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The focus of this publication is Franz West’s (1947–2012) Kombi-Werke installations, in which greatly differing individual pieces are brought together and then recomposed into new works. Gathering elements such as fittings, furniture, sculpture, videos and works on paper from all periods—and even works made by artist friends—into grand ensembles, the Kombi-Werke are without doubt key elements in West’s legacy. An example is the three-part papier-mâché sculpture “Redundanz”: its starting poi...