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Overview
Storm Syrell sells antiques in Palm Beach, Florida. An art historian, Storm arranges her life as she does her work—into neat, orderly categories. However when her grandfather dies under suspicious circumstances, she struggles to uncover clues he left behind in a frayed leather journal. Leaving behind Palm Beach for the untamed wilds of Cypress, Africa, and beyond, Storm is joined by one Harry Bennett—a scruffy, professional treasure hunter (aka, ex-con) who claims he must be the one to help solve her grandfather’s murder. Can Storm trust Harry? Does she have a choice? Before long the two form an unlikely alliance as they dash across the globe to figure out what Storm’s grandfather had been working on before his death…and get tangled up in a quest for secret historical writings that could spark a new crisis in Middle Eastern politics. Racing from the teeming gold markets of an Arabian souk to the highest ranks of European governments—and even to the depths of the Mediterranean Sea—Storm and Harry set out to find the documents before they fall into the wrong hands. Clearly they’re up against some formidable enemies, shady characters who will kill with impunity… and who won’t hesitate to kill again. And now Storm senses that someone is watching her very closely. With seconds to spare, the CIA, FBI, and then Interpol become involved in this hotblooded game of international intrigue, but Storm and Harry may learn the hard way that the only ones they can rely on are themselves. Gold of Kings is an exhilarating, atmospheric read. Like the best of James Rollins, Dan Brown, and Steve Berry, Davis Bunn combines an intoxicating blend of adventure and romance to keep readers gripping their seats and yearning for more.
Product Details
| ISBN-13: | 9781439163962 |
|---|---|
| Publisher: | Howard Books |
| Publication date: | 05/12/2009 |
| Sold by: | SIMON & SCHUSTER |
| Format: | eBook |
| Pages: | 352 |
| Sales rank: | 571,109 |
| File size: | 437 KB |
About the Author
Read an Excerpt
The rain pelting Seventh Avenue tasted of diesel and big-city friction. Sean Syrrell stared out the limo's open window and let the day weep for him.
Sean gripped his chest with one hand, trying to compress his heart back into shape. His granddaughter managed to make the end of the block only because her aunt supported her. They turned the corner without a backward glance. Not till they were lost from view did Sean roll up his window.
Storm's survival demanded that she be cut loose. He had fired her because it was the only way he could protect her. Sean knew the enemy was closing in. He had felt the killer's breath for days. Storm was his last remaining hope for achieving his lifelong dream, and establishing his legacy.
But the knowledge he had been right to fire her did little to ease the knife-edged pain that shredded his heart.
The driver asked, "Everything okay, Mr. Syrrell?"
Sean glanced at the young man behind the wheel. The driver was new, but the company was the only one he used ever since the danger had been revealed. If the enemy wanted a way to monitor his movements in New York, he'd handed it to them on a platter. "Why don't you go for a coffee or something. I'd like a moment."
"No can do, sir. I leave the wheel, they pull my license."
Sean stared blindly at the rain-streaked side window. He could only hope that one day Storm would understand, and tell Claudia, and the pair of them would forgive him.
Unless, of course, he was wrong and the threat did not exist.
But he wasn't wrong.
"Mr. Syrrell?"
Sean opened his door and rose from the car. "Drop my bags off at the hotel. We're done for the day."
Sean passed the Steinway showroom's main entrance, turned the corner, pressed the buzzer beside the painted steel elevator doors, and gave his name. A white-suited apprentice grinned a hello and led him downstairs. Sean greeted the technicians, most of whom he knew by name. He chatted about recent acquisitions and listened as they spoke of their charges. The ladies in black. Always feminine. Always moody and temperamental. Always in need of a firm but gentle hand.
Among professional pianists, the Steinway showroom's basement was a place of myth. The long room was clad in whitewashed concrete. Beneath exposed pipes and brutal fluorescent lights stood Steinway's most valuable asset: their collection of concert pianos.
All but one were black. The exception had been finished in white as a personal favor to Billy Joel. Otherwise they looked identical. But each instrument was unique. The Steinway basement had been a place of pilgrimage for over a hundred years. Leonard Bernstein, Vladimir Horowitz, Sergei Rachmaninoff, Leon Fleisher, Elton John, Glenn Gould, Alfred Brendel, Mitsuko Uchida. They all came. An invitation to the Steinway basement meant entry to one of the world's most exclusive musical circles.
Sean Syrrell had not been granted access because of his talent. As a pianist, he was mechanical. He did not play the keys so much as box with the music. He lacked the finesse required for greatness. But fifteen years ago, he had done Steinway a great favor. He had located and salvaged the grand that had graced the White Palace, summer home to the Russian czars.
After the Trotsky rebellion, the piano had vanished. For years the world believed that Stalin had placed it in his dacha, then in a drunken rage had chopped it up for firewood. But Sean had found it in a Krakow junk shop the year after the Berlin Wall fell, just one more bit of communist flotsam. He had smuggled it west, where Germany's finest restorer had spent a year returning it to its original pristine state. It was now housed in the Steinway family's private collection.
The basement was overseen by Steinway's chief technician. He and an assistant were "juicing" the hammers of a new concert grand. Sean spent a few minutes listening and discussing the piano's raw tones. Then he moved to his favorite. CD18 was more or less retired from service after 109 years of touring. Occasionally it was brought out as a favor to a special Steinway client. The last time had been for a voice-piano duet -- Lang Lang and Pavarotti. For fifteen years, Van Cliburn had begged Steinway to sell him the instrument. Yet here it remained.
Sean seated himself and ran through a trio of exercises. His hands were too stubby for concert-quality play, his manner at the keys too brusque. Added to that were his failing ears, which had lost a great deal of their higher-range tonality. And his strength, which these days was far more bluster than muscle. And his heart, which still thudded painfully from firing Storm.
This time, it took a great deal longer than usual to leave the world behind. He hovered, he drifted, yet he was not transported. The tragic elements of his unfolding fate held him down.
When peace finally entered his internal realm, Sean switched to an étude by Chopin. It was a courtly dance, even when thumped out by his bricklayer's hands. The instrument was bell-like, a radiant sound that caused even his antiquated frame to resonate.
Between the first and second movement, his playing transported him away from the realm of business and debt and his own multitude of failings. He knew others believed he harbored an old man's fantasy of playing on the concert stage. But that was rubbish. He was here because twice each year, for a few treasured moments, an instrument brought him as close to divinity as Sean Syrrell would ever come. At least, so long as he was chained to this traumatic ordeal called life.
Sean detected a subtle shift in the chamber's atmosphere. He was well aware of what it probably meant. He shut his eyes and turned to his favorite composer. Brahms was so very right for the moment, if indeed he was correct in thinking the moment had arrived.
Brahms above all composers had managed to form prayer into a series of notes. Yet Brahms had always been the hardest for Sean to play. Brahms required gentle eloquence. Normally Sean Syrrell played with all the gentleness of a drummer.
Today, however, Sean found himself able to perform the melody as it should be performed, as a supplicant with a lover's heart.
Then Sean heard a different sound. A quiet hiss, accompanied by a puff of air on his cheek.
Sean opened his eyes in time to see a hand reflected in the piano's mirrored surface, moving away from his face. It held a small crystal vial.
Sean's cry of alarm was stifled by what felt like a hammer crashing into his chest. He doubled over the instrument, and his forehead slammed into the keyboard. But he heard none of it.
His entire being resonated with a single clarity of purpose, as strong as a funeral bell. He had been right all along.
Sean did not halt his playing. Even when his fingers slipped from the keys, still he played on.
His final thought was of Storm, which was only fitting. She was, after all, his one remaining earthbound hope.
He was carried along with notes that rose and rose until they joined in celestial perfection, transporting him into the realm he had prayed might find room for him. Even him.
Gold of Kings © 2009 by Davis Bunn
Reading Group Guide
DISCUSSION QUESTIONS:
One of the key elements of Gold of Kings is the leather diary that antiques dealer Sean Sorrell bequeaths to his granddaughter, Storm. She values this more than the precious works of art he also leaves her. Have you ever inherited a special item from a relative, and what did that mean to you?
When Storm Sorrell realizes that there is a plot against the family antiques business, she suspects that her aunt is in collusion with criminals seeking to ruin their firm's reputation, then seize the assets. It turns out that she was wrong. Have you ever falsely suspected someone of wrongdoing? Did you consider apologizing?
Gold of Kings threads together two story lines: one is a material quest for a long-lost treasure; the other is a spiritual quest for truths that may similarly lie long buried within us. If you consciously set out on a spiritual quest, what discoveries would you hope to make?
How does greed figure in the story, and what lessons can be gleaned from the ways this vice shapes the characters and their actions?
The treasure that the protagonists in Gold of Kings are seeking is priceless because of both its monetary and its symbolic value. The gold beam from the temple represented "The Vine" -- the tree of Israel -- and onto it returning Jews would graft their own small leaf of gold. That made it a powerful metaphor for continuity and community. Does any such symbol hold a special meaning in your life or religious practice?
Gold of Kings tries to link the past to the present, breathing new life into old legends and instilling a sense of wonder. Have you ever experienced a moment that seemed infused by history, and what difference did that make in your life?
What about her marriage vows? What about sticking through sickness and health, through good times and bad?
When a marriage is in crisis, what are some of the ways to resolve issues rather than to resort to divorce?
Jack caused great pain and suffering to others. How do you feel about those individuals when they have attempted to make amends?
Do you think Jack did all within his power in hoping for and praying for Camille's conversion to faith? Name things he might have done, but didn't.
Once Camille and Jack are reunited, what do you feel their future holds? Will Camille have difficulty assuming the role of a minister's wife?
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