On album number five (or four, depending on how you choose to classify the two-volume
From a Room),
Chris Stapleton has settled into a comfort zone predicated not on burly outlaw machismo but country-soul. Not that
Higher doesn't have moments where
Stapleton indulges in a bit of bluesy swagger: "White Horse," a lead single co-written with
Dan Wilson, is an anthem designed for dusty backroads, while the swampy grind of "South Dakota" seems designed for the dead of night. Still, the heart of
Higher resides in stark, intimate ballads and, especially, simmering soul numbers that rely as much on a supple groove as they do on
Stapleton's gruff testifying. Indeed, there are moments on the album where
Stapleton is in danger of belaboring the point by leaning into his rasp a bit too hard; it feels like he's singing from the gut, not the heart. Still, those passages are balanced by his dexterous phrasing -- he's riding and playing with the rhythms, letting them build and burn. On the numbers that don't rely on an R&B backbeat,
Stapleton can seem earnest and candid, particularly since he keeps returning to confessional themes loosely tied together by recovery motifs. Serious subjects all, but
Higher doesn't feel heavy, largely thanks to the record's pervasive warmth. Once again working with co-producer
Dave Cobb,
Stapleton also has his wife
Morgane behind the boards in addition to singing harmony and playing keyboards, a tight, familial group of collaborators that gives
Higher a relaxed, familiar feel that keeps things buoyant even in its darkest moments. ~ Stephen Thomas Erlewine
![Dumplin' [Original Motion Picture Soundtrack]](http://prodimage.images-bn.com/pimages/0190758990828_p0_v1_s90x140.jpg "Dumplin' [Original Motion Picture Soundtrack]")
