a hidden gem of a film. It isn't a masterpiece but is more memorable than most post-apocalyptic dramedies. Joel Dawson (Dylan O'Brien) and his love Aimee (Jessica Henwick) get separated because of monstrosities that have taken over the world due to radioactive fallout. For seven years, he has lived fearfully in an underground colony, using ham radio to try and find her. When he does, Joel decides to undertake the 85-mile journey to the colony she runs, even though he hasn't been above ground since the catastrophe. Joel's travels take him across all manner of terrain, face-to-face with numerous monsters, joining him with several unlikely allies. But even if he makes it to Aimee, will his journey truly be finished? The script is solid. Instead of checking off every possible trope, it works hard to avoid many of them without trying excessively hard to be different. Outside of the journey itself, there are several surprises along the way, and little things mean a lot later on. The progression is good, letting Joel develop from a scared post-teen to something of an icon. The story gives the viewer enough background to know why Joel is the way he is but primarily concentrates on Joel's development in the present. In addition to a solid script, Matthews' direction makes every character, from Joel down to featured colonists, come to life rather than just being flat on the screen. The characters' interactions are more realistic to the situation than most post-apocalypse films tend to show, and this is a credit to both direction and acting. O'Brien realizes that his character is the only one the film focuses on from beginning to end and goes to town on the role. The subtlety of his performance, whether the scene is serious, humorous, or harrowing, is refreshing from the always-scared characters similar to Joel. The final piece that propels this film to success is the special effects, starting with creatures that are more realistic than those imagined with no rhyme or reason. The art director took pains to think about the monsters' sources - what they would have evolved from and potentially how - and work from a basis of science rather than fantasy. This gives them extra life above the typical scary beast. Love and Monsters is not going to fit the mold for anyone with specific expectations going in. Instead, it is something new and better. Best of all, it allows the genre to evolve into something bigger than its original source.