In theater criticism

This book follows critic Dr. Muhammad Mandour focused on theatrical activity with criticism. He was careful not to adopt a sectarian approach to criticism in which he looked at plays from one point of view. He was also careful at the same time not to impose his taste on literary creation, in a subjective manner that might diminish the energy that this literary creation abounds with. It imposes itself even on its author himself, since it is, by its nature, independent of him in the outcome o...