2024-05-31
A writer falls for the man she hires to play the role of her male pseudonym.
When Daphne McFadden relocated to the Yukon, she dedicated herself to getting her zombie thriller published, but it’s not until she submits the story under the pen name Zane Remington that publishers take an interest. All of a sudden there’s a bidding war and talk of a movie deal. Not wanting to be in the spotlight, Daphne decides to hire an actor to play Zane, and luckily her best friend knows a guy—even if she isn’t exactly truthful about his credentials. Accountant Chris Stanton really needs some money after his former business partner left him in a bind. He gratefully agrees to play Zane, which first means he has to pretend to be a capable actor. As the hype for the book—and its hot author—grows, all the facades become harder to maintain, and as the pair spend more time in close quarters, their attraction grows. Daphne and Chris are charming, easy-to-root-for characters, although their chemistry sometimes feels underdeveloped. Their romance takes time to find its footing and becomes more enticing once the initial layer of subterfuge is removed. The book industry parts create most of the conflict and tension in the story and will appeal to readers who relish that insider’s peek at authors and publishing. It raises interesting questions about who can and should tell certain stories and thoughtfully examines expectations and stereotypes based on gender.
A so-so romance, but a sharp, compelling take on publishing.
