A journey into the hell that is the War on Terror—a Heart of Darkness for the new century.
Former Army Special Forces soldier Jack Pilgrim has it all – big bucks, a successful security business with plush government contracts, a beautiful wife. Then Pilgrim's partner, Merc Conrad, goes missing in Afghanistan with a chunk of government cash and most of the company's assets. The CIA threatens to throw Pilgrim in jail if he doesn't find Merc and return the money. Pilgrim knows his business--and his extravagant lifestyle--are on the line, but Merc saved Jack's life three times while they served together in the Army in Afghanistan. So Jack owes him. Big.
Determined to find Conrad, Pilgrim returns to Afghanistan. The country in chaos as the US prepares to pull out. Pilgrim follows Merc's trail to the border area of Pakistan; with every step he seems to descend deeper into a Dantesque hell. Rumor has it that Conrad has fielded a guerilla army and is hot on the trail of Osama bin Laden. The further into the uncharted border zone Jack Pilgrim goes, the larger the legend of Merc Conrad becomes. Warding off insurgent attacks and pockets of terror cells, Pilgrim's odyssey into the Afghan badlands has him questioning his own reality, and the closer he seems to get to Conrad, the more peril he faces. If Jack Pilgrim wants to get out of Afghanistan alive, he may need Merc Conrad now more than ever.
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|Publisher:||Tom Doherty Associates|
|File size:||387 KB|
About the Author
Jim DeFelice is the author of many military thrillers and has frequently collaborated with New York Times bestselling authors Stephen Coonts, Larry Bond, and Richard Marcinko. DeFelice's solo novels include Threat Level Black, Coyote Bird, War Breaker, and My Brother's Keeper.
Best known for American Sniper, Jim DeFelice is the author of more than a dozen New York Times best-sellers and a host of other books, many of them celebrating the lives of unsung American heroes.
Read an Excerpt
Chapter One Vegas You expect more things out of life as you get older, and you come to think of your expectations as natural. You start to think that the things you get are things that you're entitled to. You forget about the way luck plays its hand, about the little tricks of fate that take you to a certain place and time. You have what you deserve, then you are what you deserve, then the things that surround you become your identity. You start thinking of yourself as the man with the big house overlooking the hills, the guy with the well-kept lawn and the gunite swimming pool. You start measuring yourself by the vacations you take, and the car you drive, and the shade of granite your wife wants for the perfect kitchen counter. These become who you are, and you stop measuring yourself against the things that lie deep within your heart--the rage, the anger, the insatiable hunger. You go on like that, unconsciously lulling yourself into thinking there is nothing else until you stand in a fancy hotel in Las Vegas, running your hand on the marble of the bureau top, gazing across the open room at your wife lying naked on the bed: you think, this is what I am, the Italian pants and loafers, the bespoke sport coat, the Cuban cigars waiting on the table. This is what I expect out of life and this is what I am. "I'm going now," you tell your wife. "I'll be back." She murmurs something. You tell her you love her. The voice comes not from your heart, not from that dark deep place where hunger and pain live, but from the surface, from the silk shirt and the gel that smoothes your hair. You remember how she felt beneath you an hour before. You tell her you love her again, vaguely uneasy, and you go, you leave, because it's business, and it's what you've come to expect. When I left the room that night it was a little past eleven, Vegas time. My wife Sharon and I had come in from New York only a few hours before and our bodies were still on East Coast time. Most of my adult life has been spent changing time zones, and I'm used to the switches, but Sharon wanted to sleep. Which was fine with me, because I'd arranged to meet with the people who'd invited us here, security types who'd hired my firm to help review security at the Palatine, where I was staying, and another hotel farther up the Strip. They were interested in beefing up their coverage for high rollers and other VIPs, which was one of our specialties. My partner and I had dozens of specialties; we used to tell our clients that our company Iron Rock would do anything for them from mow the grass to kill their competitors, though not for the same price. Some people laughed when I told them that. Others asked how much contract killings cost. The head of security at the Palatine was a man named Johnny B. McCann--Johnny or Johnny B to his friends, Mr. B to employees. Johnny had started out as a Teamster in New York. Judging from the stories he told, his main job had been to grab stuff off trucks and walk picket lines when locals needed to strike. From there he got into restaurants, working as a front manager. This was back in the late sixties and early seventies when the Mob in New York had a heavy Teamster connection and ran about fifty percent of the restaurants, usually into the ground. I'm guessing that when Johnny went from trucks to tablecloths, he was simply moving from one division in the "company" to another, but Johnny would never be so indiscreet as to mention the Mob, especially in Vegas. Johnny's big chance came one afternoon when a fire broke out at the restaurant. He jumped behind the counter, grabbed the cash register, and hustled it outside--protecting it from the firemen, he says. The bosses noticed; in a couple of months he moved to a restaurant with a shortage problem and took over as manager. The restaurant's medical insurance skyrocketed, but the shortage stopped. After that, Johnny's employers sent him to Chicago, and there he got involved with the Playboy Clubs, and then somewhere along the way, he got to Vegas and went legit, or at least as legit as anyone in corporate gambling can be. Johnny B was waiting in the hotel lobby when I came down. He had one of his brighter lieutenants with him, a man called Peanut. Peanut had been in the U.S. Air Force and had left as a chief master sergeant. He'd had something to do with security on nuclear-missile bases, which sounds damn impressive unless you happen to have visited them. Peanut was a hulk of a guy, looming over me and I'm a good six three. He wasn't in any sort of shape, but he was big, and size can cover a lot of mistakes. Unlike Johnny, who flashed a gold chain and exotic rings along with his black silk shirt and white jacket, Peanut was turned out in a sedate black suit, fitted so perfectly to his frame that you couldn't tell he carried a good-sized breadbasket with him. Where Johnny flashed a Rolex and a huge turquoise ring, Peanut's watch was tucked well up his sleeve. But it was a Patek Philippe, probably more expensive than Johnny's. "The man himself," said Johnny as I got off the elevator. He walked toward me, pointing his finger like a gun. Johnny was a short guy, and though well into his sixties, he still moved with lithe grace, a boxer skating across the ring at the start of a fight. The strains of Hell's Kitchen played in his voice, and he had a way of tugging at your jacket and poking you when he said hello that suggested something beyond intimacy. The first time you met him you came away thinking he knew you all his life. You could go for months without seeing him, and there he'd be in the hotel lobby, pulling you along, asking where your cigar was, demanding whether you were finally ready to give up drinking that crap bourbon and move up to Scotch. We shook hands, I said hello to Peanut, and we walked outside. A limo was waiting. All the doormen--there were a dozen--snapped to attention when we came out. My first drill sergeant in the army would have thought he'd found heaven. "We'll pick up Freslevan and have a little fun," said Johnny. "You know Chris?" Freslevan was the vice president for security at the Kingdom Casino, the other hotel I'd come to look over. "I talked to him on the phone. That's it." "You'll like him. Great friend of mine. Real character." In Johnny's world, you were a player, a character, or a jerk. Most people were the latter. The Kingdom was just as big as Johnny's casino and, while they were owned by the same conglomerate, in many ways a bitter rival. But the security staffs often worked together, sharing data and techniques; keeping the scumbags out was in everybody's interests. And getting along with other people when it was in his interest was Johnny B's style. His ego didn't get in his way, and he seemed not to be particularly jealous or competitive--at least not in the ways that most of us are. He could stand apart from things, above them, really. That was what I admired about him. That and the fact that he knew his business pretty damn well. He came off like a backslapping politician, and he was that, a throwback to the old-school glad-hander, the hustlers he'd grown up with in New York City. But his eyes saw a hell of a lot, and his ears caught what his eyes missed. The fancy suit and jewelry were a costume, camouflage for something very hard, very ferocious if it needed to be, but also very controlled. I had no doubt that if I ever got into a fight with him, even a fistfight, it would be a close thing. And that's the highest compliment I can give a man. After we picked up Freslevan, we went over to a small club a few blocks off the Strip. It wasn't a casino or even a bar; it was a shooting gallery. Johnny had arranged for us all to bust up some paper with vintage tommy guns. The Thompson is the weapon that gangsters made famous back in the 1920s and '30s. Most times in movies you see it with the drum in front of the trigger. There's a belt of bullets there; fifty or a hundred bullets can spurt up through the gun in only a few seconds. It's a real rush the first time you use the gun, mostly because of the romance from the movies. The design's outdated now--the Thompson can't really compare to something like an H&K MP-5N, the submachine gun of choice for most counterterror and SWAT teams. But it can still get the job done and it's got a hell of a roar when it lets loose. People think I'm a gun nut because I had a marksman's badge and was a weapons sergeant in the army. I'm not that into guns, though, no more than a carpenter is into hammers or saws. They're tools. I like good tools, but I don't make a fetish of them. I did the best at the range but it didn't mean anything special to me, not nearly as much as it did to Peanut and Freslevan especially. He would have liked to have beaten me. He had a competitive glint in his eye and that locked-jaw frown some people get when they block the rest of the world out and really concentrate on an objective. But he had a little trouble with the gun's initial kick and couldn't keep it steady enough through the burst to do as well as I did, even after a few turns. "Winner buys," laughed Johnny B after our hour was up. They all thought that was funny. I even laughed, and when we reached the bar on the observation deck at Stratosphere I laid down my credit card. The bartender glanced at Johnny, then pushed the card away. "Mr. B's friends don't pay in this town," he said. I put away the card and took out a hundred bill to leave for a tip. Such largesse deserved to be rewarded. "Here's to Paradise," said Freslevan, holding up his drink. "Vegas is more like the desert where Jesus was tempted," said Johnny. "Forty days and forty nights, then taken to a mountaintop and shown the universe. That's Vegas--the mirage at the bottom of the peak." I smiled, even as I was thinking it wasn't any of those. Metaphors are easy. A thing is what it is, a place is itself. You could get anything here, true, but it wasn't a fall from grace as Johnny implied. At least not for me. "If it's not Paradise, it's close," said Freslevan. "Hell on you if you gamble, though, huh, Jack?" "I guess," I told him. "How's Merc?" Johnny asked. "Getting along?" Merc Conrad was my partner. "Merc's Merc," I said. "Not around, huh?" "Overseas." Merc spent a lot of time overseas, mostly on projects for the government. "Something for Uncle," we called them. We had things going in Iraq, Afghanistan, Morocco, and Italy. I hadn't seen Merc since back around New Year's or maybe just after, but that wasn't unusual. We handled different parts of the company and were busy as hell. A lot of our time was spent traveling in opposite directions. We used satellite and cell phones, e-mail, and instant messages when we had to communicate, depending on the circumstances. "You were in the army like Merc?" Freslevan asked as my glass was refilled. "That's where I met him, yeah." "Special Forces?" I gave him my standard reply: "If I tell you, I'm supposed to kill you." Lame, yeah, but everybody laughs. And they generally move on, getting the idea that you don't talk about it. "Why'd you leave?" Freslevan asked. Sometimes I say that my hitch was up, that it wouldn't have made sense to stay much longer because with the pension, I'd be working for half pay. Sometimes I say I got bored. Sometimes I say I thought I'd get out and get rich. Each has some truth to it. Even better, each one is the sort of thing people like to hear. Ties things into knots for them, makes them think they know something about me. Tonight I just shrugged. I took out one of the cigars I'd had in my pocket and cut it, aiming carefully with the double-edged razor and pushing hard against the tobacco so the tip snapped off with a loud click. I leaned my elbows against the bartop and took out my Zippo to light it. "Nice lighter," said Johnny. "Old one?" "Actually it's not," I said. "Hard to get the right fluid for the old ones." I finished lighting the end of my cigar and handed him the lighter. Then I took out a cigar for him. It was a Cohiba Esplendidos--a Cuban cigar that cost nearly fifty dollars American. It tasted fantastic--but let's face it; I didn't buy it for the taste. I bought it because Cohiba Esplendidos are outlawed in America, and are therefore very expensive to get here. And because Johnny would know what it was. "You have good taste, Jacky," he told me as he slid his fingers up and down the cigar, turning it over as if it were a jewel to be examined. "Very good taste." He lit it and then took a long, slow taste, staring at the glow at the end pensively. Then he started telling some of his stories. I'd met Johnny four years before when I first came out to Vegas with Merc; I'd seen him at least twice a year since then and he always told stories. I'd never heard the same one twice. Tonight he talked about growing up on the Lower West Side of New York--aka Hell's Kitchen. The Irish gangs there were tougher than the Italians, he said. The Italians would try to get their money out of you if you were late; they might beat you up, but they'd let you live, figuring that was the best way to get you to pay. The Irish would just kill you, and get the money from your relatives. We drank for a while more. Freslevan was from the Midwest and had been an FBI agent. He'd worked on some pretty big cases, he claimed, and told us one about a politician who'd accepted a bribe in exchange for awarding contracts to build a sewer system in a local town. Johnny B smiled through the story. "That's nothing," he said. "Show me a town where the mayor, the highway superintendent, and the building inspector aren't on the take, and I'll show you a ghost town. You think anybody in the world's honest?" "Most are," said Freslevan. "Most." Johnny turned to Peanut, who was silently sipping his rum and Coke. "Most people honest?" he asked him. "I'm surprised how many are," said Peanut. "Truly surprised." "Are you honest, Jack?" Freslevan asked me, leaning down across the bar. "Jacky's an exception," said Johnny quickly. "He doesn't count." "I'm honest," I said. But Johnny had already launched into another story and the others weren't listening to me. At some point four very good-looking women wearing pretty silk dresses descended on us. They wore a light veil of perfume, each one subtly different, each the clean scent of someone who'd just stepped from a bath. Johnny bought them all drinks. He looked at me. I shook my head slightly. The girls stayed for a drink and then they left. We hung around until it was nearly five a.m. I smoked two cigars, and had several drinks, though not nearly as many as the others. I didn't offer any stories. I'm not a talker and, besides, the best stories I have are ones I can't tell. As we walked to the elevator Freslevan mentioned something about Central America and what a shithole it was. He'd been there for a month on an FBI assignment and came away convinced it was the armpit of the world. I disagreed. I said the jungles there were beautiful, or they had been when I was there. "You were there?" asked Freslevan. "In the jungles?" I explained that I had helped train some government troops to deal with rebels in Guatemala. I'd also spent a little time in Nicaragua and Peru. All of that came before Afghanistan, my last assignment before leaving the service. As we were talking, another guy got into the elevator with us. Johnny and the others didn't notice him, but I did. He stared at me with bloodshot eyes. They didn't go with the rest of his face, or the rest of his body. If you took those eyes away, he'd have looked like a normal working-class guy, maybe a truck driver or a factory hand who'd managed to put a little money away for a few days off. But his eyes--they were locked into something that wasn't middle class. They weren't the eyes of a driver or a carpenter or a clerk who worked nine to five and dreamed of winning his retirement stake on the roulette wheel. These were eyes I'd seen before, though not in a Vegas elevator, not in a real fancy hotel. They were violent eyes, the kind that sizes you up a split second before striking. They radiated anger. Taken by surprise, I could feel my heartbeat jump. "You were in Guatemala?" said the stranger. "Yeah." I snapped the word out, quick and flat, without any emotion--certainly without an invitation to talk. He didn't get the message. "You were in the army, right? I heard you talking. You were in Special Forces." "Nah." "You're not that tough." "Hey, now." Johnny B pointed at the guy. "Leave my friend alone. Don't be a jerk." The idea of an older, shorter guy sticking up for someone obviously stronger and younger than himself baffled the man. He probably was insulted at being called a jerk, but he didn't know what to say. The elevator stopped, we got out. As we walked, I took my last cigar out of my pocket, turned back to see if Johnny wanted it. The man in the elevator had pulled out a gun. It was a small pistol, an old one, snub-nosed, a revolver. He stood maybe eight feet from me, and only four or five from Johnny. No one spoke. "Put that away," I told the guy. "Or you're going to regret it." He didn't move. "If you don't put it away," I said, "you're going to be damaged very badly." Thinking back, it may have been Johnny who moved first. It would be very much like him. Even at sixty-something he was still a fifteen-year-old at heart; even in Vegas he acted like he was on the streets of Hell's Kitchen. All I know is that the man started to bring the pistol up, extending his arm to fire. I pushed down with my left foot, took two steps and launched my right foot into his arm. It was a straightforward move, something I'd practiced many times in Krav Maga, an Israeli self-defense discipline originally designed for just such situations: unarmed defenders facing people with guns. The gun went off, but by then my foot had pushed the man's arm away and the bullet flew toward the ceiling. In the next moment I had the bastard pinned on the ground with both knees on his arms. And then I started hitting him. I don't know how many times. I lost control of myself somewhere after the kick. It wasn't the way I had been trained, neither in Krav Maga nor in Special Forces, nor anywhere else. You train always to be in control. It wasn't the bourbon, or the jet lag. It wasn't anything chemical or external. It was me. Johnny B finally stopped me. He put his hand on my shoulder and gripped it, hard. "You want to back off now, Jacky. These fellows will take it from here." I looked up as if I'd been woken from a dream. Two of the hotel's security people were standing there. I rose, and they grabbed the man off the floor. Another had already retrieved the gun. "I appreciate what you did for me there," Johnny B told me, straightening his collar. "That son of a bitch would have gut-shot me. I appreciate it. You're a real player." My hands were red and raw. I looked over at the guy I'd been hitting as the security people got him up, finally aware of how hard I'd been pummeling him. I worried for a second that I'd killed him. He was coughing and moaning, and as the security people prodded him forward he walked on his own power. Barely. "I think maybe Jacky oughta go get cleaned up and get some rest," Johnny told Peanut. The Stratosphere's security supervisor had appeared and was standing nearby. "Why don't you take our friend back over to the hotel? Make sure the woman he sleeps with tonight is his wife." He grinned, and then pointed at me. "I owe you one. That's a good thing." A good thing. I walked out of the hotel, still slightly dazed. I was thirsty, but I knew better than to stop for a drink. The car had been parked in a VIP slot on the front drive and the valets brought it forward instantly. One of them opened the door for me and I slid in. Peanut got in and put it in gear, and we went out onto the Strip. My cell phone began to vibrate. "Jack," I said, pulling the phone open. I expected it was my wife, asking where I was, or maybe Johnny telling me the security people or police needed to talk. But instead it was a male voice I didn't recognize. "Is this Jack Pilgrim?" "Yeah. Who is this?" "I'm calling for Jason," said the man. "You're needed right away." Jason wasn't a person; it was a program we were running for Uncle in Afghanistan. It was Merc's deal; I didn't know much about it. "I'll have Merc get to you as soon he can," I said. "He's really the expert." "You're going to have to be here by noon. It's about your partner." "He's not dead, is he?" I don't know why I said that. "It's about your partner." "Noon's impossible," I told him. "I thought your business was to do the impossible." The phone clicked dead. I stared at it for a second, then folded it up and put it in my pocket and turned to Peanut. "I think you better take me to the airport." Copyright © 2007 by Jim DeFelice. All rights reserved.
Most Helpful Customer Reviews
In Afghanistan, CIA agent Mercury 'Merc' Conrad is on a black ops assignment when he suddenly vanishes off the radar screen. The CIA would ignore a lost agent because the brass believes in minimizing damage to avoid an international incident. Besides which those in the cold understand the risks they take. However Merc also has two million dollars that the agency wants back so they decide to send someone in.------------------- Former Special Forces soldier Jack Pilgrim volunteers to rescue Merc as he owes the man for saving his life three times. Jack treks into the most dangerous part of Afghanistan where outsiders never venture in a quest to locate his buddy. Every step is filled with danger as no one welcomes the American intruder.----------------- You don¿t know Jack if you are a thriller fan and pass on this action-packed tale that starts off at hyperspeed and never slows down until the final confrontation. Besides one harrowing incident after another that fully tests Jack¿s capabilities to survive, his occasional asides on his and Merc's mortality as he does not expect to survive this ordeal and his muses on divided loyalty add depth to him. However, LEOPARDS KILL is first, second, and nth action, action, and more action.-------------- Harriet Klausner
DeFelice has written or co-written a number of books in the suspense/ thriller genre...They are all well written and keep the reader wanting to turn the page...His characterizations are good and the plot is well coordinated and compelling....Recomment this book to anyone looking for a couple of nights of vicarious thrills.....
I've read reviews that talk about this as Apocalypse Now for Afghanistan. That's probably true, but it's also clearly a riff on Dante's Inferno - the quotation and chapter heads give it away, and check his guide's name out. Great book. Deserves a wider audience.
DeFelice starts Leopards Kill with a smooth style of writing, a few clever lines here and there, and I was almost convinced that what was to follow would be a find! However, his style quickly faded to a monotonous, run-of-the-mill story "driven" by a weak plot. The characters were less than stellar, the main character Jack Pilgrim has potential but does not reveal it; and the only two stand-out people in the book, Hokum and Joker, were sadly killed-off before they could steal the show. I found this hardcover at a dollar store, so I can't complain about the price. The read is actually easy and a good book for those looking to burn off a few hours. If you are looking for something that will tickle your brain cells, this is NOT it. If you are looking for something simple, easy, and somewhat entertaining (at times), then buy this book. Personally, I would not spend over $9.99 though.