Good Art/Bad Art: A Guide to Judging Quality
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A manifesto and impassioned plea for artistic excellence
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporary masterpieces celebrated in the school's corridors and found himself at odds with the prevailing...
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporary masterpieces celebrated in the school's corridors and found himself at odds with the prevailing...






















