A New York Times Bestseller
A Good Morning America Book Club Pick
An NPR Best Book of the Year
A Washington Post Best Thriller of 2024
“Listen for the Lie is a page-turner from the first sentence to the very last. In addition to being a world-class whodunit, full of carefully doled-out twists, Lucy is a terrific character, feisty and funny and, it turns out, brave as hell. It’s great fun. Readers will rip through this one.”
—Stephen King
“Original and deliciously dark with a wicked sense of humor. An addictive page-turner that will keep you guessing until the end.”
—Alice Feeney, New York Times bestselling author
“A singular voice that explodes off the page, Amy Tintera's writing flashes with sharp comebacks and pointed commentary as she expertly knits her web of secrets and small town lies. Hands down the most fun I've had reading about murder.”
—Chandler Baker, New York Times bestselling author of The Husbands
“Amy Tintera’s highly compelling voice grips you from the opening line and won’t let you go. A delight from start to finish.”
—Alex Michaelides, bestselling author of The Silent Patient and The Fury
“Every so often, a book comes along that takes you for a ridenow buckle up, because Amy Tintera has written it. Listen for the Lie explores the cruelest kind of world through the eyes of a woman whose grit is only outmatched by her razor-sharp wit. This bitingly funny and subversive thriller is one of the freshest and fiercest you'll read this year.”
—Courtney Summers, New York Times bestselling author of Sadie
“Laugh-out-loud funny, thrilling and twisty, edgy and scary, but also surprisingly sweet. I loved it!”
—Liane Moriarty, #1 New York Times bestselling author of Big Little Lies, Nine Perfect Strangers, and Apples Never Fall
"I read this in one sitting! Such a fun and engaging read, with an ending that blew my mind!"
—Freida McFadden, #1 New York Times bestselling author
"Listen for the Lie is quite sexy, compulsively readable, and laugh-out-loud funny."
—ShelfAwareness
“Readers will be hard-pressed not to wolf down this intelligent page-turner in a single sitting.”
—Publishers Weekly
“Smart, edgy, and entertaining as heck.”
—Kirkus
“The true-crime podcast hook will draw readers in, but it is Lucy's unique voice that will keep them turning the pages. An excellent takedown of small-town life and toxic masculinity.”
—Booklist
“Listen for the Lie is an edgy mystery novel whose true-crime storyline draws you in like ‘Serial’.”
—The Washington Post
“This is the debut thriller by Tintera, whose previous books have been for young readers, and it's so assured that I can't wait to read more from her. Young readers’ loss may be thriller lovers’ gain.”
—The Minneapolis Star Tribune
“[A] sleekly satirical novel.”
—PEOPLE Magazine
"An entertaining and thoroughly modern mystery novel."
—Washington Post || 28 Books to Read This Summer
“One of those totally engrossing reads that will have you looking up from your beach chair every once in a while to say, ‘Oh, that’s right. I’m at the beach.’”
—Harper’s Bazaar || 24 Best Beach Reads of 2024
“When a true crime podcast about the death of her best friend brings Lucy back home, she’s forced to confront her memories — and clear her name.”
—US Weekly || Mystery Novels to Read on the Beach During Summer 2024
“A gripping whodunnit/feminist revenge story…addictively good.”
—Boston Globe, 10 Best Thrillers and Mysteries of 2024 So Far
2023-12-16
Against her better judgment, Lucy Chase returns to her hometown of Plumpton, Texas, for her grandmother’s birthday, knowing full well that almost everyone in town still believes she murdered her best friend five years ago, when they were in their early 20s.
Coincidentally—or is it?—Ben Owens, a true-crime podcaster, is also in town, interviewing Lucy’s family and former friends about the murder of Savannah Harper, “just the sweetest girl you ever met,” who died from several violent blows to the head. Lucy was found hours later covered in blood, with no memory of what happened. She was—and is—a woman with secrets, which has not endeared her to the people of Plumpton; their narrative is that she was always violent, secretive, difficult. But Ben wants to tell Lucy’s story; attractive and relentless, he uncovers new evidence and coaxes new interviews, and people slowly begin to question whether Lucy is truly guilty. Lucy, meanwhile, lets down her guard, and as she and Ben draw closer together, she has to finally face the truth of her past and unmask the murderer of her complicated, gorgeous, protective friend. Most of the novel is told from Lucy’s point of view, which allows for a natural unspooling of the layers of her life and her story. She’s strong, she’s prickly, and we gradually begin to understand just how wronged she has been. The story is a striking commentary on the insular and harmful nature of small-town prejudice and how women who don’t fit a certain mold are often considered outliers, if not straight-up villains. Tintera is smart to capitalize on how the true-crime podcast boom informs and infuses the current fictional thriller scene; she’s also effective at writing action that transcends the podcast structure.
Smart, edgy, and entertaining as heck.