Lyrical Strains: Liberalism and Women's Poetry in Nineteenth-Century America

Lyrical Strains: Liberalism and Women's Poetry in Nineteenth-Century America

by Elissa Zellinger

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Overview

In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.



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Product Details

ISBN-13: 9781469659824
Publisher: The University of North Carolina Press
Publication date: 10/07/2020
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 272
File size: 14 MB
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About the Author

Elissa Zellinger is assistant professor of English at Texas Tech University.

What People are Saying About This

From the Publisher

Elissa Zellinger's analysis of how nineteenth-century American lyric poems work is a fresh and radical intervention in a field that has been grappling with these questions for nearly two decades. By linking the history of the creation of the liberal self to women's lyric production, Zellinger boldly intervenes in a variety of arguments about genre and gender in ways that will continue to shape the field."—Alexandra Socarides, University of Missouri



Lyrical Strains makes an important intervention into debates over the existence and significance of lyric poetry in nineteenth- and early twentieth-century America, arguing that 'strains' of the lyric in a wide variety of women's poetry contributed to a critique of the availability of liberal selfhood to those marked by gender and race. Elissa Zellinger is to be commended for the diversity of authors and texts she brings together here, as well as for her work at the intersection of literary studies and political philosophy."—Jennifer Putzi, The College of William & Mary

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