Modernity at Gunpoint: Firearms, Politics, and Culture in Mexico and Central America

by Sophie Esch

Overview

2019 Best Book in the Humanities (Mexico section) of the Latin American Studies Association

Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America. In this highly original study, Sophie Esch approaches political violence through its most direct but also most symbolic tool: the firearm. In novels, songs, and photos of insurgency, firearms appear as artifacts, tropes, and props, through which artists negotiate conceptions of modernity, citizenship, and militancy. Esch grounds her analysis in important re-readings of canonical texts by Martín Luis Guzman, Nellie Campobello, Omar Cabezas, Gioconda Belli, Sergio Ramirez, Horacio Castellanos Moya, and others. Through the lens of the iconic firearm, Esch relates the story of the peasant insurgencies of the Mexican Revolution, the guerrilla warfare of the Sandinista Revolution, and the ongoing drug-related wars in Mexico and Central America, to highlight the historical, cultural, gendered, and political significance of weapons in this volatile region.

Product Details

ISBN-13:	9780822986133
Publisher:	University of Pittsburgh Press
Publication date:	07/31/2018
Series:	Pitt Illuminations
Sold by:	Barnes & Noble
Format:	eBook
Pages:	296
File size:	3 MB

About the Author

Sophie Esch is an assistant professor of Latin American literature and culture at Rice University.

Table of Contents

Contents Acknowledgments Introduction: Firearms as Symbols of Insurgency and Modernity Chapter 1. Carbines and Cartridge Belts: Affirming One’s Presence Chapter 2. Pistols and Paredón: Violent Politics of Affect and Modernity Chapter 3. Riddled by Bullets: Weaponry, Militancy, and the People in Arms as Desire and Enigma Chapter 4. Songs of Guerrilla Warfare and Enchantment: Popularizing and Legitimizing Armed Struggle Chapter 5. Hidden Arsenals: Demobilized Combatants and the Postwar State of Mind Chapter 6. Golden AK-47s and Weapon Displays: The Props of the Drug War Epilogue: The Long Shadow of the Rifle Notes Bibliography Index

Editorial Reviews

Propone un abordaje teórico y metodológico cuidadosamente elaborado que escapa etiquetas fáciles.

Istmo Baldovinos

Modernity at Gunpoint is a unique and groundbreaking study on the culture of guns and the way in which material objects and the imagination about them contribute to discussions of gender, politics, and ideology. This is a rare book that organically understands the shared and diverging histories of Mexico and Central America, in ways that have been rendered urgent by new migration and economic patterns.

Ignacio M. Sanchez Prado

The entirety of the work is showing us the direction that I think our field is going, showing the commonalities between Mexico, Central America, and the borderlands—even as it reaffirms the uniqueness of each context.

Chasqui

Sophie Esch’s excellent study offers an unparalleled approach to weapons to confront modernity and, more generally, culture, across a variety of cultural production and national experiences. With the firearm as an analytical trope, Esch seeks to understand cultural responses to political violence, focusing mostly on Mexico and Nicaragua in the periods of 1910–1920, 1979–1990, and the present day.

Confluencia

Esch treats the firearm as a cultural and symbolic artifact rooted in the history as well as the present of the region.

Latin American Research Review

La transformación de la relación entre el hombre y el rifle que observamos en el trabajo de Esch es sorprendente y el resultado de una amplia investigación que incluye extensas fuentes históricas. Su corpus de cultura popular es notable, especialmente en el uso de la canción popular.

Transmodernity

To the saying that ‘war is the continuation of politics by other means,' Foucault replied that ‘power is the continuation of war by other means.' Esch shows that, in the context of Mexican and Central American modern history, both sayings are relevant. Brilliantly argued, and using the rifle as a symbolic tool, she produces a striking new image of these cultures.

University of Maryland Jorge Aguilar Mora

This engaging, well written, and richly researched book points to exciting new avenues in scholarship, blazing the path for future scholars to think about Mexico and Central America in tandem, or to unpack the multivalent resonances of a single object.

Revista de Estudios Hispánicos

"Modernity at Gunpoint is a unique and groundbreaking study on the culture of guns and the way in which material objects and the imagination about them contribute to discussions of gender, politics, and ideology. This is a rare book that organically understands the shared and diverging histories of Mexico and Central America, in ways that have been rendered urgent by new migration and economic patterns.” —Ignacio M. Sanchez Prado, Washington University, St. Louis


"To the saying that ‘war is the continuation of politics by other means,' Foucault replied that ‘power is the continuation of war by other means.' Esch shows that, in the context of Mexican and Central American modern history, both sayings are relevant. Brilliantly argued, and using the rifle as a symbolic tool, she produces a striking new image of these cultures." —Jorge Aguilar Mora, University of Maryland

“The entirety of the work is showing us the direction that I think our field is going, showing the commonalities between Mexico, Central America, and the borderlands—even as it reaffirms the uniqueness of each context.” —Chasqui
 

“Sophie Esch’s excellent study offers an unparalleled approach to weapons to confront modernity and, more generally, culture, across a variety of cultural production and national experiences. With the firearm as an analytical trope, Esch seeks to understand cultural responses to political violence, focusing mostly on Mexico and Nicaragua in the periods of 1910-1920, 1979-1990, and the present day.” —Confluencia
 

“La transformación de la relación entre el hombre y el rifle que observamos en el trabajo de Esch es sorprendente y el resultado de una amplia investigación que incluye extensas fuentes históricas. Su corpus de cultura popular es notable, especialmente en el uso de la canción popular.” —Transmodernity
 

“This engaging, well written, and richly researched book points to exciting new avenues in scholarship, blazing the path for future scholars to think about Mexico and Central America in tandem, or to unpack the multivalent resonances of a single object.” —Revista de Estudios Hispánicos
 

“Esch treats the firearm as a cultural and symbolic artifact rooted in the history as well as the present of the region.” —Latin American Research Review
 

From the Publisher