Forest Has a Song: Poems

by Amy Ludwig VanDerwater, Robbin Gourley (Illustrator)

Overview

A spider is a “never-tangling dangling spinner / knitting angles, trapping dinner.” A tree frog proposes, “Marry me. Please marry me… / Pick me now. / Make me your choice. / I’m one great frog / with one strong voice.” VanDerwater lets the denizens of the forest speak for themselves in twenty-six lighthearted, easy-to-read poems. As she observes, “Silence in Forest / never lasts long. / Melody / is everywhere / mixing in / with piney air. / Forest has a song.” The graceful, appealing watercolor illustrations perfectly suit these charming poems that invite young readers into the woodland world at every season.

Product Details

ISBN-13:	9780618843497
Publisher:	HarperCollins Publishers
Publication date:	03/26/2013
Pages:	32
Product dimensions:	8.10(w) x 10.80(h) x 0.50(d)
Age Range:	6 - 9 Years

About the Author

Amy Ludwig VanDerwater’s poems have appeared in magazines and in children’s anthologies. She lives with her family in Holland, New York. Visit her website at www.amylv.com.

Robbin Gourley is an art director, cookbook author, and illustrator. She lives in both rural Pennsylvania and in Brooklyn, New York. Visit her website at www.robbingourley.com.

What People are Saying About This

From the Publisher

"Moving gracefully through the seasons, newcomer VanDerwater shares a girl's experience of what the forest has to offer."
—Publishers Weekly

"The imagery is fresh and original; it's accessible, too. Watercolor images of each poem's subject add to the appeal."
—Kirkus

Editorial Reviews

Moving gracefully through the seasons, newcomer VanDerwater shares a girl’s experience of what the forest has to offer. On a chilly spring day, she “stop to read/ the Forest News/ in mud or fallen snow./ Articles are printed/ by critters on the go” (Gourley shows the girl staring at a line of pale deer prints that lead to a distant grove). A slightly subversive sense of humor peeks through at times (a spider is “A never-tangling dangling spinner/ knitting angles, trapping dinner”), but the overall mood is serene, as when the girl dons her winterwear once more at year’s end: “I close my eyes/ to softly hear/ snowy voices/ crystal clear./ Each silver/ snowflake/ sings my name./ Guess what?/ No two sound the same.” Ages 6–9. (Apr.)

Publishers Weekly

"Moving gracefully through the seasons, newcomer VanDerwater shares a girl's experience of what the forest has to offer."
—Publishers Weekly

"The imagery is fresh and original; it's accessible, too. Watercolor images of each poem's subject add to the appeal."
—Kirkus

"Dip into this appealing collection for an introduction to early nature studies or poetry writing, or for generating some well-deserved enthusiasm for a stroll in the great outdoors."
—Booklist

"The verses are approachable for readers and vivid for readaloud listeners, so this is a title with a broad spread of possible use. Even if there's no nearby forest, just have the kids close their eyes, listen to the poetry, and imagine that there is."
—Bulletin of the Center for Children's Books

"The book is an inviting tour for those who enjoy observing the natural world through poetry."
—School Library Journal

From the Publisher

Gr 3–4—Creatures and plants and the sights and sounds of the forest are described from the perspective of a girl who appears occasionally in this collection of nature poems. Simple watercolor scenes, set on softly washed backgrounds or white space, run above, beneath, below, or alongside each selection, which generally focuses on a specific aspect of forest life. For example, "Moss" reads, "Barefoot on this emerald carpet/toe-by-toe I squish across./I softly sink in velvet green./Oh how I wish for socks of moss." The girl, other human companions, and her dog encounter chickadees, tree frogs, lady slippers, lichens, and fossils, and these forest experiences span the seasons. The poems are simple, well-shaped, and pleasant for read-aloud sharing. The book is an inviting tour for those who enjoy observing the natural world through poetry.—Margaret Bush, Simmons College, Boston

School Library Journal

Twenty-six poems with varied structures offer quiet observations of the natural world. Vanderwater's studies are spare and sometimes personal. Loosely cast as a series of forest visits at different times of the year, they focus both on the large, as in the opening "Invitation," and the small--fiddleheads, lichens, a cardinal, a squirrel. The poet's imagination invites readers and listeners inside her subjects' heads. A chickadee considers taking food from a child's hand; an owlet worries about its first flight. She listens to the voices of snowflakes and maples. Some poems describe the forest visitor's actions: In one haiku, she plays with a rotting branch; in another, she marvels at the taste of wintergreen. Two children enjoy the surprise of a mushroom puffball. Listeners will appreciate language play like the tree frog's: "Hoping. / Hopping. / High above. / Crooning. / Plopping. / Finding love." The imagery is fresh and original; it's accessible, too. Watercolor images of each poem's subject add to the appeal. Some are vignettes, others show a child or a family enjoying the out-of-doors. Although the same young girl appears in these pictures, her clothing and apparent age vary, implying a series of encounters over many years. Readers, too, may want to return to these explorations over and over. (Picture book/poetry. 5-10)

Kirkus Reviews