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Editing and Special/Visual Effects
By Charlie Keil (Editor), Kristen Whissel (Editor), Charlie Keil (Contribution by), Kristen Whissel (Contribution by), Scott Higgins (Contribution by), Dan North (Contribution by), Paul Monticone (Contribution by), Ariel Rogers (Contribution by), Dana Polan (Contribution by), Julie Turnock (Contribution by), Benjamin Wright (Contribution by), Deron Overpeck (Contribution by), Lisa Purse (Contribution by), Meraj Dhir (Contribution by), Tanine Allison (Contribution by)
Paperback
$33.95
By Charlie Keil (Editor), Kristen Whissel (Editor), Charlie Keil (Contribution by), Kristen Whissel (Contribution by), Scott Higgins (Contribution by), Dan North (Contribution by), Paul Monticone (Contribution by), Ariel Rogers (Contribution by), Dana Polan (Contribution by), Julie Turnock (Contribution by), Benjamin Wright (Contribution by), Deron Overpeck (Contribution by), Lisa Purse (Contribution by), Meraj Dhir (Contribution by), Tanine Allison (Contribution by)
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Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked handinhand from the dawn of cinema to the present day.
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace ...
Editing and Special/Visual Effects brings together a diverse range of film scholars who trace ...