★ 08/24/2020
Samway (Flannery Connery and Robert Giroux), an English professor at St. Joseph’s University, charts in this revelatory literary study the close relationship between John Berryman (1914-1972) and Robert Giroux (1914-2008). The latter, a poet as well as the editor and publisher of much of Berryman’s poetry, first met the former when they were first-years at Columbia College in 1931, initiating a lifelong friendship. Samway limns the professional paths of both in parallel. He follows Giroux from editor to partner to company chairman as Farrar Straus becomes Farrar, Straus and Giroux. For Berryman, he shows the poet weathering rejections and negative reviews; scraping together a living through fellowships, grants, and teaching jobs; and all the while producing seminal poetic works. Samway places particular attention on 1956’s Homage to Mistress Bradstreet and the 1968 National Book Award winner His Toy, His Dream, His Rest, both edited by Giroux. Showing Berryman and Giroux’s places in the wider literary world, Samway considers Berryman’s friendships with Robert Lowell, Delmore Schwartz, and Mark Van Doren, among others, and Giroux’s work in bringing a number of authors before a wide readership, including Jack Kerouac, Aleksandr Solzhenitsyn, and Susan Sontag. Promising to show “one of the most extraordinary personal and professional relationships in the history of American poetry,” Samway succeeds with a work both definitive and effortlessly readable. (Oct.)
A fascinating, in-depth analysis of the editor who saw Berryman through the publication of all of his major works.” —Paul Mariani, author of Dream Song
“The new insights gained from bringing Giroux into play are genuinely significant. The illumination of the mid-century literary publishing scene, far beyond Giroux’s involvement with Berryman, is revelatory.” —Peter Maber, author of William Marshall
"Samway . . . charts in this revelatory literary study the close relationship between John Berryman and Robert Giroux. . . . Promising to show 'one of the most extraordinary personal and professional relationships in the history of American poetry,' Samway succeeds with a work both definitive and effortlessly readable." —Publishers Weekly (Starred Review)
“An intimate portrait of the relationship between editor Robert Giroux (1914–2008) . . . and poet John Berryman (1914–1972), whose work Giroux edited, promoted, and encouraged. . . . [Berryman’s] anguished life dominates Samway’s clear-eyed literary history. . . . A perceptive, empathetic look at a confluence of artistic lives.” —Kirkus Reviews (Starred Review)
"John Berryman and Robert Giroux is a compelling account of a great publishing relationship that influenced twentieth-century American poetry." —Foreword Reviews
" . . . an incredibly in-depth chronicle of the intertwining lives of two academics, beginning with their time together at Columbia in the 1930s. We receive gossip, details, and letters in their entirety. We receive a stunning wealth of research and information. We receive the kind of inside perspective that only a personal friend could bring to this history." —Front Porch Republic
"[Berryman and Giroux's] relationship is captured in all its convolutions in the fascinating John Berryman and Robert Giroux: A Publishing Friendship by Patrick Samway, S.J. The dramatic kernel in Samway's book relates to the friends' divergent paths after Columbia." —PNR
★ 2020-08-18
An important friendship helped to sustain a poet's work.
Samway, a priest and literary scholar whose previous books focused on Flannery O’Connor, Walker Percy, and Thomas Merton, offers an intimate portrait of the relationship between editor Robert Giroux (1914-2008), who was a close friend of Samway’s, and poet John Berryman (1914-1972), whose work Giroux edited, promoted, and encouraged. The two met at Columbia University in 1932, where both were students of the famed professor and poet Mark Van Doren. Samway recounts each man’s career moves: Giroux, first at CBS, then as junior editor at Harcourt, and finally editor at Farrar, Straus & Cudahy, where he became chair; Berryman, studying at Cambridge, then taking short-term teaching stints at various colleges, delivering lectures, and achieving the fame that resulted in accolades, grants, and awards. Their personalities could not have been more different. Berryman described himself as “a disagreeable compound of arrogance, selfishness and impatience, scarcely relieved by some dashes of courtesy and honesty and a certain amount of industry.” Giroux was patient, steady, and, as his letters to Berryman attest, kind. Berryman was a womanizer and alcoholic, “plagued by incandescent outbursts and perilous bouts of depression,” which led to repeated hospitalizations and treatment with a hefty “cocktail of drugs.” He married three times, subjecting each wife to what one called the “nightmare” of living with him. Giroux, though briefly married, lived quietly with a man he had known since they were teenagers. Berryman was tormented by his father’s death, ruled an apparent suicide. “I feel I am a sort of human grenade whose pin has been withdrawn,” he wrote shortly before he jumped from a bridge at the age of 57. His anguished life dominates Samway’s cleareyed literary history, populated by a large cast of characters including Allen Tate, Robert Lowell, Saul Bellow, and T.S. Eliot.
A perceptive, empathetic look at a confluence of artistic lives.
