Deep within the Pentagon, a covert, multi-billion arms-for-influence program was created. The objective was to protect the United States and its allies from terrorist acts by secretly enabling a hand-picked man to emerge as the most powerful leader in the Middle East. But the charismatic Tristan Nazir double-crosses America, twisting the program for his own violent ends to create ISIS. Now America is at great risk.
Elite operative Dewey Andreas is sent to Syria to retrieve details about the source of ISIS’s funding but his cover is blown mid-operation and chaos erupts in the streets of Damascus. Trapped and outnumbered, Dewey manages to send proof of the awful truth—unknown at even the highest levels in the government—that ISIS’s munitions were indeed provided by America itself.
This information arrives in time to for the U.S. to cut off a final arms shipment before it reaches ISIS. But the vicious Nazir, is far from finished. He launches a bold strike into the heart of America, sending a terrorist cell to take over a dorm at Columbia University, capturing hundreds of college students as hostages. For every hour that the shipment of weapons is withheld, the terrorists will publicly execute one student. The potential loss of life is intolerable. A frontal assault is impossible. Releasing the shipment is unthinkable. There is nowhere to turn…
In a situation with no solutions, there remains only one option—Dewey Andreas.
About the Author
BEN COES is the author of the critically acclaimed Power Down and Coup d’Etat. He is a former speechwriter for the George H .W. Bush White House, worked for Boone Pickens, was a fellow at the JFK School of Government at Harvard, a campaign manager for Mitt Romney’s run for governor in 2002, and is currently a partner in a private equity company out of Boston. He lives in Wellesley, Mass.
Read an Excerpt
By Ben Coes
St. Martin's PressCopyright © 2016 Ben Coes
All rights reserved.
AEROPUERTO INTERNACIONAL DE CARTAGENA
Dewey Andreas slept for the first hour after takeoff. When he awoke, he found the liquor cabinet on board the unmarked black-and-white Gulfstream G200. The jet was the property of a Florida-based corporation called Flexor-Danton LLC, which was, in turn, controlled by the Central Intelligence Agency. He pulled out a bottle of bourbon, unscrewed the cap, looked to make sure the pilots weren't watching, then took several large gulps. He put the bottle back and opened two cans of beer.
Dewey was dressed in a short-sleeve polo shirt, black with yellow piping. It was a new shirt, Fred Perry's largest size, but Dewey's shoulders and chest stretched out the material and made it look too small. The sleeves clung tightly to his massive biceps. A Tudor watch with a striped canvas strap was the only thing adorning his tanned arms. He had on jeans and Nike running shoes.
Dewey's brown hair was long and pushed straight back, parted roughly in the middle, and slightly messed up, as if it hadn't been brushed in weeks. An unruly thick brown beard and mustache covered his face. His distinctive light blue eyes, which stuck out from his gruff appearance, projected a coldness and distance. Dewey had a hard, rough quality in the way he dressed, in how he carried himself, but most of all in his eyes.
Dewey stared at one of his cans of beer for a few moments, then lifted it to his lips and chugged it. He crushed the can and tossed it in a trash can next to the cabinet. He took the other beer and sat down. On the seat across from him was a manila folder.
It was his second trip to South America in the same week. The first trip — to Chile — had been a bust. The intelligence had been bad. Or perhaps it had been good and the target had gotten wind of the trip. This was one of the challenges when the target was a former agent.
Dewey opened the folder. He picked up the cover sheet, which was yellow with age:
May 18, 1988
REFERENCE: ROBERTS, SAGE
SANCTION: ADJUTANT JUDGE LEON WHITCOMB
Ref. White House finding 334.67A
DECISION: DISAVOWAL AND TERMINATION EXTREME PREJUDICE
Dewey didn't bother reading the old case order. He knew its contents already. This wasn't an emergency priority. In fact, it had been sealed away more than a decade ago, classified a "cold file" and stuck in the bowels of a building along the Potomac River owned by a group of people who had more urgent fish to fry.
Technically, Dewey was using some well-deserved vacation time, his reward for stopping the Russian terrorist Pyotr Vargarin, aka Cloud, who'd nearly succeeded in detonating a thirty-kiloton nuclear bomb in New York City just a stone's throw from the Statue of Liberty. The vacation time — along with the use of the jet, no questions asked — had been granted to him by Hector Calibrisi, the director of the Central Intelligence Agency.
Dewey had killed Vargarin himself. But the seeds of the monster the Russian had become were planted by America, specifically a murderous rogue CIA agent named Sage Roberts. Dewey told himself that he felt nothing for Pyotr Vargarin, but it wasn't true. He felt sorry for him — sorry for the boy who at age five had watched his parents get shot in front of his eyes, murdered in cold blood by Roberts. As much as Dewey hated what Pyotr became, he hated even more the thought that Roberts still walked the earth.
Dewey flipped through the thick sheaf of papers until he came to a photograph. It was a headshot of Roberts. It was an old photo, his last agency file photo, taken in 1987. He had thick brown hair, parted on the right and combed neatly to the side. His face was long, with dark shadows beneath his eyes and a scar beneath his left eye. He would be much older now.
Dewey flipped it over. Taped to the back of the photo was a small brass key. Scribbled in handwriting just below was an address.
Dewey took a sip of beer and stood up. He walked to the cockpit and stuck his head inside.
"How long until we get there?"
Both pilots turned. "Twenty minutes," said the pilot on the left.
* * *
Dewey found the lockers inside the first-class lounge at Cartagena Airport. He inserted the key in locker 17. Inside was a small duffel bag.
He rented a car and changed his shirt as he drove. He parked on the street, in front of a high-rise building that sat at the ocean's edge. Reaching into the duffel, he removed the gun: a Colt M1911A1, a matte-gray SAI silencer already screwed into the muzzle. He tucked it into a concealed holster inside his leather jacket.
The elevator took him to the penthouse. When he knocked on the door, a pretty middle-aged woman answered.
"Hola," she said, smiling.
"Estoy buscando a su marido," said Dewey.
"Hoy en día se juega al polo," she said.
"Ah, sí, se me olvidó."
* * *
The Cartagena Polo Club was a half-hour drive from downtown. Dewey parked his rental in the lot out front.
The club was crowded with people. Banners covered the side of the main entrance, emblazoned with corporate logos: Rolex, BMW, Bacardi, Tanqueray, and others.
The largest banner read EL CAMPEONATO DE CARTAGENA.
The match was already in progress. Teams of riders moved in frenetic clusters down the field, the ground thundering as the majestic sweep of horses trampled the green grass. Dewey scanned the field, marking him within twenty seconds. He was the oldest one on the field, the edges of his gray hair dangling down beneath his helmet, a tad flamboyant. Too flamboyant. He rode with the natural confidence of one who grew up on horses.
Dewey walked along the sidelines until he came to a young woman who had binoculars in her hands.
"Puedo le prestado?" he asked politely.
Dewey trained the binoculars on the game. He found Roberts, the number 21 in gold on the front of his striped shirt.
He took a program from a table near the clubhouse and went inside. He went down a hallway to the men's locker room. It was empty. The room was dark, wood-paneled, with thick carpet and old photos on the walls of men on horseback playing polo. Each locker had a brass nameplate attached to the front.
He scanned the program and found the team rosters.
#21 — Roberto Segundo
Dewey moved along the line of lockers until he found Roberts's. Looking around to make sure no one had entered the room, he removed a small, powerful flashlight and shone it along the edges of the locker door. Near the bottom of the door, the light showed a nearly invisible piece of thread.
Dewey lifted the thread and kept it in his hand. He took a pick gun from his pocket and put it against the keyhole of the padlock, then pressed the button. A few seconds later, the lock popped open. Dewey opened the locker. On the top shelf was a sleek, smallish silver-colored pistol, Walther PPK. Dewey popped the mag, emptied the bullets into his pocket, then slammed the empty mag back inside the gun and put it back.
He searched the rest of the locker, finding nothing.
Dewey closed Roberts's locker and locked it. He knelt and placed the thread back over the seam of the door, hiding evidence of his intrusion.
Back outside, he found the outdoor bar and got a beer, then watched the match from the back of the crowd. When it was over, a trophy was presented to the winning team.
Roberts stood in the line of players as the crowd applauded from the sidelines. Dewey watched him as he mingled with other players and fans. Eventually, as the crowd thinned out, he walked toward the clubhouse.
Dewey came into the clubhouse from a porch near the swimming pool on the other side of the building from the polo fields. He entered the men's locker room. He scanned the group of players, hand on his pistol, but Roberts wasn't there.
Off the locker room, Dewey stepped into a bathroom. There were two men using the urinals. One of them, a young Colombian in tennis apparel, was flushing. After he left, Dewey shut the door and locked it.
He reached to his torso, then turned, clutching the suppressed Colt .45. He raised the gun and trained it on Roberts, its six-inch silencer jutting menacingly from the end just inches from him.
"Bonito partido de hoy, Sage," said Dewey.
Nice match today, Sage.
Without turning, Roberts answered in English. "I saw you on the field," he said as he continued to urinate.
"Sure you did," said Dewey.
Roberts turned so fast it was almost undetectable, swiveling with the Walther PPK out and aimed at Dewey before Dewey had time to fire ...
"You stood out like a sore thumb," said Roberts with a malevolent look on his face.
There was a moment of silence. Both men stood still — aiming their pistols at each other just feet apart — each man in the crosshairs of the other's gun.
Dewey looked into Roberts's eyes. He noticed the scar beneath the left eye. For a brief moment, Dewey seemed to lose his focus. It was just a fraction of a second, but Roberts sensed it. He pumped the trigger before Dewey had time to react.
The dull click of the gun's empty chamber echoed off the terra-cotta walls. Roberts's face lost its triumphant arrogance at the same instant a shit-eating grin hit Dewey's lips.
"So did you," said Dewey.
Dewey pumped the trigger. The slug spat into Roberts's chest, kicking him back against the urinal. He tried to grab for the wall but fell to the floor. Blood covered his white-and-red striped polo shirt. His hands reached to his chest as he struggled to breathe. Blood gushed from his nose.
"That one was from the United States of America," said Dewey, taking a step closer. He put the end of the suppressor to Roberts's head, inches away. Dewey waited for several moments. Finally, Roberts looked up.
"This one's from Pyotr."CHAPTER 2
VIA PRINCIPE AMEDEO
Rick Mallory was dressed in a double-breasted Paul Smith suit, navy blue with thin red pinstripes, a light yellow shirt, and no tie. He was the only man in the consulate's large, ornate drawing room not wearing a tuxedo. Mallory's blond hair was cut short, longer than it was in the Marines but still barely half an inch in length. He wore rectangular-framed eyeglasses that he'd bought at the Prada boutique down the street.
Mallory stood at the back of the room, in a corner, beneath a large oil painting by Ernesto Serra of a woman asleep on a chaise, her blouse open, exposing her naked body. While it was perhaps a tad racy to be on display at a U.S. consulate, the painting was his favorite in the building, and not just because of the model's beauty. She reminded Mallory of his late wife, Allison. Mallory clutched his third vodka of the evening and forced himself to look away from the painting. He scanned the room. The reception was in full swing. It was the consul general's annual party in observance of Festa di Tutti i Santi, All Saints' Day, a national holiday in Italy.
The crowd consisted of Milan high society. In attendance were businessmen and -women, their spouses and partners, many from the fashion world, government officials, a few celebrities, several members of the Milano football team, and members of the press.
Mallory's eyes suddenly shot to his left. A woman was staring at him. She turned away and started speaking to a man near the bar. As she raised her wineglass to take a sip, her eyes darted back to him and they made eye contact.
She had short brown hair and wore a white dress that clung to her body. Her lips were bright red. She was young, perhaps in her midtwenties, and very pretty. Mallory's heart raced slightly as she moved across the room. Along with the wineglass, she held a small jewel-encrusted clutch. As she came closer, she extended her hand.
"Buona sera," she said. She had a soft Italian accent.
He reached his hand out. "Ciao, signorina," he said, shaking her hand.
"My name is Sophia Paschiano," she said.
"Nice to meet you. I'm Rick Mallory."
"Hello, Mr. Mallory." She smiled.
"What brings you to the party? Wait, let me guess."
Mallory let her hand go, then swept his eyes politely, but also admiringly, down the length of her gown.
"You're a model, am I correct?"
She laughed. "You're very kind. Thank you, but no. I'm a reporter for Il Giornali."
"A reporter?" asked Mallory. "I'm the public affairs officer here at the consulate."
Her smile vanished, and her eyes took on a more sinister air.
"No, you're not," she said. "You're Agency. Is there someplace we can talk? I must speak to you immediately."
* * *
Mallory shut the door to his third-floor office and gestured to a tan leather sofa beneath the window that looked out to the public gardens a few streets away. Sophia sat down. Mallory sat behind his desk, still clutching his drink. He said nothing for some time. Finally, she spoke.
"When I was a student at Oxford, I dated a boy. His name was Marwan al-Jaheishi. He was involved in activities."
"Islamic. They were always peaceful."
"He remained in London for a few years, then moved to Cairo."
Mallory tapped the side of his glass as he waited.
"He called me yesterday," said Sophia. "He asked if I could facilitate a meeting between him and you."
"Me ... or the consulate?"
"You, Mr. Mallory. He said it was very urgent."
"How does he know me?"
"Cairo. He was with the Muslim Brotherhood."
A cold chill emerged at the back of Mallory's neck, which caused him to shudder ever so slightly.
"He wants to give you something."
"Let me guess. A box with a ticking noise coming from the inside?"
Sophia shook her head, then laughed softly.
"You think I'm lying," she concluded.
Mallory grinned, shook his head, then looked out the window.
For all he knew, she was a terrorist, though probably not. A battery of background checks usually ensured that anyone allowed entrance into a U.S. consulate had no ties, but who the hell knew anymore? Quietly, unnoticed, he put his hand on the butt of the gun beneath his left armpit.
More likely, she was telling the truth, and the ex-boyfriend was using her so that he could get close enough to kill him.
"I'm afraid I can't help you," said Mallory.
Sophia paused, then stood up.
"I understand. I don't blame you. But he was a nice boy, for what it's worth."
She removed a small card from her clutch. She placed it on the desk. "His phone number, should you change your mind."
She walked to the door. She twisted the doorknob, but before she opened the door she turned and looked at Mallory.
"He's inside ISIS. He wants asylum."
The cold chill that had been at the base of Mallory's neck shot down his spine as he reached for the card.
"When you say inside ..."
"He reports directly to Tristan Nazir."CHAPTER 3
SALADIN APARTMENT COMPLEX
Nazir stood still as his cell phone vibrated in his pocket. He didn't answer it.
A lone lamp on the desk cast dim, rusty light. Nazir held a white teacup, which was chipped on one side. Other than to take the occasional sip of tea, he hadn't moved for half an hour. His one good eye was focused straight ahead at the wall. His eye was like a black stone, emotionless and cold. He seemed dazed, mesmerized, and, above all, sad. Only Nazir knew that in fact, at that moment, he felt nothing but jubilation.
On the wall was a large map of Syria and Iraq. Spread across the two countries were hundreds of colored thumbtacks.
Nazir could remember the first one he inserted. It was two years before, a red tack that he had stuck into a small Syrian town called Arihah. It was the first military offensive by the polyglot group of jihadists Nazir had brought together under one vision, a group he named ISIS. Arihah was the first victory over the Syrian government. Now, the map was a colorful rainbow of thumbtacks, spread across northern Syria and central Iraq, like cancer.
Nazir took a sip from the cup. His tea had long ago turned cold, but he didn't care.
Excerpted from First Strike by Ben Coes. Copyright © 2016 Ben Coes. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Most Helpful Customer Reviews
Best of the best!
Excellent read fast paced and enjoyable
However unrealistic I have enjoyed reading about Dewey saving the world
Hard to put dowm
Thanks for another great read. Dewey never disappoints.
Really? One reviewer wrote that the set up of the novel was slow until Dewey Andreas appears. I think Coes's writing in the initial chapters is some of his best work. The story veers into the preposterous – as did the previous novel – when the Andreas character is involved. A central character is usually a requirement, but I think one who is not portrayed as nearly superhuman would have made this a better book. The concept that creates the primary action in the second half of the book is terrific. Unfortunately, to make the terrorists as evil as possible, their horrific actions become gratuitous and lose their impact. SPOILER ALERT for what follows: I agree with reviewers who expressed the need for better editing, e.g., word repetition. Here are a few other examples (from the hardcopy version): Page 202: These sentences were printed consecutively -- "Once he (Nazir) stabilized Syria and Iraq…a wider arc of jihadist influence. Israel, Jordan, Kuwait, even Iran. Just as Hitler did, Nazir would try to expand his reach – and quickly. It could be Jordan, Kuwait, Saudi Arabia – even Israel." I suspect the author wrote the thought in two different ways but forgot to delete the less preferred version. And the editor missed it. Page 374: "Dewey removed his earbud and put it in a watertight Ziplock bag." Page 402: "He (Dewey) removed a small airtight canister from a side pocket and put his earbud in his left ear." I've written a few books and know the process is not one continuous flow so these mistakes can happen, but the author or editor should have caught this. Page 403: Terrorist locations were one on the 6th floor, 1 on 7, 1 on 9, 3 on 10 and 1 on 12. (Seven total). Page 407: Terrorist locations were one on the 1st floor, 1 on 6, 2 on 10, 2 on 11 and 1 on 12. (Seven total). The terrorists were moving around, but how did one get to the first floor when the stairways from the sixth floor down were bobby trapped and impassable? Earlier, one jihadist was noted on the first floor so the description on page 403 is likely the one in error. But, again, how was this missed? Finally: In order to spring a surprise Navy Seals allow themselves to be locked in a storage unit that required someone else to remove two large round steel spikes from the exterior to open it. It must have seemed dramatic when it was written, but the idea is absurd. The schmaltzy epilogue isn't worth discussing except to say it was a poor attempt at humanizing the super hero.