Barry Unsworth, a writer with an “almost magical capacity for literary time travel” (New York Times Book Review) has the extraordinary ability to re-create the past and make it relevant to contemporary readers. In Land of Marvels, a thriller set in 1914, he brings to life the schemes and double-dealings of Western nations grappling for a foothold in Mesopotamia (now Iraq) in the dying days of the Ottoman Empire.
Somerville, a British archaeologist, is excavating a long-buried Assyrian palace. The site lies directly in the path of a new railroad to Baghdad, and he watches nervously as the construction progresses, threatening to destroy his discovery. The expedition party includes Somerville’s beautiful, bored wife, Edith; Patricia, a smart young graduate student; and Jehar, an Arab man-of-all-duties whose subservient manner belies his intelligence and ambitions. Posing as an archaeologist, an American geologist from an oil company arrives one day and insinuates himself into the group. But he’s not the only one working undercover to stake a claim on Iraq’s rich oil fields.
Historical fiction at its finest, Land of Marvels opens a window on the past and reveals its lasting impact.
BARRY UNSWORTH, who won the Booker Prize for Sacred Hunger, was a Booker finalist for Pascali’s Island and Morality Play, and was long-listed for the Booker Prize for The Ruby in Her Navel. His other works include The Songs of the Kings, After Hannibal, and Losing Nelson. He lives in Italy.
Land of Marvels 4.5 out of 5based on
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In the early part of the 20th century many foreign interests intersected in the Middle East. Barry Unsworth sketches with preternatural skill a British archeologist fruitlessly toiling for years over a dig he finds it increasingly difficult to sustain financially. Stress is added by German railroad and American petroleum contractors encroaching on his stake which he is desperate to believe will yield results shortly. The years leading up to the Great War in Europe were prime for many men of industry, particularly for those in petroleum prospecting. Unsworth shares stories of how those times might have looked, using historical events to bracket his imaginings. It is his characterizations of personalities that ring so true—Lord Rampling, the British industrialist who tramples truth “for the glory of the British empire” while being out-deceived by a loping and sun-bleached American engineer who plays representatives from all countries against his own company’s interests. The tension builds to the last pages, when we learn WWI has begun in Europe, and when that storm has passed, the land we’d seen as a large fragment of the disintegrated Ottoman Empire has become something quite new—a vast new country called Iraq, which had never before been home to a single nation. Erudite, stimulating, large in scope and small in detail, this is a novel to restore one’s interest, should it ever flag, in fiction.
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