Have His Carcase (Lord Peter Wimsey Series #7)

Have His Carcase (Lord Peter Wimsey Series #7)

by Dorothy L. Sayers

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Lord Peter Wimsey and Harriet Vane investigate a dead body on the beach in this “nearly perfect detective story” by the author of Busman’s Honeymoon (Saturday Review).

Harriet Vane has gone on vacation to forget her recent murder trial and, more importantly, to forget the man who cleared her name—the dapper, handsome, and maddening Lord Peter Wimsey. She is alone on a beach when she spies a man lying on a rock, surf lapping at his ankles. She tries to wake him, but he doesn’t budge. His throat has been cut, and his blood has drained out onto the sand.
As the tide inches forward, Harriet makes what observations she can and photographs the scene. Finally, she goes for the police, but by the time they return the body has gone. Only one person can help her discover how the poor man died at the beach: Lord Peter, the amateur sleuth who won her freedom and her heart in one fell swoop.
Have His Carcase is the 8th book in the Lord Peter Wimsey Mysteries, but you may enjoy the series by reading the books in any order.
This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.

Product Details

ISBN-13: 9781453258910
Publisher: Open Road Media
Publication date: 07/31/2012
Series: Lord Peter Wimsey Series , #7
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 440
Sales rank: 14,256
File size: 5 MB

About the Author

Dorothy L. Sayers (1893–1957) was a British playwright, scholar, and acclaimed author of mysteries, best known for her books starring the gentleman sleuth Lord Peter Wimsey. While working as an advertising copywriter, Sayers began writing Whose Body? (1923), the first Wimsey mystery, followed by ten sequels and several short stories. Sayers set the Wimsey novels between the World Wars, giving them a realistic tone by incorporating details from contemporary issues such as advertising, women’s education, and veterans’ health. Sayers also wrote theological essays and criticism during and after World War II, and in 1949 published the first volume of a translation of Dante’s Divine Comedy. Although she considered this translation to be her best work, it is for her elegantly constructed detective fiction that Sayers remains best remembered.
Dorothy L. Sayers (1893–1957) was a British playwright, scholar, and acclaimed author of mysteries, best known for her books starring the gentleman sleuth Lord Peter Wimsey. While working as an advertising copywriter, Sayers began writing Whose Body? (1923), the first Wimsey mystery, followed by ten sequels and several short stories. Sayers set the Wimsey novels between the two World Wars, giving them a realistic tone by incorporating details from contemporary issues such as advertising, women’s education, and veterans’ health. Sayers also wrote theological essays and criticism during and after World War II, and in 1949 published the first volume of a translation of Dante’s Divine Comedy. Although she considered this translation to be her best work, it is for her elegantly constructed detective fiction that Sayers remains best remembered.

Date of Birth:

June 13, 1893

Date of Death:

December 17, 1957

Place of Birth:

Oxford, England


B.A., Oxford University, 1915; M.A., B.C.L., 1920

Read an Excerpt

Have His Carcase

A Lord Peter Wimsey Mystery

By Dorothy L. Sayers


Copyright © 1960 Lloyd's Bank Ltd.
All rights reserved.
ISBN: 978-1-4532-5891-0



'The track was slippery with spouting blood.'



The best remedy for a bruised heart is not, as so many people seem to think, repose upon a manly bosom. Much more efficacious are honest work, physical activity, and the sudden acquisition of wealth. After being acquitted of murdering her lover, and, indeed, in consequence of that acquittal, Harriet Vane found all three specifics abundantly at her disposal; and although Lord Peter Wimsey, with a touching faith in tradition, persisted day in and day out in presenting the bosom for her approval, she showed no inclination to recline upon it.

Work she had in abundance. To be tried for murder is a fairly good advertisement for a writer of detective fiction. Harriet Vane thrillers were booming. She had signed up sensational contracts in both continents, and found herself, consequently, a very much richer woman than she had ever dreamed of becoming. In the interval between finishing Murder by Degrees and embarking on The Fountain-Pen Mystery, she had started off on a solitary walking-tour: plenty of exercise, no responsibilities and no letters forwarded. The time was June, the weather, perfect; and if she now and again gave a thought to Lord Peter Wimsey diligently ringing up an empty flat, it did not trouble her, or cause her to alter her steady course along the south-west coast of England.

On the morning of the 18th June, she set out from Lesston Hoe with the intention of walking along the cliffs to Wilvercombe, sixteen miles away. Not that she particularly looked forward to Wilvercombe, with its seasonal population of old ladies and invalids and its subdued attempts at the gay life, seeming somehow themselves all a little invalid and old-ladyish. But the town made a convenient objective, and one could always choose some more rural spot for a night's lodging. The coast-road ran pleasantly at the top of a low range of cliffs, from which she could look down upon the long yellow stretch of the beach, broken here and there by scattered rocks, which rose successively, glistening in the sunlight, from the reluctant and withdrawing tide.

Overhead, the sky arched up to an immense dome of blue, just fretted here and there with faint white clouds, very high and filmy. The wind blew from the west, very softy, though the weather-wise might have detected in it a tendency to freshen. The road, narrow and in poor repair, was almost deserted, all the heavy traffic passing by the wider arterial road which ran importantly inland from town to town, despising the windings of the coast with its few scattered hamlets. Here and there a driver passed her with his dog, man and beast alike indifferent and preoccupied; here and there a couple of horses out at grass lifted shy and foolish eyes to look after her; here and there a herd of cows, rasping their jawbones upon a stone wall, greeted her with heavy snufflings. From time to time the white sail of a fishing-boat broke the seaward horizon. Except for an occasional tradesman's van, or a dilapidated Morris, and the intermittent appearance of white smoke from a distant railway-engine, the landscape was as rural and solitary as it might have been two hundred years before.

Harriet walked sturdily onwards, the light pack upon her shoulders interfering little with her progress. She was twenty-eight years old, dark, slight, with a skin naturally a little sallow, but now tanned to an agreeable biscuit-colour by sun and wind. Persons of this fortunate complexion are not troubled by midges and sunburn, and Harriet, though not too old to care for her personal appearance, was old enough to prefer convenience to outward display. Consequently, her luggage was not burdened by skin-creams, insect-lotion, silk frocks, portable electric irons or other impedimenta beloved of the 'Hikers' Column'. She was dressed sensibly in a short skirt and thin sweater and carried, in addition to a change of linen and an extra provision of footwear, little else beyond a pocket edition of Tristram Shandy, a vest-pocket camera, a small first-aid outfit and a sandwich lunch.

It was about a quarter to one when the matter of the lunch began to loom up importantly in Harriet's mind. She had come about eight miles on her way to Wilvercombe, having taken things easily and made a detour to inspect certain Roman remains declared by the guide-book to be 'of considerable interest'. She began to feel both weary and hungry, and looked about her for a suitable lunching-place.

The tide was nearly out now, and the wet beach shimmered golden and silvery in the lazy noonlight. It would be pleasant, she thought, to go down to the shore—possibly even to bathe, though she did not feel too certain about that, having a wholesome dread of unknown shores and eccentric currents. Still, there was no harm in going to see. She stepped over the low wall which bounded the road on the seaward side and set about looking for a way down. A short scramble among the rocks tufted with scabious and sea-pink brought her easily down to the beach. She found herself in a small cove, comfortably screened from the wind by an outstanding mass of cliff, and with a few convenient boulders against which to sit. She selected the cosiest spot, drew out her lunch and Tristram Shandy, and settled down.

There is no more powerful lure to slumber than hot sunshine on a sea-beach after lunch; nor is the pace of Tristram Shandy so swift as to keep the faculties working at high pressure. Harriet found the book escaping from her fingers.

Twice she caught it back with a jerk; the third time it eluded her altogether. Her head drooped over at an unbecoming angle. She dozed off.

She was awakened suddenly by what seemed to be a shout or cry almost in her ear. As she sat up, blinking, a gull swooped close over her head, squawking and hovering over a stray fragment of sandwich. She shook herself reprovingly and glanced at her wrist-watch. It was two o'clock. Realising with satisfaction that she could not have slept very long, she scrambled to her feet, and shook the crumbs from her lap. Even now, she did not feel very energetic, and there was plenty of time to make Wilvercombe before evening. She glanced out to sea, where a long belt of shingle and a narrow strip of virgin and shining sand stretched down to the edge of the water.

There is something about virgin sand which arouses all the worst instincts of the detective-story writer. One feels an irresistible impulse to go and make footprints all over it. The excuse which the professional mind makes to itself is that the sand affords a grand opportunity for observation and experiment. Harriet was no stranger to this impulse. She determined to walk out across that tempting strip of sand. She gathered her various belongings together and started off across the loose shingle, observing, as she had often observed before, that footsteps left no distinguishable traces in the arid region above high-water mark.

Soon, a little belt of broken shells and half-dry seaweed showed, that the tide-mark had been reached.

'I wonder,' said Harriet to herself, 'whether I ought to be able to deduce something or other about the state of the tides. Let me see. When the tide is at neaps, it doesn't rise or fall so far as when it is at springs. Therefore, if that is the case, there ought to be two seaweedy marks—one quite dry and farther in, showing the highest point of spring tides, and one damper and farther down, showing today's best effort.' She glanced backwards and forwards. No; this is the only tide-mark. I deduce, therefore, that I have arrived somewhere about the top of springs, if that's the proper phrase. Perfectly simple, my dear Watson. Below tide-mark, I begin to make definite footprints. There are no others anywhere, so that I must be the only person who has patronised this beach since last high tide, which would be about—ah! yes, there's the difficulty. I know there should be about twelve hours between one high tide and the next, but I haven't the foggiest notion whether the sea is coming in or going out. Still, I do know it was going out most of the time as I came along, and it looks a long way off now. If I say that nobody has been here for the last five hours I shan't be far out. I'm making very pretty footprints now, and the sand is, naturally, getting wetter. I'll see how it looks when I run.'

She capered a few paces accordingly, noticing the greater depth of the toe-prints and the little spurt of sand thrown out at each step. This outburst of energy brought her round the point of the cliff and into a much larger bay, the only striking feature of which was a good-sized rock, standing down at the sea's edge, on the other side of the point. It was roughly triangular in shape, standing about ten feet out of the water, and seemed to be crowned with a curious lump of black seaweed.

A solitary rock is always attractive. All right-minded people feel an overwhelming desire to scale and sit upon it. Harriet made for it without any mental argument, trying to draw a few deductions as she went.

'Is that rock covered at high tide? Yes, of course, or it wouldn't have seaweed on top. Besides, the slope of the shore proves it. I wish I was better at distances and angles, but I should say it would be covered pretty deep. How odd that it should have seaweed only in that lump at the top. You'd expect it to be at the foot, but the sides seem quite bare, nearly down to the water. I suppose it is seaweed. It's very peculiar. It looks almost more like a man lying down; is it possible for seaweed to be so very—well, so very localised?'

She gazed at the rock with a faint stirring of curiosity, and went on talking aloud to herself, as was her rather irritating habit.

'I'm dashed if it isn't a man lying down. What a silly place to choose. He must feel like a bannock on a hot girdle. I could understand it if he was a sunbathing fan, but he seems to have got all his clothes on. A dark suit at that. He's very quiet. He's probably fallen asleep. If the tide comes in at all fast, he'll be cut off, like the people in the silly magazine stories. Well, I'm not going to rescue him. He'll have to take his socks off and paddle, that's all. There's plenty of time yet.'

She hesitated whether to go on down to the rock. She did not want to wake the sleeper and be beguiled into conversation. Not but what he would prove to be some perfectly harmless tripper. But he would certainly be somebody quite uninteresting. She went on, however, meditating, and drawing a few more deductions by way of practice.

'He must be a tripper. Local inhabitants don't take their siestas on rocks. They retire indoors and shut all the windows. And he can't be a fisherman or anything of that kind; they don't waste time snoozing. Only the black-coated brigade does that. Let's call him a tradesman or a bank-clerk. But then they usually take their holidays complete with family. This is a solitary sort of fowl. A schoolmaster? No. Schoolmasters don't get off the lead till the end of July. How about a college undergraduate? It's only just the end of term. A gentleman of no particular occupation, apparently. Possibly a walking tourist like myself—but the costume doesn't look right.' She had come nearer now and could see the sleeper's dark blue suit quite plainly. 'Well, I can't place him, but no doubt Dr Thorndyke would do so at once. Oh, of course! How stupid! He must be a literary bloke of some kind. They moon about and don't let their families bother them.'

She was within a few yards of the rock now, gazing up at the sleeper. He lay uncomfortably bunched up on the extreme seaward edge of the rock, his knees drawn high and showing his pale mauve socks. The head, tucked closely down between the shoulders, was invisible.

'What a way to sleep,' said Harriet. 'More like a cat than a human being. It's not natural. His head must be almost hanging over the edge. It's enough to give him apoplexy. Now, if I had any luck, he'd be a corpse, and I should report him and get my name in the papers. That would be some thing like publicity. "Well-known Woman Detective-Writer Finds Mystery Corpse on Lonely Shore." But these things never happen to authors. It's always some placid labourer or night-watchman who finds corpses....'

The rock lay tilted like a gigantic wedge of cake, its base standing steeply up to seaward, its surface sloping gently back to where its apex entered the sand. Harriet climbed up over its smooth, dry surface till she stood almost directly over the man. He did not move at all. Something impelled her to address him.

'Oy!' she said, protestingly.

There was neither movement nor reply.

'I'd just as soon he didn't wake up,' thought Harriet. 'I can't imagine what I'm shouting for. Oy!'

'Perhaps he's in a fit or a faint,' she said to herself. 'Or he's got sunstroke. That's quite likely. It's very hot.' She looked up, blinking, at the brazen sky, then stooped and laid one hand on the surface of the rock. It almost burnt her. She shouted again, and then, bending over the man, seized his shoulder.

'Are you all right?'

The man said nothing and she pulled upon the shoulder. It shifted slightly—a dead weight. She bent over and gently lifted the man's head.

Harriet's luck was in.

It was a corpse. Not the sort of corpse there would be any doubt about, either. Mr Samuel Weare of Lyons Inn, whose throat they cut from ear to ear, could not have been more indubitably a corpse. Indeed, if the head did not come off in Harriet's hands, it was only because the spine was intact, for the larynx and all the great vessels of the neck had been severed 'to the hause bone', and a frightful stream, bright red and glistening, was running over the surface of the rock and dripping into a little hollow below.

Harriet put the head down again and felt suddenly sick. She had written often enough about this kind of corpse, but meeting the thing in the flesh was quite different. She had not realised how butchery the severed vessels would look, and she had not reckoned with the horrid halitus of blood, which streamed to her nostrils under the blazing sun. Her hands were red and wet. She looked down at her dress. That had escaped, thank goodness. Mechanically, she stepped down again from the rock and went round to the edge of the sea. There she washed her fingers over and over again, drying them with ridiculous care upon her handkerchief. She did not like the look of the red trickle that dripped down the face of the rock into the clear water. Retreating, she sat down rather hastily on some loose boulders.

'A dead body,' said Harriet, aloud to the sun and the seagulls. 'A dead body. How—how appropriate!' She laughed.

'The great thing,' Harriet found herself saying, after a pause, 'the great thing is to keep cool. Keep your head, my girl. What would Lord Peter Wimsey do in such a case? Or, of course, Robert Templeton?'

Robert Templeton was the hero who diligently detected between the covers of her own books. She dismissed the image of Lord Peter Wimsey from her mind, and concentrated on that of Robert Templeton. The latter was a gentleman of extraordinary scientific skill, combined with almost fabulous muscular development. He had arms like an orangoutang and an ugly but attractive face. She conjured up his phantom before her in the suit of rather loud plus-fours with which she was accustomed to invest him, and took counsel with him in spirit.

Robert Templeton, she felt, would at once ask himself, 'Is it Murder or Suicide?' He would immediately, she supposed, dismiss the idea of an accident. Accidents of that sort do not happen. Robert Templeton would carefully examine the body, and pronounce—

Quite so; Robert Templeton would examine the body. He was, indeed, notorious for the sang-froid with which he examined bodies of the most repulsive description. Bodies reduced to boneless jelly by falling from aeroplanes; bodies charred into 'unrecognisable lumps' by fire; bodies run over by heavy vehicles, and needing to be scraped from the road with shovels—Robert Templeton was accustomed to examine them all, without turning a hair. Harriet felt that she had never fully appreciated the superb nonchalance of her literary offspring.


Excerpted from Have His Carcase by Dorothy L. Sayers. Copyright © 1960 Lloyd's Bank Ltd.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents


I. The Evidence of the Corpse,
II. The Evidence of the Road,
III. The Evidence of the Hotel,
IV. The Evidence of the Razor,
V. The Evidence of the Betrothed,
VI. The Evidence of the First Barber,
VII. The Evidence of the Gigolos,
VIII. The Evidence of the Second Barber,
IX. The Evidence of the Flat-Iron,
X. The Evidence of the Police-Inspector,
XI. The Evidence of the Fisherman,
XII. The Evidence of the Bride's Son,
XIII. Evidence of Trouble Somewhere,
IX. The Evidence of the Third Barber,
XV. The Evidence of the Ladylove and the Landlady,
XVI. The Evidence of the Sands,
XVII. The Evidence of the Money,
XVI. The Evidence of the Snake,
XIX. The Evidence of the Disguised Motorist,
XX. The Evidence of the Lady in the Car,
XXI. The Evidence at the Inquest,
XXII. The Evidence of the Mannequin,
XXIII. The Evidence of the Theatrical Agent,
XXIV. The Evidence of the L.C.C. Teacher,
XXV. The Evidence of the Dictionary,
XXVI. The Evidence of the Bay Mare,
XXVII. The Evidence of the Fisherman's Grandson,
XXVIII. The Evidence of the Cipher,
XXIX. The Evidence of the Letter,
XXX. The Evidence of the Gentleman's Gentleman,
XXXI. The Evidence of the Haberdasher's Assistant,
XXXII. The Evidence of the Family Tree,
XXXIII. Evidence of What Should Have Happened,
XXXIV. Evidence of What Did Happen,
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