Foundation and Empire (Foundation Series #2)

Foundation and Empire (Foundation Series #2)

by Isaac Asimov

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Overview

The Foundation novels of Isaac Asimov are one of the great masterworks of science fiction. Unsurpassed for their unique blend of nonstop action, daring ideas, and extensive world-building, they chronicle the struggle of a courageous group of men and women to preserve humanity’s light against an inexorable tide of darkness and violence.

Led by its founding father, the great psychohistorian Hari Seldon, and taking advantage of its superior science and technology, the Foundation has survived the greed and barbarism of its neighboring warrior-planets. Yet now it must face the Empire—still the mightiest force in the Galaxy even in its death throes. When an ambitious general determined to restore the Empire’s glory turns the vast Imperial fleet toward the Foundation, the only hope for the small planet of scholars and scientists lies in the prophecies of Hari Seldon.

But not even Hari Seldon could have predicted the birth of the extraordinary creature called The Mule—a mutant intelligence with a power greater than a dozen battle fleets . . . a power that can turn the strongest-willed human into an obedient slave.

Product Details

ISBN-13: 9780553382587
Publisher: Random House Publishing Group
Publication date: 04/29/2008
Series: Foundation Series
Edition description: Reprint
Pages: 272
Sales rank: 830,792
Product dimensions: 5.50(w) x 8.30(h) x 0.56(d)

About the Author

Isaac Asimov began his Foundation Series at the age of twenty-one, not realizing that it would one day be considered a cornerstone of science fiction. During his legendary career, Asimov penned pver 470 books on subjects ranging from science to Shakespeare to history, though he was most loved for his award-winning science fiction sagas, which include the Robot, Empire, and Foundation series. Named a Grand Master of Science Fiction by the Science Fiction Writers of America, Asimov entertained and educated readers of all ages for close to five decasdes. He died, at age of seventy-two, in April 1992.

Date of Birth:

January 20, 1920

Date of Death:

April 6, 1992

Place of Birth:

Petrovichi, Russia

Place of Death:

New York, New York

Education:

Columbia University, B.S. in chemistry, 1939; M.A. in chemistry, 1941; Ph.D. in biochemistry, 1948

Read an Excerpt

BEL RIOSE. . . . In his relatively short career, Riose earned the title of "The Last of the Imperials" and earned it well. A study of his campaigns reveals him to be the equal of Peurifoy in strategic ability and his superior perhaps in his ability to handle men. That he was born in the days of the decline of Empire made it all but impossible for him to equal Peurifoy's record as a conqueror. Yet he had his chance when, the first of the Empire's generals to do so, he faced the Foundation squarely. . . .

Encyclopedia Galactica*

Chapter One


Search for Magicians


Bel Riose traveled without escort, which is not what court etiquette prescribes for the head of a fleet stationed in a yet-sullen stellar system on the Marches of the Galactic Empire.

But Bel Riose was young and energetic—energetic enough to be sent as near the end of the universe as possible by an unemotional and calculating court—and curious besides. Strange and improbable tales fancifully repeated by hundreds and murkily known to thousands intrigued the last faculty; the possibility of a military venture engaged the other two. The combination was overpowering.

He was out of the dowdy ground-car he had appropriated and at the door of the fading mansion that was his destination. He waited. The photonic eye that spanned the doorway was alive, but when the door opened it was by hand.

Bel Riose smiled at the old man. "I am Riose—"

"I recognize you." The old man remained stiffly and unsurprised in his place. "Your business?"

Riose withdrew a step in a gesture of submission. "One of peace. If you are Ducem Barr, I ask the favor of conversation."

Ducem Barr stepped aside and in the interior of the house the walls glowed into life. The general entered into daylight.

He touched the wall of the study, then stared at his fingertips. "You have this on Siwenna?"

Barr smiled thinly. "Not elsewhere, I believe. I keep this in repair myself as well as I can. I must apologize for your wait at the door. The automatic device registers the presence of a visitor but will no longer open the door."

"Your repairs fall short?" The general's voice was faintly mocking.

"Parts are no longer available. If you will sit, sir. You drink tea?"

"On Siwenna? My good sir, it is socially impossible not to drink it here."

The old patrician retreated noiselessly with a slow bow that was part of the ceremonious legacy left by the aristocracy of the last century's better days.

Riose looked after his host's departing figure, and his studied urbanity grew a bit uncertain at the edges. His education had been purely military; his experience likewise. He had, as the cliche has it, faced death many times; but always death of a very familiar and tangible nature. Consequently, there is no inconsistency in the fact that the idolized lion of the Twentieth Fleet felt chilled in the suddenly musty atmosphere of an ancient room.

The general recognized the small black-ivroid boxes that lined the shelves to be books. Their titles were unfamiliar. He guessed that the large structure at one end of the room was the receiver that transmuted the books into sight-and-sound on demand. He had never seen one in operation; but he had heard of them.

Once he had been told that long before, during the golden ages when the Empire had been co-extensive with the entire Galaxy, nine houses out of every ten had such receivers—and such rows of books.

But there were borders to watch now; books were for old men. And half the stories told about the old days were mythical anyway. More than half.

The tea arrived, and Riose seated himself. Ducem Barr lifted his cup. "To your honor."

"Thank you. To yours."

Ducem Barr said deliberately, "You are said to be young. Thirty-five?"

"Near enough. Thirty-four."

"In that case," said Barr, with soft emphasis, "I could not begin better than by informing you regretfully that I am not in the possession of love charms, potions, or philtres. Nor am I in the least capable of influencing the favors of any young lady as may appeal to you."

"I have no need of artificial aids in that respect, sir." The complacency undeniably present in the general's voice was stirred with amusement. "Do you receive many requests for such commodities?"

"Enough. Unfortunately, an uninformed public tends to confuse scholarship with magicianry, and love life seems to be that factor which requires the largest quantity of magical tinkering."

"And so would seem most natural. But I differ. I connect scholarship with nothing but the means of answering difficult questions."

The Siwennian considered somberly, "You may be as wrong as they!"

"That may turn out or not." The young general set down his cup in its flaring sheath and it refilled. He dropped the offered flavor-capsule into it with a small splash. "Tell me then, patrician, who are the magicians? The real ones."

Barr seemed startled at a title long unused. He said, "There are no magicians."

"But people speak of them. Siwenna crawls with the tales of them. There are cults being built about them. There is some strange connection between it and those groups among your countrymen who dream and drivel of ancient days and what they call liberty and autonomy. Eventually the matter might become a danger to the State."

The old man shook his head. "Why ask me? Do you smell rebellion, with myself at the head?"

Riose shrugged, "Never. Never. Oh, it is not a thought completely ridiculous. Your father was an exile in his day; you yourself a patriot and a chauvinist in yours. It is indelicate in me as a guest to mention it, but my business here requires it. And yet a conspiracy now? I doubt it. Siwenna has had the spirit beat out of it these three generations."

The old man replied with difficulty, "I shall be as indelicate a host as you a guest. I shall remind you that once a viceroy thought as you did of the spiritless Siwennians. By the orders of that viceroy my father became a fugitive pauper, my brothers martyrs, and my sister a suicide. Yet that viceroy died a death sufficiently horrible at the hands of these same slavish Siwennians."

"Ah, yes, and there you touch nearly on something I could wish to say. For three years the mysterious death of that viceroy has been no mystery to me. There was a young soldier of his personal guard whose actions were of interest. You were that soldier, but there is no need of details, I think."

Barr was quiet. "None. What do you propose?"

"That you answer my questions."

"Not under threats. I am old enough for life not to mean particularly overmuch."

"My good sir, these are hard times," said Riose, with meaning, "and you have children and friends. You have a country for which you have mouthed phrases of love and folly in the past. Come, if I should decide to use force, my aim would not be so poor as to strike you."

Barr said coldly, "What do you want?"

Riose held the empty cup as he spoke. "Patrician, listen to me. These are days when the most successful soldiers are those whose function is to lead the dress parades that wind through the imperial palace grounds on feast days and to escort the sparkling pleasure ships that carry His Imperial Splendor to the summer planets. I . . . I am a failure. I am a failure at thirty-four, and I shall stay a failure. Because, you see, I like to fight.

"That's why they sent me here. I'm too troublesome at court. I don't fit in with the etiquette. I offend the dandies and the lord admirals, but I'm too good a leader of ships and men to be disposed of shortly by being marooned in space. So Siwenna is the substitute. It's a frontier world; a rebellious and a barren province. It is far away, far enough away to satisfy all.

"And so I moulder. There are no rebellions to stamp down, and the border viceroys do not revolt lately; at least, not since His Imperial Majesty's late father of glorious memory made an example of Mountel of Paramay."

"A strong Emperor," muttered Barr.

"Yes, and we need more of them. He is my master; remember that. These are his interests I guard."

Barr shrugged unconcernedly. "How does all this relate to the subject?"

"I'll show you in two words. The magicians I've mentioned come from beyond—out there beyond the frontier guards, where the stars are scattered thinly—"

" 'Where the stars are scattered thinly,' " quoted Barr, " 'And the cold of space seeps in.' "

"Is that poetry?" Riose frowned. Verse seemed frivolous at the moment. "In any case, they're from the Periphery—from the only quarter where I am free to fight for the glory of the Emperor."

"And thus serve His Imperial Majesty's interests and satisfy your own love of a good fight."

"Exactly. But I must know what I fight; and there you can help."

"How do you know?"

Riose nibbled casually at a cakelet. "Because for three years I have traced every rumor, every myth, every breath concerning the magicians—and of all the library of information I have gathered, only two isolated facts are unanimously agreed upon, and are hence certainly true. The first is that the magicians come from the edge of the Galaxy opposite Siwenna; the second is that your father once met a magician, alive and actual, and spoke with him."

The aged Siwennian stared unblinkingly, and Riose continued, "You had better tell me what you know—"

Barr said thoughtfully, "It would be interesting to tell you certain things. It would be a psychohistoric experiment of my own."

"What kind of experiment?"

"Psychohistoric." The old man had an unpleasant edge to his smile. Then, crisply, "You'd better have more tea. I'm going to make a bit of a speech."

He leaned far back into the soft cushions of his chair. The wall-lights had softened to a pink-ivory glow, which mellowed even the soldier's hard profile.

Ducem Barr began, "My own knowledge is the result of two accidents: the accidents of being born the son of my father, and of being born the native of my country. It begins over forty years ago, shortly after the great Massacre, when my father was a fugitive in the forests of the South, while I was a gunner in the viceroy's personal fleet. This same viceroy, by the way, who had ordered the Massacre, and who died such a cruel death thereafter."

Barr smiled grimly, and continued, "My father was a patrician of the Empire and a senator of Siwenna. His name was Onum Barr."

Riose interrupted impatiently, "I know the circumstances of his exile very well. You needn't elaborate upon it."

The Siwennian ignored him and proceeded without deflection. "During his exile a wanderer came upon him; a merchant from the edge of the Galaxy; a young man who spoke a strange accent, knew nothing of recent Imperial history, and who was protected by an individual force-shield."

"An individual force-shield?" Riose glared. "You speak extravagance. What generator could be powerful enough to condense a shield to the size of a single man? By the Great Galaxy, did he carry five thousand myria-tons of nuclear power-source about with him on a little wheeled gocart?"

Barr said quietly, "This is the magician of whom you hear whispers, stories and myths. The name 'magician' is not lightly earned. He carried no generator large enough to be seen, but not the heaviest weapon you can carry in your hand would have as much as creased the shield he bore."

"Is this all the story there is? Are the magicians born of maunderings of an old man broken by suffering and exile?"

"The story of the magicians antedated even my father, sir. And the proof is more concrete. After leaving my father, this merchant that men call a magician visited a tech-man at the city to which my father had guided him, and there he left a shield-generator of the type he wore. That generator was retrieved by my father after his return from exile upon the execution of the bloody viceroy. It took a long time to find—

"The generator hangs on the wall behind you, sir. It does not work. It never worked but for the first two days; but if you'll look at it, you will see that no one in the Empire ever designed it."

Bel Riose reached for the belt of linked metal that clung to the curved wall. It came away with a little sucking noise as the tiny adhesion-field broke at the touch of his hand. The ellipsoid at the apex of the belt held his attention. It was the size of a walnut.

"This—" he said.

"Was the generator?" nodded Barr. "But it was the generator. The secret of its workings are beyond discovery now. Sub-electronic investigations have shown it to be fused into a single lump of metal and not all the most careful study of the diffraction patterns have sufficed to distinguish the discrete parts that had existed before fusion."

"Then your 'proof' still lingers on the frothy border of words backed by no concrete evidence."

Barr shrugged. "You have demanded my knowledge of me and threatened its extortion by force. If you choose to meet it with skepticism, what is that to me? Do you want me to stop?"

"Go on!" said the general, harshly.

"I continued my father's researches after he died, and then the second accident I mentioned came to help me, for Siwenna was well known to Hari Seldon."

"And who is Hari Seldon?"

"Hari Seldon was a scientist of the reign of the Emperor, Daluben IV. He was a psychohistorian; the last and greatest of them all. He once visited Siwenna, when Siwenna was a great commercial center, rich in the arts and sciences."

"Hmph," muttered Riose, sourly, "where is the stagnant planet that does not claim to have been a land of overflowing wealth in older days?"

"The days I speak of are the days of two centuries ago, when the Emperor yet ruled to the uttermost star; when Siwenna was a world of the interior and not a semi-barbarian border province. In those days, Hari Seldon foresaw the decline of Imperial power and the eventual barbarization of the entire Galaxy."

Riose laughed suddenly. "He foresaw that? Then he foresaw wrong, my good scientist. I suppose you call yourself that. Why, the Empire is more powerful now than it has been in a millennium. Your old eyes are blinded by the cold bleakness of the border. Come to the inner worlds someday; come to the warmth and the wealth of the center."

The old man shook his head somberly. "Circulation ceases first at the outer edges. It will take a while yet for the decay to reach the heart. That is, the apparent, obvious-to-all decay, as distinct from the inner decay that is an old story of some fifteen centuries."

Reading Group Guide

Isaac Asimov’s Robot series and Foundation series comprise some of the greatest classics in their genre. They probe the questions of technology and destiny, war and politics that have captured readers’ imaginations for generations.

I, Robot, the first and most widely read book in Asimov’s Robot series, is a collection of nine stories that forever changed the world’s perception of artificial intelligence. Here are stories of sensitive robots, robots gone mad, mind-reading robots, prankster robots, and closeted robots that secretly dominate politics. Chronicling the robot’s development from primitive prototype to ultimate perfection, I, Robot blends scientific fact with science fiction in Asimov’s provocative style.

Foundation, Foundation and Empire, and Second Foundation tell the story of Hari Seldon, a brilliant visionary who synthesized history, psychology, and mathematical probability to shape a bold commandment for the future and steer humanity through a series of brutal eras. Following the collapse of a Galactic Empire, Hari gathered together the top scientists and scholars on a bleak planet at the very edge of the Galaxy in order to preserve the accumulated knowledge of mankind. He called his sanctuary the Foundation and designed it to withstand a dark age of ignorance, barbarism, and warfare that would last for the next thirty thousand years. But not even Hari could have predicted the intense barbarism lurking in space, or the birth of an extraordinary creature whose mutant intelligence would destroy all that Hari held dear.

The questions, discussion topics, and author biography that follow are intended to enhance your reading of these four classics written by one of the most widely recognized fiction authors of our time.

I, Robot
Isaac Asimov
0-553-29438-5 (paperback)
0-553-80370-0 (hardcover)

Foundation
Isaac Asimov
0-553-29335-4 (paperback)
0-553-80371-9 (hardcover)

Foundation and Empire
Isaac Asimov
0-553-29337-0 (paperback)
0-553-80372-7 (hardcover)

Second Foundation
Isaac Asimov
0-553-29336-2 (paperback)
0-553-80373-5 (hardcover)

1. Do Asimov’s now-famous Three Laws of Robotics mirror humanity’s ethics code in any way? Whose orders are human beings required to obey? Do our definitions of “harm” ever lead to the same confounding dilemmas experienced in I, Robot?

2. Why was Gloria’s mother unable to accept Robbie as an excellent nursemaid? Was Robbie premonitory on Asimov’s part—a prediction that children in the twenty-first century might form intense emotional attachments to electronics?

3. Cutie (QT) questions his origins and finds it impossible to believe that a human created him. In what ways did Powell and Donovan reinforce this belief?

4. Does the case of Stephen Byerley indicate that robots might make better politicians? Would this only hold true if, as the novel envisions, nations dissolve into massive world regions?

5. What is the ultimate commodity produced by U.S. Robot & Mechanical Men, Inc.? Does our global workforce follow this model in any way? Were humor and compassion inevitable traits in the robots? Do these traits interfere with productivity in the world of I, Robot?

6. In the book’s closing lines, Dr. Susan Calvin tells the narrator, “You will see what comes next,” as robots stand between mankind and destruction. How did her career lead up to such a precarious conclusion?

7. I, Robot has been turned into a major motion picture starring Will Smith. How does the movie compare with your book-reading experience? What do you think of the adjustments made and liberties taken when converting this collection of stories to one seamless film adaptation?

8. Foundation opens with the perspective of Gaal Dornick, “a country boy who had never seen Trantor before.” What is the effect of opening the novel with Gaal’s observations? Why did Hari Seldon extend such an invitation to Gaal?

9. In the trial portrayed in chapter 6, the Commission’s Advocate repeatedly rejects Hari’s deductions regarding the future. What has made Hari a target for exile? Why are his projections—supported by seemingly irrefutable logic and mathematics—so easily dismissed by his accusers?

10. Part 3 of Foundation begins with an entry from the Encyclopedia Galactica that reads, “Undoubtedly the most interesting aspect of the history of the four Kingdoms involves the strange society forced temporarily upon it during the administration of Salvor Hardin.” In what ways does Hardin distinguish himself from the other rulers described in the novel? What conditions fostered his rise to power?

11. The Foundation is intended in some ways as a kind of religious center. What are its doctrines? Can a religion of science fail?

12. Discuss the novel’s references to energy—in this case, nuclear power—in relation to political and economic supremacy. What other forces drive the novel’s hierarchies of dominance? How does the role of the Traders evolve in the novel’s closing chapters?

13. What were the root causes of the Foundation’s fall? Could its demise have been avoided, even after war had begun?

14. As Lord of the Universe, is Cleon II naïve or perceptive? In what ways do his sensibilities affect his fate?

15. What, ultimately, is the source of the Mule’s power to perform Conversions in Foundation and Empire? What role did psychology play in his own origins?

16. Do the Independent Trading Worlds accurately perceive their vulnerabilities? In contrast, what perpetuated Neotrantor’s survival?

17. Bayta’s final conversation with the Mule explains his moniker as well as his perceptions of how power is perpetuated. What does this dialogue indicate about gender roles in the realm of the Second Foundation, and about the possibility of democracy?

18. Discuss the spectrum of characters affected by the Mule in Second Foundation’s five opening interludes. In what ways do the Mule’s tactics vary?

19. In what ways does Bail Channis’s personality reflect a cultural shift from the previous Foundation novels?

20. Near the beginning of the fifteenth chapter, Arcadia is described as “dressed in borrowed clothes, standing on a borrowed planet in a borrowed situation of what seemed even to be a borrowed life.” In what ways is she both an unlikely and an ideal savior?

21. Scholarship such as the Encyclopedia project represented Hari’s belief in the power of learning (and even the power of the mind itself, in the form of neural microcurrents). To what extent is a civilization’s success measured by the survival of its knowledge?

22. The final chapter of Second Foundation offers a thoughtful coda to the novel. What is the “true” question to that chapter’s “answer that was true?”

23. If Hari Seldon’s equations were applied to Earth’s societies, what might the results be?

24. What connotations and root words were you able to derive from the character names and geographic locations featured in the series?

25. How does the series evolve as a whole? What overarching narrative is propelled by the events that occur within the individual books?

26. Isaac Asimov wrote these three books very early in his career, during the 1950s—an era marked by the Cold War, McCarthyism, and the early stages of the space race. How might the events of this period have shaped the Foundation storyline?

27. In what sense does the trilogy offer a cautionary tale for contemporary leaders in politics, science, and the humanities?

Introduction

Isaac Asimov’s Robot series and Foundation series comprise some of the greatest classics in their genre. They probe the questions of technology and destiny, war and politics that have captured readers’ imaginations for generations.

I, Robot, the first and most widely read book in Asimov’s Robot series, is a collection of nine stories that forever changed the world’s perception of artificial intelligence. Here are stories of sensitive robots, robots gone mad, mind-reading robots, prankster robots, and closeted robots that secretly dominate politics. Chronicling the robot’s development from primitive prototype to ultimate perfection, I, Robot blends scientific fact with science fiction in Asimov’s provocative style.

Foundation, Foundation and Empire, and Second Foundation tell the story of Hari Seldon, a brilliant visionary who synthesized history, psychology, and mathematical probability to shape a bold commandment for the future and steer humanity through a series of brutal eras. Following the collapse of a Galactic Empire, Hari gathered together the top scientists and scholars on a bleak planet at the very edge of the Galaxy in order to preserve the accumulated knowledge of mankind. He called his sanctuary the Foundation and designed it to withstand a dark age of ignorance, barbarism, and warfare that would last for the next thirty thousand years. But not even Hari could have predicted the intense barbarism lurking in space, or the birth of an extraordinary creature whose mutant intelligence would destroy all that Hari held dear.

The questions, discussion topics, and author biography that followare intended to enhance your reading of these four classics written by one of the most widely recognized fiction authors of our time.

I, Robot
Isaac Asimov
0-553-29438-5 (paperback)
0-553-80370-0 (hardcover)

Foundation
Isaac Asimov
0-553-29335-4 (paperback)
0-553-80371-9 (hardcover)

Foundation and Empire
Isaac Asimov
0-553-29337-0 (paperback)
0-553-80372-7 (hardcover)

Second Foundation
Isaac Asimov
0-553-29336-2 (paperback)
0-553-80373-5 (hardcover)

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Foundation and Empire (Foundation Series #2) 4.3 out of 5 based on 0 ratings. 196 reviews.
Anonymous More than 1 year ago
I enjoyed the complex fibric of this tale. I was even suprised by the ending even though I had thought it might be the case half way through.
Anonymous More than 1 year ago
Love any book in this series ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ € ¿
RoughEdit More than 1 year ago
This is the second Foundation Novel I have read in the whole series and it just gets me more excited for the rest. This book really brings into light the tone of the series and where it can go. Honestly Asimov is a genius. :)
Guest More than 1 year ago
Foundation and Empire is undoubtedly the one of the three greatest novels in the Foundation Series, the other two being the first, Prelude to Foundation, and the Last, Foward the Foundation. Not merely is it unbearingly suspenseful and with the powerful ability to generate thought, the ending is worth every page, every sentence, every word.
Guest More than 1 year ago
An excellent suspense novel that had me fooled right up until the last few pages. I couldn't put it down.
Guest More than 1 year ago
This was an excellent book. The ending blew my mind for two reasons: one reason was because it was insane, and the other was because it was so predictable...and yet i didn't predict it...
Anonymous 9 months ago
Loved it!
bzedan on LibraryThing More than 1 year ago
I love Bayta and the Mule, and their interactions are probably my favourite parts of all the Foundation books. I think I can get such satisfying re-reads out of this series because it's so damn convoluted I don't remember all the ins and outs so easily.
JBreedlove on LibraryThing More than 1 year ago
An easy and sometimes colorful read. Asimov's galaxy has come together in this 3rd of the Foundation series. He handles the large jumps in time (and space) well. I read these in between drier more complex reads. I always look forward to them.
LisaMaria_C on LibraryThing More than 1 year ago
The trilogy of books of which this is the middle novel are among the best Asimov ever wrote among his science-fiction works and among his most influential. The trilogy begins in Foundation, where Hari Seldon, a "psychohistorian" predicts the fall of a galaxy-spanning empire within a few centuries and establishes the "Foundation" to manipulate history to shorten the dark ages to follow. That novel was episodic, and just not as strong. Foundation and Empire is a more unified novel and features one of Asimov's most complex and compelling characters, "the Mule," as well as a strong female character, Bayta, and a clever twist. I think this is a novel that just gets stronger as it goes along. Asimov was an author I found more notable for mind-bending ideas than rich characterizations--so I found the poignancy with which he imbued the Mule striking.
br77rino on LibraryThing More than 1 year ago
Book 2 of the trilogy that is the best science fiction of all time.
Radaghast on LibraryThing More than 1 year ago
Foundation and Empire is the second book in the Foundation trilogy. Essentially, the Foundation series is a retelling of the fall of the Roman Empire and the rise of the modern world, in a futuristic sci-fi setting. It is an ambitious trilogy and widely regarded as Asimov's best work. The reality for me has been a little different. Foundation was a fine novel, but wasn't the bastion of science fiction I expected it to be. Foundation and Empire, the second novel, is where Asimov hits his stride. I can tell exactly where I began to buy the Foundation books as among the finest examples of science fiction. At the end of Part 1, Asimov switches the story from an almost academic writing style, to a real story with a plot, and characters we come to care about. And it's a superior plot, with a lot of unexpected moments. Asimov is still telling his story, but he found a way during this novel to tell it through plot. In Foundation and Empire, the trilogy truly becomes the great work of science fiction.If you've read Foundation and have considered abandoning the series, don't. Foundation and Empire is a rare example of a sequel surpassing the original. I hope Second Foundation can bring the trilogy to a satisfying conclusion.
gilag on LibraryThing More than 1 year ago
The second in the trilogy and the story gets better.
johnnyryan on LibraryThing More than 1 year ago
The first three Foundation novels (in order of writing) are excellent, dramatic, vast masterpieces of science fiction story telling - and scenario building. Asimov's psycohistory, and the influence of Rise and Fall of the Roman Empire, create a canvass large enough for him to tackle politics on a stellar scale. Where many of his novels show poor characterisation, the Foundation (the first three at least) novels are of such a scale that this is not important, and he can focus on the big picture.
mantooth on LibraryThing More than 1 year ago
Enjoyable but not as much once the character of Hari Seldon ends and the future of the foundation becomes the central part of the series
kurtankenybeauchamp on LibraryThing More than 1 year ago
Much better than the first...or perhaps I just got used to the writing style. I liked the fact that we got a strong female protagonist, even if I knew how it was going to end about 30 pages out.
robinhood26 on LibraryThing More than 1 year ago
I have already written about Asimov in the review of the first book of this series. The second book is based on other interesting ideas from the realm of science, and in particular complexity theory.I found this book broke up the simple "calculability" suggested by the first book by throwing a curveball that history tends to, in the form of unique, history-changing characters. And, again in Asimov fashion, the story is resolved in style.
jasonlf on LibraryThing More than 1 year ago
Last read this trilogy as a teenager, it has aged well both in terms of the passage of time and, hopefully, slightly more mature tastes on my part. Although I don't find it a particularly profound meditation on free well, the law of large numbers, and the great man theory of history. Not sure if is intended to be, but it is a great story.The trilogy really picks up with the introduction of the Mule in the second half of this book. It runs at a fast pace through the end of Second Foundation. At some point it has a slightly Scooby-Doo feel as successive masks are pulled off characters/plots. And ultimately it is a bit dehumanizing. Except for social psychologists (who seem a lot like economists) who end up in charge of the galaxy. Only fair.
aquinaught on LibraryThing More than 1 year ago
After falling completely in love with the first book of the trilogy, I was excited to dive into the next chapter and was rewarded with not only an interesting and threatening beginning but a few unexpected asides concerning previous characters. Based on how casually their fates were mentioned and the repetition of emphasis on the field of psychohistory, it is plain to see that individual characters do not drive this story--we're following humanity's story. Time moves ever forward and we close in on Hari Seldon's prediction of the Fall of the Empire.What was originally published as The General seemed much like a continuation of the first book. Politics and military might clashing and cooperating on all sides emphasized the messiness that occurs during war. A general with ambition and a plan, one empire teetering on civil war, another staving off extinction by consolidating power. These are the players in this first half. The reader can be comfortable here if he were comfortable in the first book. It's more of the same, and more exciting as we anticipate the predicted final breaths of the Empire that exiled Seldon and his followers.The Mule is played differently and unfortunately did not hold my attention as well as the previous works. I just couldn't being myself to care about this mysterious boogie-man that no one encountered yet to whom all capitulated. Add on the fact that until this point, Asimov wrote in a world of science and technology and now veered off into comic book style biological mutations and I felt as though he were losing me. At the time of my reading, I was unaware of the publication history and hoped that we'd leave this boring newlywed couple's story and focus on more political intrigue. Their story ended, of course, but not until the end of the book with nothing else to cleanse my palette, leaving a sour note with me. I am unable to really put my finger on why this story did not resonate with me. The best I can offer is that I dislike stories in which the author holds things back from the reader and then springs them unforeseen and unexpectedly in an "a-HA!" moment, as though he pulls one over on the unsuspecting masses. So clever, he is! But I dislike that technique even more when it is not expected (yes, I am fully aware of that irony, tyvm) or associated with that genre.I suppose I may be able to better verbalize that last statement with more thought, but I'd rather move onto the next work and just leave it be. I enjoyed Foundation and Empire overall, just not nearly as much as I enjoyed Foundation. The failure of The Mule to resonate with me hasn't left me disconsolate, rather I'm eager to see whether Second Empire can redeem the story and return me to a narrative I loved.
DrBrewhaha on LibraryThing More than 1 year ago
The Foundation is challenged from several directions in this book. Asimov describes the predicted fall of the Empire and the rising influence of the Foundation. However, Seldon's psychohistoric predictions can't account for everything, thus enters the Mule. The story cause one to consider the role of charismatic leaders throughout history and how they, as individuals, have been able to affect the masses.
jpers36 on LibraryThing More than 1 year ago
Better than the first, as after the first section there is a cohesive story throughout. Looking forward to the next one.
kurtankeny on LibraryThing More than 1 year ago
Much better than the first...or perhaps I just got used to the writing style. I liked the fact that we got a strong female protagonist, even if I knew how it was going to end about 30 pages out.
mohi on LibraryThing More than 1 year ago
Things get hairy for the Foundation as it clashes first with remnants of the Empire then with the psychic mutant known only as the Mule. But the plot of the book itself seems very detached from the actual going ons.
sgerbic on LibraryThing More than 1 year ago
Reviewed March 1998 Unlike "Foundation" this book gives you real characters you can follow throughout. And finally you are given your first woman character who acts on her own with power (or does she?). The character of the Mule is predictable and I guessed his identity immediately, his reasons are textbook. The Sheldon Plan has been waylayed because of the Mule and only a few can see it. I enjoy that it isn't the responsibility of the characters to get it back on track but to understand what is happening and why. 9-1998
vzakuta on LibraryThing More than 1 year ago
This is my second time through the classic foundation series. The first time around I found the books incredibly boring and the writing quite unremarkable. This time the writing is still unremarkable and the plot is mostly non-existent. However, on the plus side -- I now read all the classic robot books and the prequels which are vastly better -- Isaac improved with age. In light of these and as part of the series as a whole, Foundation and Empire is not a bad book. But I can't wait to go on to the later written sequels Foundation's Edge and Foundation and Earth.