"Epic and engrossing. Magic pulsates through every page.” Kirkus, starred review
"...a compelling, satisfying romantic adventure with metafictional undertones.” Publishers Weekly, starred review
“A marvelous, enchanting tale about the power of love and stories.”
Rosamund Hodge, New York Times bestselling author of Cruel Beauty
"...beautifully written retelling..." - School Library Journal
Echo Alkaev’s safe and carefully structured world falls apart when her father leaves for the city and mysteriously disappears. Believing he is lost forever, Echo is shocked to find him half-frozen in the winter forest six months later, guarded by a strange talking wolfthe same creature who attacked her as a child. The wolf presents Echo with an ultimatum: if she lives with him for one year, he will ensure her father makes it home safely. But there is more to the wolf than Echo realizes.
In his enchanted house beneath a mountain, each room must be sewn together to keep the home from unraveling, and something new and dark and strange lies behind every door. When centuries-old secrets unfold, Echo discovers a magical library full of books- turned-mirrors, and a young man named Hal who is trapped inside of them. As the year ticks by, the rooms begin to disappear and Echo must solve the mystery of the wolf’s enchantment before her time is up otherwise Echo, the wolf, and Hal will be lost forever.
|Publisher:||Page Street Publishing|
|Product dimensions:||5.00(w) x 7.90(h) x 1.10(d)|
|Age Range:||14 - 17 Years|
About the Author
Joanna Ruth Meyer is the author of Beneath the Haunting Seadescribed as “Epic, musical, and tender” by Kirkus
and Echo North, which has received two starred reviews and is a YALSA nominated 2020 Best Fiction for Young Adults. She lives in Mesa, Arizona.
Read an Excerpt
I WAS CALLED ECHO FOR MY mother, who died when I was born, because when my father took me into his arms he said he felt the echo of her heartbeat within me.
My father didn't blame me for my mother's death, but he was often sad. He had me and my older brother Rodya to raise on his own. Two mouths to feed and no dark-haired laughing wife to come home to.
But he bore it all cheerfully. He gave me my freedom, and I loved both him and my brother fiercely. I was allowed to run barefoot in the summer, to tumble with the blacksmith's hounds, to skip my classes if I wished and go fishing with Rodya in the lake.
Not that my father wanted me to be ignorant. He taught me patiently from his books when we were at home together every evening. He read to me and asked me questions and answered all my questions. I couldn't have been happier. I'd never known my mother — my father and Rodya were my whole world.
And then my whole world shifted.
It happened the summer I was seven. Our village stood on the edge of a forest, and that year had been a particularly bad one for wolves attacking cattle and sheep in their fields. Old man Tinker had set traps all around the village, and my father told me to watch for them carefully. "Those traps could snap you in two, my darling, and what would I do without you?" I promised him solemnly to take care.
But as I was coming back from picking wildflowers in the meadows, my embroidered skirts dirty about my knees, my kerchief forgotten somewhere amidst the waving grass, I heard a sharp, yelping scream — the sound of an animal in torment. I dropped my flowers, standing for an instant very still. The sound came again, and I ran toward it as quickly as I could.
Round the corner, caught fast in a steel trap that butted up against a fence post, was a huge white wolf.
I stared, frozen. For an instant, his pain seemingly forgotten, he stared back at me.
I could feel him, not just looking, but seeing me, as if he were searching out something deep inside my soul. I should have been terrified but I wasn't. I felt drawn to him. Connected to him.
Then I glanced down and saw the blood staining his white fur where the trap had caught his back left leg.
I was brave. I was foolish.
I went to help him without another thought.
I knelt beside him in the dirt and touched him, gently, my small hand sinking into his white fur; it was the softest thing I had ever felt, softer even than the velvet cushion on my father's favorite chair. I knew I was right to want to help the wolf. I was certain it was the most important thing in all the world.
I took a deep breath, grasped the jaws of the steel trap as firmly as I could, and pulled.
I couldn't shift it. Not even an inch. All I managed to do was jostle the trap against the wolf's wounded leg. He howled in pain and jerked away, a sudden whirl of claws and fur and snarling teeth. The trap was slippery with his blood and I dropped it back onto the ground. He lunged against the trap, desperate and screeching, but it held him, the metal jaws biting deeper and deeper, down to the bone.
The wolf grew more frantic with each passing second, and I started digging, tearing into the dirt around the stake and chain connected to those ugly metal jaws.
The stake loosened. The wolf gave one last desperate yank and pulled it free. For an instant, joy and triumph filled me up.
He leapt toward me in a blur of white, the trap and chain rattling behind him, and slammed into me with the force of an avalanche. Everything was all at once falling and fear, an impossible weight. Darkness.
And blinding, earth-shattering pain.
The weight lifted, but something wet and awful was smeared across my eyes and the world was distorted and bleared. It frightened me even more than the darkness had. Pain pulsed through me, lines of raging fire in my chest, my shoulders, my face.
Someone was screaming and I realized it was me.
I must have fainted, because when I opened my eyes again my father was kneeling over me, his form warped and strange. The light was fading orange and birds were singing in the wood. I was dizzy, my face and chest strangely numb. One of my eyes was swollen shut. Bits of rock and dirt had ground into my palms and behind my fingernails when I'd dug the stake from the ground — in that moment, it was the only pain I could feel.
"Let's carry her inside," I heard someone say. "She'll be all right, Peter. She's strong."
Peter was my father. The other voice belonged to old man Tinker. He must have come to check his traps and found me there instead. My father scooped me into his arms, and I passed out again.
The next time I tried to open my eyes there was only darkness, and something thick and suffocating pressed against my face. "Papa!" I screamed, "Papa!" I jerked upright and fell in a tangle to the floor and then my father was there, coaxing me back into bed, calming me down.
"Just bandages, little bird. We'll take them off soon. Hush, now. All is well."
I clung to him and he kissed me quietly on the forehead and sang me to sleep.
Later, I don't know how much, they removed the bandage from my right eye. It gave me an oddly skewed view of the world, but it was better than no sight at all. We lived in a house back then, and I sat for many weeks in my room on the third floor, watching through my little square window as the world below turned from the green and gold of summer to the red-brown blush of autumn.
A host of doctors visited me, and I didn't understand why. I crept downstairs and listened shamelessly outside the door to my father's study while they talked about me. I heard things like "never fully heal" and "the cuts were too deep" and "infection" and "lucky if she isn't blind."
And then one day, as the first of the winter snows blew soft across our village, the doctor came to take the bandage off the left side of my face. My father watched intently as the doctor peeled the cloth away, and I held my breath and waited for it to be over. Horror and shock flashed across my father's features, and for the first time, I realized what had happened to me might not be able to be undone.
"Cover your right eye," the doctor instructed. "Can you see out of the left one?"
I lifted my hand and obeyed. The light was very bright, but I could see. I nodded.
The doctor let out a breath of relief.
My father shifted where he stood. The horror had left his expression, melding into a distance that unnerved me. "Is there anything you recommend for ..." he trailed off, looking helplessly at the physician.
"Not unless God gives her new skin," said the doctor. I think he meant it as a joke, but my father didn't even smile.
I pushed past both of them and went out into the hall, padding to the room my mother had once shared with my father. She had a handsome mahogany vanity, with a mirror above. I stepped up to it and looked in.
Four angry, jagged lines ran down the left side of my face, from my forehead all the way to my chin — the marks from the wolf's claws. My left eyelid was taut and scarred, my lips pulled up on one side.
I stared at my reflection, feeling dull and strange. I covered the right half of my face with one hand, studying the scars for a long while before switching to cover the left half and studying in turn the smooth, untouched skin.
Then I let my hand fall.
I heard my father's step and turned to see him watching me from the doorway. "It isn't so bad, little lamb. They will fade over time." But sadness lingered in his eyes. He swept me into his arms and I clung to his neck, sobbing, while he stroked my hair and wept with me awhile.
MY FATHER OWNED AND RAN the bookshop in our tiny village. He was excessively proud of it: it had a green door and a brass knocker and a large shop window with carved wooden shutters. "It's not a large living," he always said, "but it's enough."
PETER ALKAEV, BOOKSELLER was painted in bold red letters across the window. That was how I first learned to spell my last name.
The summer after the incident with the wolf, my father sold our house, and he, my brother, Rodya, and I moved into the apartments over the shop. I had my own little room with a tiny circle window that looked out over the street, and all the books I could ever want.
My scars whitened as I got older — they didn't fade. I learned very early that in the old tales of magic the wicked were always ugly and scarred, the good beautiful; I was not beautiful, but I wanted to be good, and after a while I couldn't bear to read those stories anymore.
The villagers avoided me. My fellow students crossed themselves when I walked by, or openly laughed at me. They said the Devil had claimed my face and would someday come back for the rest of me. They said he wouldn't have marked me if I didn't already belong to him. Once, I tried to eat lunch with a girl called Sara. She liked to read, same as me — she was always carrying around thick tomes of history or poetry or science, her nose permanently stuck between the pages. I thought that gave me the right to try and befriend her, but she spat in my face and pelted me with stones.
I was the monster in her story. She was the heroine.
I didn't try again.
Once, I wandered into the apothecary and bought a jar of cream for two silver pennies because the proprietor swore it would make the scars vanish completely by the end of the month.
It didn't work, of course. Rodya found me crying in my bedroom and I told him what I'd done. He made jokes at the apothecary's expense until I finally stopped crying and forced a smile for him, but I still felt like a fool. I buried the empty jar of cream in a little patch of earth behind the bookshop — it had been intended for a garden, but no one had ever planted anything and it remained barren. I couldn't stand to confess what I'd done to my father.
By the time I turned fifteen, I had read nearly every book in the shop, and my father hired me as his assistant. "Her face might frighten the Devil who formed her," I overheard one of my father's patrons say, "but damned if she doesn't know every word of the classics and can be counted on to point a fellow to the right book, every time." This was one of the kindest things they said about me. There were many more less kind.
I withdrew more and more, trying to lose myself in running the shop. I organized the shelves and reorganized them. I wrapped books in paper and string for customers, I wrote letters to the booksellers in the city, sending for rare volumes we didn't have. I kept my father's account books in order, and when business was slow, I went to our upstairs apartments and scoured the rooms clean, one by one.
I kept busy, attempted to convince myself I was content. But no matter how hard I tried, I couldn't shove away my loneliness, couldn't bury it in my mind like I'd buried the jar of cream in the dirt where there ought to have been a garden.CHAPTER 2
A FEW MONTHS BEFORE MY SIXTEENTH birthday, my world inverted itself again.
It was full winter, snow clinging to the shop window and the stones in the street. My toes had grown numb, even in my felted boots, and I closed the shop a little early and went upstairs to our apartments, an anatomy book tucked under each arm. Anatomy was my latest passion — I spent hours every day pouring over medical notes and diagrams.
I bustled about the living space, closing the shutters, lighting the lamps, coaxing the fire into a nice red roar. I cooked beef and noodles and cabbage, then lit the samovar and started boiling water. Between tasks, I read one of my books, an anatomical study of the heart, careful not to spill anything on the pages.
I expected my father and Rodya at any moment. Rodya had apprenticed himself to the clockmaker in the village six months back, but he still came most nights for supper. My father had been gone on a mysterious errand since the morning. I hoped the snow wasn't delaying them overmuch, and I strained my ears to catch the sound of their footsteps on the stairs.
It was Rodya who came first, stamping through the door in his thick boots, shaking snow from his hair and shrugging out of his coat. I waved him to his customary chair by the fire as I poured concentrated tea into a cup and added water from the samovar to dilute it, then did the same for myself. I settled down adjacent to him on our threadbare couch. We would wait until our father came home to eat our beef and noodles.
Rodya yawned and sipped his tea. "Don't think Papa is coming tonight," he said conversationally, eyeing me over his cup.
"Coming from where? Do you know where he's been today?"
"At Donia's." My brother's lips quirked.
I stared at him blankly. Donia was the baker's widow, and had taken over the business when he passed, but I had no idea what that had to do with my father.
"Lord, sister! Don't you listen to the gossip?"
I met Rodya's dark eyes and frowned. None of the bookshop customers talked to me long enough to pass on rumors. "Rodya, just tell me."
"Papa is sweet on her."
I dropped my teacup, yelping as the hot liquid splashed over my bare toes.
Rodya laughed as he laid his own cup down and knelt on the floor to help me clean up the mess. "Mother's been gone a long time, dearheart. Papa deserves to be happy again. I won't be here forever, and neither will you. Won't you feel better knowing there's someone to take care of Papa when we've gone?"
I scooped the shards of the teacup into my apron and bustled from the room to avoid my brother's question. When I'd emptied the pieces into the dustbin, I turned to find him watching me from his place in front of the fire.
"You won't be stuck here always," he said, reading my mind.
My throat tightened. "I haven't any options, Rodya. I never have."
"I'll get our supper," I interrupted. "Since Papa's not coming."
We ate together in silence, and I stared into the fire and hated myself. The noodles had cooked too long and the beef was dry and the cabbage sour. But Rodya ate every bite.
He picked up one of my books from the end table when he'd finished, the one about the heart. I was nearly three-quarters of the way through it. "You could go away to the university," he said. "You're smart enough. Way smarter than me — maybe even smarter than Papa."
"They don't take girls at the university," I snapped.
"They're starting to," he objected. "And they'd take you. Why don't you write to them?"
Anger and hope warred in my mind, but it was the anger that spilled out. "And what then, Rodya? A whole city full of people to curse me as I walk by? To mock me and — and pelt me with stones?"
"No," he said fiercely. "A whole city full of people who will admire your intellect, who will see you for yourself."
I didn't have a chance to reply, because at that moment my father walked in, his beard dusted with flour and smelling of cinnamon, with the news he was to be married come spring.
* * *
"I'VE BOUGHT A HOUSE," MY father announced the next afternoon, beaming at me over his tea while I wrapped up a stack of books to ship off to a customer in the city.
"A house?" I was surprised.
"For Donia," he explained. "She spent so many years in the cramped rooms above the bakery, she isn't keen on trading them for our upstairs apartments. I was hoping you would help me fix it up, to surprise her."
We closed the shop early, bundled into our furs, and trudged four miles north from the village through the previous day's snow. Nestled into the very edge of the forest was the house, a wooden cottage with a stone chimney that had intricate woodwork around the roof and patterned shutters. The windows were broken, the paint chipped, the shutters sagging.
My father glanced over at me. "You have to see its heart, love. Look past the flaws." He fished a key out of his pocket and unlocked the door.
We stepped in, onto creaky wooden floors overstrewn with dirt and leaves that had blown in through the broken windows. The wallpaper was torn and faded, the carpet in front of the dead hearth threadbare. But even so, my father was right — it had a good heart.
He took my hand, like he hadn't done since I was a young child, and led me quietly through the whole house: parlor, sitting room, kitchen, then upstairs to the two bedrooms and private lavatory. We climbed one more creaky staircase to a charming attic room, with a sloped roof and large window overlooking the woods. It was in less disrepair than the rest of the house, and I got the feeling it hadn't really been lived in by the cottage's former occupants.
I loved it instantly.
My father could tell. "It's yours, if you want it. I doubt Donia will want to climb up this way very often."(Continues…)
Excerpted from "Echo North"
Copyright © 2019 Joanna Ruth Meyer.
Excerpted by permission of Page Street Publishing Co..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Like an old Russian fairytale!
This is probably one of my favorite YA fantasy books I have come across. It is well thought out, full of adventure and romance, and weaves in different folklore that I love. I love the idea of the beast being a wolf as in many cultures, wolves are seen as monstrous beings when really they are a beautiful creature that is often misunderstood. There were also elements of the Tam Lin story, which is also one of my favorites because of SJ Tucker's song about him. Much of the story mirrors Beauty and the Beast, which was my favorite Disney story growing up. I probably have seen it a hundred times, of which my mother was glad it was a movie she liked. I loved how the house of the Wolf was mystical in its own way and was every changing and need to be weaved together. It is hard to explain without reading the book, but I found it a great spin. I also LOVED the idea of the book mirrors where you could travel into the stories and interact with them. I NEED THIS! VR is getting close, as some Japanese anime have made episodes where you can watch and move around in the scene, but it isn't quite as interactive. Soon! All in all, I recommend this book to anyone who likes tales inspired by folklore, Beauty and the Beast, wolves, or all of the above!
For me, the plot didn't seem to go anywhere at all! I really loved the cover of this book and really wanted to love it but I feel like between Echo not seeing the obvious and how she wasted away a whole year jumping through mirror books (which was a cool idea), this book just fell a little flat for me.
Ahoy there me mateys! This is a retelling where the author drew inspiration from elements of Robin McKinley’s beauty, Edith Pattou’s east, and Diana Wynne Jones’ fire and hemlock. I have read McKinley’s retelling of the beauty and the beast tale and Pattou’s retelling of east of the sun, west of the moon. I remember loving both of them back in the day even if the details have grown fuzzy in noggin over time. And of course I love DWJ’s work even if I haven’t read that specific work or the tam lin story. Side note: I quickly went and read a couple of versions of tam lin due to curiosity. It is odd but I love it. I have to say that I thought this work was enchanting. Who wouldn’t want a young girl with an unusual and perhaps dangerous bond to a wolf, a magic house with hundreds of mysterious doors, a library with mirror books, spells, curses, and love-conquers-all? This is a slow burn fairy tale where it takes a while to settle in to the main thread of the story. Some plot points the reader guesses before the heroine. But the majority of the book is a lovely blend of several tales and I enjoyed watching it unfold. Like some of the older versions of the fairy tales, there are negative consequences and old hurts that can’t be erased. Not everything is all sunshine and gaiety. I thought the mix of sad elements and hopefulness was well done. I especially loved the protagonist, Echo, and watching her grow into her own self. I loved the positive family relationships between Echo, her father, and her brother. And the ending was just unexpected and fantastic. I am certainly glad to add another good review. I be interested to see what other things the author will create. Arrrr!
I absolutely adored this book. In so many ways, it is an ode to the tradition of fairytale retellings, and to fairytales themselves. Meyer's ability to layer in familiar stories and ideas while still creating something fresh and new is masterful, and the allusions feel self-aware and almost playful in their loving treatment. Yet the way they are spun together is still unique, and by the final twist, you feel as if you're tasting a dessert with most of your favorite ingredients--but with enough new ones thrown in to make it an entirely new experience. I loved the heroine, and felt her journey to strength, self-acceptance, and heroism was hard-earned and relatable. The hero, too, is nuanced even while being restrained to the mystery the various source tales require. Meyer's prose is utterly beautiful, and she has a special knack for creating lush settings you can smell, feel, and taste, as well as see. These gifts are allowed marvelous room to stretch and play in the magical, quilt-like house, and in the infinite worlds provided by the mirror-book library Echo spends so much time exploring. Even while she propels her plot along, Meyer uses these scenes to display delightful whimsy and imagination, all the while giving the reader a thoroughly hygge experience in her wintery, Russian-based fairytale world. Could not recommend this author more highly, especially to fans of Robin McKinley, Diana Wynne Jones, Gail Carson Levine, or Edith Pattou.
Wow. Just wow. I have forever loved the tale, East of the Sun, West of the Moon, especially after reading East by Edith Pattou, which introduced me to the story. Not only did the cover of this novel draw me in, but the review of an author of a debut novel which I just adored. The synopsis did me in, and I had to request it. Thank you to NetGalley and Page Street for allowing me the wonderful chance to review this title ahead of its release date. This story follows Echo, a seventeen-year-old girl who lives with her bookseller father and brother. An encounter with a white wolf when she was young, left one half of her face scarred. This led to a life of cruelty which did not end even when she grew. Her father marries an equally cruel woman who forces her father to venture off to make money for his family. When he does not return, Echo goes off to look for him and finds not only her father but the white wolf she'd rescued as a child. The wolf tells Echo that he will save her father if she comes to live with him for a year. Fearing for her father's weak state, she agrees and is whisked away to a magical house. The only rule the wolf has is that she cannot look upon him after midnight. The house in which Echo finds herself was simply amazing. All the different rooms and the idea that the house stitches itself together was so cool. When Echo comes upon a magical library in which she can step into stories through mirrors and meets the handsome Hal and the pretty girl, Mokosh, her adventures becomes so much more engrossing. There are surprises and magic at every turn and kept me reading way past my bedtime. This book takes East of the Sun, West of the Moon and spins it into something unique. It gave me a lot of Howl's Moving Castle vibes, which is one book I adore. The character of Echo grows into a meek girl wanting to hide her deformity to a brave woman finding her strength. The writing was gorgeous and kept excellent pace with the story. There is not one thing about this novel that I did not dislike. I love when I stumble upon books like this. Echo North was fresh and imaginative. If you love retellings, fairy-tales, books that give you all the FEELS and drown you in magic, this is the one for you. I will be buying a copy to have on my shelf.
what an utterly exquisite book. Joanna Ruth Meyer’s sophomore novel is a retelling of “East of the Sun, West of the Moon,” a slightly lesser-known fairy tale, but also includes elements of Tam Lin, Cupid and Psyche, and other stories. and while the story takes place in a winter village and a house beneath a mountain, it takes us all over through an enchanted library and, ultimately, through the heroine’s quest. honestly, this is one of the book’s greatest charms: it’s layers upon layers of magic, embroidered with extraordinary imagination and whimsy, all centered around a heroine who has suffered and loved so much it’s impossible not to root for her.
The perfect winter read. Echo North is lush, beautiful, and cozy while immersing the reader in a frozen wonderland. Meyer’s use of moving mirror-books is particularly thrilling, and help to make a retelling an exciting, new experience.
I love everything about this gorgeous, magical book. I wanted to step inside it the way Echo steps into the book mirrors and live there forever. Absolutely enchanting.
I absolutely loved this book. Echo was immensely relatable, and it was refreshing to have a heroine whose worth wasn’t tied to physical beauty. The prose is gorgeous and evocative, and the setting was super inventive (book mirrors!!), and the eventual reveals will make you want to go back and reread, looking for clues. A perfect read for wintertime!
Thanks to NetGalley and Page Street Publishing Co., who provided a free advanced reader copy in exchange for my honest review. This review contains some allusions to events that MAY be considered SPOILERS. Read at your own risk. 2.5 stars I guess I’m just not drinking the Kool Aid on this one. I REALLY, really, REALLY wanted to love this book. I love fairy tales, myth, and re-tellings of them; plus BONUS—the enchanting cover art. The early and frequent echoes (haha, see what I did there) of Beauty and the Beast and East of the Sun, West of the Moon, Tam Lin, and Echo and Psyche sucked me in immediately. I was interested in this relationship between Echo and mysterious wolf from the get go. Book mirrors that take you to magical worlds? A mysterious, malevolent entity? Sounds amazing! I would consider myself the ideal reader for this type of book. So why was this book such a struggle to finish? The longer I read, the less I wanted to continue, which made me sad. What went wrong? I spent some time mulling this over before writing a review. I think the story and concept were on point, but it was executed poorly. Ultimately, while I love a good re-telling, I felt the author grossly over borrowed, to the point that I felt brow beaten by pieces of stories. It was like, oh, did you catch that allusion there? And did you see what I did there? I mean, Echo has a mirror that will show her her father. Um, Belle, anyone? It felt very self-conscious and awkwardly forced. I also felt it led to plot weaknesses and a lack of development in character motivations. Things just sort of happened over and over again, without sufficient setup or adequate foreshadowing, or even logical explanation-- and, perversely, it was still SUPER predictable, which was beyond frustrating. You can see the major “twists” coming from a mile away (Um, gee. I wonder who the wolf is…Duh.) Except for Echo, the other characters are just flat types, as you would expect in a fairy tale, but in a novel, I want more. Character motivations also strained credulity for me; for example, Echo’s willingness to trust the wolf after it is responsible for disfigured her, the evil stepmother, Ivan, etc… When reading, I also couldn’t refrain from noting the absolutely absurd number of similarities with Roshani Chokshi’s, The Star-Touched Queen: a forbidden room of memory; reincarnation (reliving a story/discovering your true identity); talisman objects; binding things to balance the universe; a sad, haunted male protagonist; a malevolent female who threatens to thwart everything; the main character being stupid and doing the exact opposite of what she should do which ruins everything and then her trying frantically to make it all right, etc, etc, etc…. Can all that be an accident? Or was Meyer just on the same wavelength as Chokshi? I don’t know, but they are CRAZY similar. Finally, some of the dialogue was just flat and groan worthy. I felt like half of the dialogue was stilted, fairy book language, and the other half was everyday contemporary speech. I wanted consistency. Also, the word choices sometimes made me bananas. Sometimes a $10 word is better than a $30 word. For example, “Trees marched like soldiers, their trunks stark against the susurration of the wind.” Susurration. Really?! I love words as much as the next bibliophile, but come on. Overall, I feel like this type of story has been done, and there are other books, such as Chokshi’s that