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By Violetta Kostka (Editor), Paulo F. de Castro (Editor), William A. Everett (Editor)

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The concept of intertextuality – namely, the meaning generated by interrelations between different texts – was coined in the 1960s among literary theorists and has been widely applied since then to many other disciplines, including music. Intertextuality in Music: Dialogic Composition provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and...

Intertextuality in Music: Dialogic Composition

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