"The most spectacular part of the book is. . .Ashâke herself: her anger at the silent gods, her slow journey to find out who she is without the temple, and finally her discovery of her own true power."—The Washington Post
"The novella of the year has arrived! Ogundiran’s story of an acolyte’s lost faith is electrifying, terrifying, and tender all at the same time. There’s more wonder and creativity packed into these pages than a book five times its length, and I’m already aching for the next chapter in Ashâke’s adventure."—Mark Oshiro, #1 New York Times bestselling author
"A lost priestess, magic storytellers, godkillers, and a secret that could upend the world. Tobi Ogundiran has woven together a masterful fantasy epic of lost faith, found family, and a cosmic war—with hints of more to come. This is one to add to your reading list!"—P. Djèlí Clark
"Ogundiran unveils a world that is both in recovery and on the cusp of collapse, a brilliant tension that he reinforces with a propulsive plot, dynamic imagery, and a protagonist who holds within her the seeds of hope. I'm already looking forward to book two."—Moses Ose Utomi
"Immersive, entertaining, and well-crafted, with an atmospheric tone and an intriguing cast of characters, In the Shadow of the Fall is a small African epic fantasy with big scope and big stakes, and I look forward to its conclusion."—Wole Talabi, Locus
"Ogundiran keeps the action humming while still managing to probe impressive emotional depths, and a cliffhanger ending sets things up nicely for a sequel. Fans of mythic fantasy drawing from non-Western traditions will want to snap this up."—Publishers Weekly
"A sure hit for fans of Suyi Davies Okungbowa, Moses Ose Utomi, and N.K. Jemisin."—Booklist
Praise for Jackal, Jackal
“Alive with witches, griots, restless spirits, and an unfailing capacity for surprise, Ogundiran’s superb weird-fantasy fictions have in recent years dazzled readers.” —Publishers Weekly, Summer Reads 2023 pick
“Jackal, Jackal is a great showcase of Ogundiran’s consistency and strengths of a storyteller and dark fabulist. Forget logic. These are stories you are meant to feel. Think Grimm by way of Amos Tutuola. Stephen King meets Cyprian Ekwensi.” —Wole Talabi
“Ogundiran’s tales revel in small moments that create big ripples. Jackal, Jackal is a collection of such stories, characters grasping at a wish in their own unique, earnest way. An exciting yet intimate collection from a writer who continues to surprise and delight.” —Suyi Davies Okungbowa
“An astonishing debut collection with real teeth.” —Priya Sharma
04/01/2024
Ashâke, a devoted but frustrated acolyte of the orisha at the temple of Ifa, disobeys all the order's strictures in her attempt to force the orisha to speak to her so she can become the priest she's always longed to be. When Ashâke discovers that her gods are dead, she escapes the peaceful, sheltered temple to discover that everything she has believed is a lie—but the truth isn't what the rest of the world believes either. Not all her gods are dead, but someone is trying to make it so, and Ashâke's rebellion has provided them with the perfect means kill off the remaining gods. This touches off a war between gods and men. Caught between competing, partial truths, Ashâke isn't sure what to believe at the end of this story, but readers will be left eagerly anticipating her decision about the fate of her world. VERDICT In Ogundiran's (Jackal, Jackal) West African-based epic fantasy, the first in a duology, Ashâke learns the truths of her world and becomes a linchpin in the coming conflict between gods and godslayers. A sure hit for fans of Suyi Davies Okungbowa, Moses Ose Utomi, and N.K. Jemisin.—Marlene Harris
2024-05-04
In this fantasy novella, the first of a duology, an acolyte’s religious beliefs are shaken to their core—and also, the world is in danger.
Five seasons after each of her peers was chosen by a divine orisha and rose to the priesthood, Ashâke remains an acolyte, never having heard an orisha speak to her. Frustrated and resentful, Ashâke decides to force the issue by attempting to summon an orisha in a forbidden ritual that goes horribly wrong. In the aftermath, Ashâke resolves to depart from the temple and the only life she’s ever known and strike out into the world; but can she truly leave her past behind? (Answer: No.) Meanwhile, a creepy organization whose members prolong their existence by permanently taking over other people’s bodies seems close to finding something it’s long been seeking. Ashâke is a vividly drawn and sympathetic character, as is Ba Fatai, the former priest turned cranky witch doctor. Ogundiran offers some lovely worldbuilding inspired by Nigerian (specifically, Yoruban) myth and religion; one great example is the friendly traveling griots with the power to physically immerse you in their stories, leading to a unique use of magic in a pivotal scene. But he also leans on a trope familiar to readers of European-based epic fantasies: The protagonist’s obvious lack of a specific ability that their peers possess means that they are actually more special than everyone else. (Mentioning that last might seem like a spoiler, but it should be fairly obvious to the reader, even if it isn’t to Ashâke, which is also often part of the trope.) But in a typical fantasy of that type, the revelations that unfold near the end of this tightly written novella would merely be Act 1 of a doorstopper-size work that would be the start of a trilogy, at minimum. Instead, the story stops just when things are getting really interesting, which is an excellent way of whetting the reader’s appetite for the second (and concluding) novella.
If not entirely groundbreaking, an enjoyable and commendably bloat-free read.
