08/30/2021
This hard-rocking sequel to Goldberg’s Runaway Train sees the return of Nico Sullivan in another eventful chapter of her life in the 1990s. Not long after the death of her sister, Nico becomes part of a grunge band, Grenade Bouquets, created by her guitarist boyfriend, Evan. Their music eventually catches the ear of an agent from Grouch Records, and from that moment her life becomes a cycle of performances, booze, and recognition they never would have imagined. But the upper reaches of the music world demand a high price for admittance, especially for a young woman. Facing the challenges of keeping the band relevant and original while maintaining the peace with the other members, Nico and company must keep it together to prevent Grenade Bouquets from being just another shooting star.
Nico lives up to the previous book’s title; despite being on track, this runaway train’s speed is often destructive, especially with her other band members. One scene finds her conspiring to kick out the lead singer, Clarissa, who also happens to be her boyfriend’s ex. In Machiavellian style, Nico petitions their agent to oust Clarissa with the reasoning that she’s no longer good for the band; this comes back to haunt Nico down the road as her luck begins to run out.
Goldberg’s take on a young woman approaching stardom is appealing and hits the right notes (and chords)about the temptations and hardships of possible fame and fortune. Savvy about how the industry actually worked, and laced with shout-outs to the rock of the era (“Gavin Rossdale singing about an ending, a break-up. Is that where this is all headed for me too?”), Grenade Bouquets invites readers to live this fantasy, for a brief moment. Nico’s descent proves explosive while offering hope that maybe, despite her rise and fall, there is a new stage for her to explore that won’t leave her defeated.
Takeaway: YA music lovers will be fully onboard with this encore performance in Goldberg’s grunge-era novel series about a young rock star.
Great for fans of: Tara Kelly’s Amplified, Sarah Nicole Smetana’s The Midnights.
Production grades Cover: A Design and typography: A Illustrations: N/A Editing: A- Marketing copy: A-