Gone So Long

by Andre Dubus

Overview

"Taut with tension.… [E]nding with a hint of hope."—Rob Merrill, Associated Press

Cathartic, affirming, and steeped in the empathy and precise observations of character for which Dubus is celebrated, Gone So Long explores how the wounds of the past afflict the people we become.

Gone So Long is a riveting family drama about an ex-con who did time for murder, the estranged daughter he hasn't seen in forty years, and the grandmother angry enough to kill him. A profound exploration of the struggle between the selves we wish to be, and the ones—shaped by chance and circumstance, as well as character—that we can't escape, it confirms Andre Dubus's reputation as a novelist whose "compassion is unsentimental and unblinking, total and unwavering" (Paul Harding).

Product Details

ISBN-13:	9780393244113
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	04/25/2025
Sold by:	Barnes & Noble
Format:	eBook
Pages:	460
File size:	3 MB

About the Author

Andre Dubus III is the author of Such Kindness and eight other books, including the bestsellers Townie and House of Sand and Fog, a National Book Award Finalist in Fiction and an Oprah's Book Club selection. He lives in Newburyport, Massachusetts.

 

Award-winning author Andre Dubus (1936–1999) has been hailed as one of the best American short story writers of the twentieth century. Dubus’s collections of short fiction include Separate Flights (1975), Adultery & Other Choices (1977), and Dancing After Hours (1996), which was a National Book Critics Circle Award finalist. Another collection, Finding a Girl in America, features the story “Killings,” which was adapted into the critically acclaimed film In the Bedroom (2001), starring Sissy Spacek, Tom Wilkinson, and Marisa Tomei. 

 

Editorial Reviews

These are hard things to write about and Dubus asks difficult questions. What do you do with a man who has done what Daniel Ahearn has done? How do you sympathize with him? Dubus does a good job of making Daniel's self-justifications seem simultaneously plausible and crazy…Dubus writes well about class—not so much the clash between different ends of the social ladder as the internal conflict that determines whether someone will rise or fall. His characters usually have a foot on two rungs. They're going up or down. What drives Dubus's storytelling is the urge to find out which way they'll turn.

The New York Times Book Review - Benjamin Markovits

2018-07-02
An ex-convict in his 60s pays a visit to the daughter he hasn't seen since the night he murdered her mother in 1973.Danny "The Sound" Ahearn was "head DJ in the glass booth on the Himalaya ride, the job every young man on the beach would bleed for." Linda Dubie was the sweet, sexy daughter of the guy who owned the Penny Arcade in their beach town north of Boston. Their insatiable hunger for each other led to marriage, then to the birth of a baby girl they called Suzie Woo Woo, and finally, one night when their daughter was 3, a jealous rage with irrevocable consequences. Linda's mother, Lois, sold the arcade and moved with her granddaughter, Suzie, to Florida, where she became an antiques dealer. Now in her early 40s, Susan is married to a kind man named Bobby Dunn. She teaches college English and is working on a memoir of her childhood, draft sections of which are included here. What Susan doesn't know is that her now ailing father is putting things in order, writing his will, and setting off down the East Coast in hopes of seeing her once more before he dies. Dubus (Dirty Love, 2013, etc.) puts this pot on a very slow boil, continuing to fill in the backstory as he inches the characters toward their climactic meeting, some of them carrying firearms. Grim, hopeless situations are this author's specialty, but the care he takes in the emotional development of his flawed characters buoys them against the undertow. Danny Ahearn is a uniquely sympathetic murderer, and the window we are given into Susan's memories and emotions through drafts and excerpts from her memoir brings us very close to her as well.Dubus is in his gritty wheelhouse, exploring the question of how we live with our mistakes and whether we can ever stop adding to them.

Kirkus Reviews