Hsin
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Nanci Lee’s debut explores 4th Century Su Hui’s palindrome of longing. Hsin arises from an ancient Chinese ethical philosophy, less a set of moral standards than an appeal to tune.
Heart-mind and nothingness are fair English translations of Hsin, but their tidiness risks losing some of the sharper, wider sides of absence and appetite. As a historical process, according to Hang Thaddeus T’ui-Chieh, Hsin frustrates, “the psychological fragmentation and compartmentalization of the West.”
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